18 out of 25 people found the following comment useful :- Neat..., 8 May 2006
Author:
delsa87 from France
I don't like the first review that was made on it...Just to explain one
of my "complaints" : first, it is not a "special forces type film" at
all...and i won't even comment on the rest...*roll eyes*
This film is a success in many aspects IMHO despite all the fears i had
when i discovered who would be directing it...
It's adapted from a very well-known French TV series of the same name
which was a huge success in the 70s in France. The script is
well-written IMHO. You feel they've done their homework. The magazine
Historia even dedicated a whole edition to this movie in a way and the
whole historical period it depicted... Interviews of its makers
revealed that they've done their best to keep the spirit of the series
while still taking risks etc...like choosing a Belgian to play an
Occitan French with a strong southern accent typical of Occitans(that's
a bit polemical here by the way...), trying to mix huge parts of
history and historical figures in the story (Minister Jean Jaurès and
his journal L'Humanité, Paris Préfet etc...), The Triple Entente, the
"prémices" of WWI, the 'Russian Loans', "La Bande à Bonnot", the
"prémices" of the Russian Revolution and of socialism, emergence of new
types of criminality and new ways of fighting crime in response,
rivalry between the Brigades du Tigre and the Parisian Police in Paris
and other Préfectures in the rest of France..., scientific discoveries
which started helping the police at the time, the corruption and
affairs of the time, touchy political subjects of the time and used for
some of them to make parallels with current situations and to fire
critics at some current problems in France etc...
The European actors (German Diane Kruger, Italian Stefano Accorsi from
the great movie Romanzo Criminale, Belgian star Olivier Gourmet that
it's no need to present now after having shown his talent times and
times again, he's choosing a new kind of role for him there...) are
fantastic, same for the Frenchies: Clovis Cornillac (this guy is over
talented and it still shows in "popular" films like that...), Léa
Drucker (she's not only good in plays, cinéma should use her more after
this and Virgil hopefully...), Édouard Baer, Agnès Soral (always in
small roles but always perfect), Flamand on top...; the characters are
well-depicted, the feeling of the time too, musically, esthetically
that's OK too (i couldn't forget of the main theme song after seeing
the movie, Olivier Florio modernized it well...). Go see it!
It's got so many levels to it and it succeeds at each of them : drama,
critics made, historical depiction and analysis in a way, action,
aesthetic aspect of the film (its overall look etc...i don't know if
the word aesthetic is even existing ...erm...), and so on...For once, a
film based on a successful TV series isn't a flop...
I can't wait to see the sequel. Yep. A sequel is already in the making.
These characters (both fictive or real) and the time period they evolve
in can give a lot more since they're so rich so i think that's
justified...=)
I hope you'll find my review helpful guys...
PS : I appologize in advance for any butchering of English i would have
made. It would not be not intentional. My English is actually that
bad... Sorry.
Les Untouchables, 9 June 2008
Author:
TrevorAclea from London, England
Les Brigades du Tigre is a lavish and rather enjoyable French movie
spin off of a much-loved TV series, a sort of Les Untouchables about an
elite quartet of crime fighters taking on Russian anarchists, crooked
politicians and embezzlers in 1912 in the runup to the signing of the
Triple Entente between Russia, France and Britain that would make the
First World War an inevitability. The film suffers from the lack of a
memorable Al Capone-like opponent and there are no shootouts at train
stations (though it does all revolve around a coded ledger) but there
is a particularly good one at a farmhouse that draws a crowd of
approving visiting aristocrats to watch as if it were a grouse shoot
and a rather spectacular assassination at a performance of
Rimsky-Korsakov's Ivan the Terrible (well, it's one way to evoke the
spirit of Eisenstein if you can't do the Odessa Steps scene again!).
But rather than a straight-out gangster movie, this is a period
conspiracy thriller that naturally takes a slightly leftist leaning
despite the heroes being the mobile brigades who tended to lean more to
the right, and there is a sense of the film trying to have its moral
cake and eat it at times with the characters' divided political
sympathies occasionally seeming more like demographic-appeasing on
behalf of the producers: Clovis Cornillac's cop even delivers a speech
about what standup guys anarchists are just to reassure the modern
target audience in the banlieues that these cochons are cool
anti-establishment types.
