The Last Hangman (2005)

Director:

Adrian Shergold

Writers:

Bob Mills (writer)
Jeff Pope (writer)

Release Date:

7 April 2006 (UK)

Genre:

Drama

Tagline:

Respected citizen. Loving husband. Professional killer.

Plot:

The life and times of Albert Pierrepoint - Britain's most prolific hangman

Plot Keywords:

Hangman | Nazi | Celebrity | Hood | Hanging

Awards:

2 wins & 4 nominations

Cast

Simon Armstrong	...	Minister
Ann Bell	...	Violet Van Der Elst
Nicholas Blane	...	Governor of Strangeways
Clive Brunt	...	Warder at Strangeways
Cavan Clerkin	...	George Cooper
James Corden	...	Kirky
Marie Critchley	...	Woman in Pub
Neil Fitzmaurice	...	Cliff the Scouser
Keiran Flynn	...	Neville
Clive Francis	...	Field Marshall Montgomery
Christopher Fulford	...	Sykes
Frances Shergold	...	Alice
Elizabeth Hopley	...	Dorothea Waddingham
Peter Jonfield	...	Mr. Andrews
Bernard Kay	...	Uncle Tom

Also Known As:

Pierrepoint (UK) (new title) (USA)
Pierrepoint: The Last Hangman (Australia) (DVD title)

MPAA:

Rated R for disturbing images, nudity and brief sexuality.

Runtime:

UK:90 min | Argentina:90 min

Country:

UK

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

UK:15 | USA:R | Singapore:M18 | Argentina:16 | Australia:M

Filming Locations:

Ealing Studios, Ealing, London, England, UK

Company:

Granada Television

Trivia:

Despite the title Pierrepoint was not Britain's last hangman. He retired in the mid 1950s, shortly after executing Ruth Ellis - (see Dance with a Stranger (1985)). Britain never had a "last hangman", as the last two executions before suspension of capital punishment were carried out in different cities at the same time. As the last two people executed were both guilty of the murder of John West, it was decided to carry out sentence at the same time in Aug 1964. In Nov 1965, people were still being sentenced to death.

Goofs:

Anachronisms: During the opening scenes, and other shots, the landing lights in prisons are fluorescent tubes.

Quotes:

Albert Pierrepoint: It's not been easy. I've got things in here too
[points at head]
Albert Pierrepoint: that I'd rather they weren't there. Oh, aye. I can keep them at bay, yeah. But they're waiting for me. Waiting for me to let my guard down. Waiting all the bloody time they are.

Soundtrack:

Jealous Heart

It's a dirty job, but someone's got to do it.

The Last Hangman Review

Mike Reynolds

It's a dirty job, but someone's got to do it. The clock strikes nine and the hangman goes to work, getting rid of criminals the old fashioned way. At the end of the day he puts on his cap and heads home to his wife like any other man. But what goes on in the head of an ordinary person who's job it is to kill? This is the question asked by Adrian Shergold, the director of The Last Hangman.

The film follows the true story of the rise of Britain's most prolific executioner, Albert Pierrepoint, and his struggle to be a lead a normal life. Pierrepoint is played by Timothy Spall, most noted for his great supporting roles in Vanilla Sky and The Last Samurai. Spall shines in this film, becoming both a calculating, intense killer and a jolly pub mate. As the film progresses, he literally transforms as his burden becomes greater. Juliet Stevenson plays Annie, Albert's arguably supportive wife. She portrays the guilt and paranoia of an English housewife painfully well. Through her, we see the full story of the couple's social and moral difficulties.

Pierrepoint's only real drive is that of any honest, hard working man. He just wants to be good at what he does. This keeps the audience in a emotionally conflicting state. The viewer desperately wants Albert to resign from his chilling career, while cheering on his incredible success.

The film is very nice to look at. What a feat. One can only imagine the difficulty of shooting a period piece independently. It was very interesting seeing the gritty grey streets of a wartime London recorded on 16. It seemed to give it a charming modern context, though there were jarring out of focus shots here and there. One memorable scene is brilliantly spliced with actual footage of a capital punishment protest.

Aside from the physical shooting of the film, there were strong symbolic devices at use. In order to hang someone efficiently, Pierrepoint would calculate the prisoner's height and weight. To do this he would look through a small peephole in the heavy cell door. Whenever anyone is shown through a crack, or a hole, it's a hint of grizzly foreshadowing. The method of passing time was artfully portrayed as well. Pierrepoint kept a logbook of all the people who he killed, their names written in perfect script. The stack of logbooks got bigger and bigger as years went by.

Films like The Last Hangman are important because they challenge our choices. This story makes us think of what we're responsible for in our lives and careers. Is the success worth the death of your inner self? That decision is up to us. Because the saddest thing about Albert Pierrepoint is that he applied for the job.