During the reign of the Vikings, Kainan, a man from a far-off world, crash lands on Earth, bringing with him an alien predator known as the Moorwen. Though both man and monster are seeking revenge for violence committed against them, Kainan leads the alliance to kill the Moorwen by fusing his advanced technology with the Viking's Iron Age weaponry.
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In 709 AD, in the Iron Age, a spacecraft crashes in the Viking kingdom of Herot, Norway, and the pilot Kainan survives. He turns the beacon on; learns the language and culture of the planet using a machine; and finds that the predator, Moorwen, that he was transporting, had escaped. While chasing the alien monster, he finds a village completely destroyed and is arrested by the warrior Wulfric, believing that he killed the locals - Kainan is brought to Herot as a prisoner. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The language spoken by Kainan and his computer in the beginning of the movie is actually Icelandic as it was pronounced in the 12th century. The dialog between him and the computer is as follows: Kainan asks: "Staður" (=location). Computer responds: "Stadhur: Noreg, taeknistig: Jarnold" which means "Location: Norway, Technology: Iron age". Kainan asks: "Leita skips" (Vessel search). Computer responds: "Leita....engin skip fundust" which means "Searching - no ships found". Kainan says: "Senda merki" (which actually means "send signal" but is translated as "language"). Computer responds: "saeki talmal: norrænu" which means "Loading dialect: Norse". When Kainan has buried his friend he says: "Far vel, herra" which is subtitled as "Sleep well, sir" but more correct would be "Fare well, sir". See more »
After the trap fails to kill the monster and the appearance of the baby one from the well, Kainan is seen pulling a bucket of blood red water from the well and pouring it on the side. When he then enters the well the water has no blood in it whatsoever. See more »
This thing has carved out a territory and you're in it!
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Outlandish. Howard McCain's Outlander may be the best B movie you never saw. This release dumped unceremoniously into theaters in the early year scrap heap is certainly a movie that is fully aware of its preposterous nature and approaches it with a straight face, a talented cast and premier production values that all work oddly well to produce an entertaining if far from perfect Sci-fi cult classic.
Originally slated for a normal wide release, a series of setbacks plagued production to an extent where it was deemed no longer feasible for such distribution. Why is this important you may ask? Well, thanks to the original and best laid plans producers threw a whopping $50 million into the film which provides us with some damn good effects for a film you would all but assume to be a low budget, straight to DVD release.
The plot is as tantalizing as they come; an alien, Kainan played by James Caviezel crash lands in ancient Nordish territory in the age of the Vikings. But along with his technology he brings a foreign parasite, a deadly creature known as the Moorwen. Caught in the middle of two warring Viking clans headed by Rogthgar (John Hurt) on one side and Gunnar (Ron Peralman) on the other, the primitive tribes must ban together to defeat their new common foe. oh yeah, it is in fact that awesome. The 'modern' story is framed by an interesting if slightly preachy back-story of past betrayal and genocide throughout the history of Kainnan's homeland.
After all this financial mumbo-jumbo is put to the side, what we are left with is a deliciously acted, well made period/sci-fi/creature feature/action film that only works at all due to all originality and the bizarreness of the plot. A few elements keep Outlander from being a cult-masterpiece however; it is too long, there are too many false climaxes and the goofy plot only just holds up. That being said the good news is that this film will make a quick trip to your local movie store bargain bin which means that you can score it for about the cost of a rental. Outlander is worth a look and even if you don't like it, you can't deny how perfectly it defines the so-bad-it's-good adage.
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