The heroes themselves are initially rather lacking in charisma, and
it's mainly wardrobe and facial hair that distinguishes them at first -
unless you count Gerard Jugnot's cameo as their boss, what little star
power the film has is provided by Jacques Gamblin's wounded anarchist
and Diane Kruger's Russian Princess with revolutionary sympathies -
but, like Claude Bolling's initially slightly irritatingly jaunty
Borsalino-style TV theme music, they start to grow on you as the plot
becomes more intriguing. Directed with some flair by Jérome Corbuau,
it's an enjoyable Saturday-nighter, and thankfully the French PAL DVD
has English subtitles (though only on the feature - the deleted scenes
and featurettes are French only). A sequel is apparently in the works
and for once it's not entirely unwelcome.
1 out of 2 people found the following comment useful :- The French Untouchables, 28 November 2006
Author:
Mrswing from Brussels
*** This comment may contain spoilers ***
Very nice historical thriller/adventure, based on the hit TV series of
the same name. In 1912, an elite unit of the Sureté becomes involved in
a complex case including anarchist attacks, an international financial
scandal involving France and Russia, political corruption and a
mysterious, beautiful woman married to a Russian prince but with an
agenda of her own. The production is handsomely mounted, action scenes
are fairly sparse (like in The Untouchables) but very well done, real
set-pieces. There's a huge shootout, hand-to-hand combat, fencing...
the lot. Acting is very good across the line, but I would like to
single out Diane Kruger for her performance as Constance.
Multi-layered, very well written, the character is at the heart of the
plot and shows a richness and subtlety rare in genre fiction. Hindsight
provides an extra layer of appreciation: the events in the film occur
before WW I and the Russian Revolution, but will influence both these
cataclysmic upheavals. As we know more than the characters do about how
things will turn out, the narrative gains extra poignancy. Definitely
one of the best French mainstream entertainment films of recent years.
A success on every level. Roll on Brigades 2...
9 out of 26 people found the following comment useful :- different from American counterpart, 13 April 2006
Author:
(zwang@carlsonwagonlit.com.cn) from France
I have seen a lot of American special force type film. The french
apparently don't agree with their style. Those French guy are not good
at shooting, not good at fighting, with no special equipment, no
special skills... However, French inspectors are more human liking.
They talk and walk like real man. They go around without knowing
exactly what they are looking for. But they are more lovely than the US
counterparts. They have pride and confidence on themselves and they
show it proudly. They even insulted normal police force by their
attitude. I had never seen the TV serials on which this film based. The
inspectors are cool, the criminals are malicious and strong. The music
is great, I just can not forget the rhythm for some time.
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Brigades du Tigre, Les (2006)
18 out of 25 people found the following comment useful :-

Neat..., 8 May 2006
Author: delsa87 from France
I don't like the first review that was made on it...Just to explain one of my "complaints" : first, it is not a "special forces type film" at all...and i won't even comment on the rest...*roll eyes*
This film is a success in many aspects IMHO despite all the fears i had when i discovered who would be directing it...
It's adapted from a very well-known French TV series of the same name which was a huge success in the 70s in France. The script is well-written IMHO. You feel they've done their homework. The magazine Historia even dedicated a whole edition to this movie in a way and the whole historical period it depicted... Interviews of its makers revealed that they've done their best to keep the spirit of the series while still taking risks etc...like choosing a Belgian to play an Occitan French with a strong southern accent typical of Occitans(that's a bit polemical here by the way...), trying to mix huge parts of history and historical figures in the story (Minister Jean Jaurès and his journal L'Humanité, Paris Préfet etc...), The Triple Entente, the "prémices" of WWI, the 'Russian Loans', "La Bande à Bonnot", the "prémices" of the Russian Revolution and of socialism, emergence of new types of criminality and new ways of fighting crime in response, rivalry between the Brigades du Tigre and the Parisian Police in Paris and other Préfectures in the rest of France..., scientific discoveries which started helping the police at the time, the corruption and affairs of the time, touchy political subjects of the time and used for some of them to make parallels with current situations and to fire critics at some current problems in France etc...
The European actors (German Diane Kruger, Italian Stefano Accorsi from the great movie Romanzo Criminale, Belgian star Olivier Gourmet that it's no need to present now after having shown his talent times and times again, he's choosing a new kind of role for him there...) are fantastic, same for the Frenchies: Clovis Cornillac (this guy is over talented and it still shows in "popular" films like that...), Léa Drucker (she's not only good in plays, cinéma should use her more after this and Virgil hopefully...), Édouard Baer, Agnès Soral (always in small roles but always perfect), Flamand on top...; the characters are well-depicted, the feeling of the time too, musically, esthetically that's OK too (i couldn't forget of the main theme song after seeing the movie, Olivier Florio modernized it well...). Go see it!
It's got so many levels to it and it succeeds at each of them : drama, critics made, historical depiction and analysis in a way, action, aesthetic aspect of the film (its overall look etc...i don't know if the word aesthetic is even existing ...erm...), and so on...For once, a film based on a successful TV series isn't a flop...
I can't wait to see the sequel. Yep. A sequel is already in the making. These characters (both fictive or real) and the time period they evolve in can give a lot more since they're so rich so i think that's justified...=)
I hope you'll find my review helpful guys...
PS : I appologize in advance for any butchering of English i would have made. It would not be not intentional. My English is actually that bad... Sorry.
Les Untouchables, 9 June 2008

Author: TrevorAclea from London, England
Les Brigades du Tigre is a lavish and rather enjoyable French movie spin off of a much-loved TV series, a sort of Les Untouchables about an elite quartet of crime fighters taking on Russian anarchists, crooked politicians and embezzlers in 1912 in the runup to the signing of the Triple Entente between Russia, France and Britain that would make the First World War an inevitability. The film suffers from the lack of a memorable Al Capone-like opponent and there are no shootouts at train stations (though it does all revolve around a coded ledger) but there is a particularly good one at a farmhouse that draws a crowd of approving visiting aristocrats to watch as if it were a grouse shoot and a rather spectacular assassination at a performance of Rimsky-Korsakov's Ivan the Terrible (well, it's one way to evoke the spirit of Eisenstein if you can't do the Odessa Steps scene again!). But rather than a straight-out gangster movie, this is a period conspiracy thriller that naturally takes a slightly leftist leaning despite the heroes being the mobile brigades who tended to lean more to the right, and there is a sense of the film trying to have its moral cake and eat it at times with the characters' divided political sympathies occasionally seeming more like demographic-appeasing on behalf of the producers: Clovis Cornillac's cop even delivers a speech about what standup guys anarchists are just to reassure the modern target audience in the banlieues that these cochons are cool anti-establishment types.
The heroes themselves are initially rather lacking in charisma, and it's mainly wardrobe and facial hair that distinguishes them at first - unless you count Gerard Jugnot's cameo as their boss, what little star power the film has is provided by Jacques Gamblin's wounded anarchist and Diane Kruger's Russian Princess with revolutionary sympathies - but, like Claude Bolling's initially slightly irritatingly jaunty Borsalino-style TV theme music, they start to grow on you as the plot becomes more intriguing. Directed with some flair by Jérome Corbuau, it's an enjoyable Saturday-nighter, and thankfully the French PAL DVD has English subtitles (though only on the feature - the deleted scenes and featurettes are French only). A sequel is apparently in the works and for once it's not entirely unwelcome.
1 out of 2 people found the following comment useful :-

The French Untouchables, 28 November 2006
Author: Mrswing from Brussels
*** This comment may contain spoilers ***
Very nice historical thriller/adventure, based on the hit TV series of the same name. In 1912, an elite unit of the Sureté becomes involved in a complex case including anarchist attacks, an international financial scandal involving France and Russia, political corruption and a mysterious, beautiful woman married to a Russian prince but with an agenda of her own. The production is handsomely mounted, action scenes are fairly sparse (like in The Untouchables) but very well done, real set-pieces. There's a huge shootout, hand-to-hand combat, fencing... the lot. Acting is very good across the line, but I would like to single out Diane Kruger for her performance as Constance. Multi-layered, very well written, the character is at the heart of the plot and shows a richness and subtlety rare in genre fiction. Hindsight provides an extra layer of appreciation: the events in the film occur before WW I and the Russian Revolution, but will influence both these cataclysmic upheavals. As we know more than the characters do about how things will turn out, the narrative gains extra poignancy. Definitely one of the best French mainstream entertainment films of recent years. A success on every level. Roll on Brigades 2...
9 out of 26 people found the following comment useful :-

different from American counterpart, 13 April 2006
Author: (zwang@carlsonwagonlit.com.cn) from France
I have seen a lot of American special force type film. The french apparently don't agree with their style. Those French guy are not good at shooting, not good at fighting, with no special equipment, no special skills... However, French inspectors are more human liking. They talk and walk like real man. They go around without knowing exactly what they are looking for. But they are more lovely than the US counterparts. They have pride and confidence on themselves and they show it proudly. They even insulted normal police force by their attitude. I had never seen the TV serials on which this film based. The inspectors are cool, the criminals are malicious and strong. The music is great, I just can not forget the rhythm for some time.
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