| Videos (see all 2) |
| Claw | ... | Herself | |
| Joe Connolly | ... | Himself | |
| Earsnot | ... | Himself | |
| Jase | ... | Himself | |
| NM | ... | Himself | |
| Saber | ... | Himself | |
| Toomer | ... | Himself |
Directed by | |||
| Doug Pray | |||
Produced by | |||
| Grant Cihlar | .... | producer | |
| Nancy Cihlar | .... | producer | |
| Roger Gastman | .... | supervising producer | |
| Quincy Jones III | .... | executive producer | |
| Kevin Lewis | .... | executive producer | |
| Roy Tesfay | .... | executive producer | |
| Tes Tesfay | .... | executive producer | |
Original Music by | |||
| Garron Chang | |||
Cinematography by | |||
| Doug Pray | |||
Film Editing by | |||
| Lasse Jarvi | |||
Production Management | |||
| Justin Cronkite | .... | unit production manager | |
| Gus Gill | .... | assistant production manager | |
| Katie Kennedy | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jim Dziura | .... | second unit director | |
Art Department | |||
| Steve Zeitzoff | .... | designer: logo | |
| Steve Zeitzoff | .... | graphic designer | |
Sound Department | |||
| Kevin Burke | .... | sound re-recording mixer | |
| Alex Chu | .... | sound editor | |
| Lasse Jarvi | .... | sound editor (as Lasse Järvi) | |
Camera and Electrical Department | |||
| Dustin Aksland | .... | still photographer: San Francisco | |
| Carlos Battis | .... | still photographer: L.A. | |
| Mario N. Bonassin | .... | gaffer (as Mario Bonassin) | |
| Mario N. Bonassin | .... | lighting: L.A. | |
| Jim Dziura | .... | director of photography: second unit | |
| Jim Dziura | .... | gaffer | |
| Jim Dziura | .... | lighting: San Francisco | |
| Chris Emmanouilides | .... | additional camera operator (as Chris Emmanoulides) | |
| Chris Glancy | .... | still photographer: New York City | |
| Rafael Henin | .... | still photographer: Philadelphia | |
| Lasse Jarvi | .... | additional camera operator (as Lasse Järvi) | |
| Richard P. Ulivella | .... | gaffer: New York/Philadelphia (as Richard Ulivella) | |
Editorial Department | |||
| Michael Gossen | .... | colorist | |
| Michael Gossen | .... | on-line editor | |
| Gem McLaughlin | .... | associate editor | |
| Chad Stewart | .... | associate on-line editor | |
Music Department | |||
| Candice Brown | .... | music supervisor | |
| DJ Z-Trip | .... | composer: theme music | |
Other crew | |||
| Jennielyn Abrot | .... | assistant to producer | |
| Justin Cronkite | .... | coordinator | |
| Adule Epao | .... | assistant to producer | |
| Roger Gastman | .... | research consultant | |
| Roger Gastman | .... | source: photographs | |
| Daniel Gonzales | .... | production assistant: L.A. | |
| George Hirsch | .... | source: photographs | |
| Peku Karu | .... | pilot | |
| Julianna Leskie | .... | production assistant: San Francisco | |
| Jamerson Morris | .... | production assistant: New York City | |
| Tim Pray | .... | coordinator | |
| Jake Smith | .... | production assistant: New York City | |
| Tony Smyrski | .... | source: photographs | |
| Roy Tesfay | .... | financial supervisor (as Roy B. Tesfay) | |
| Silvia Vigano | .... | assistant to producer | |
| Misha Zubarev | .... | production assistant: Philadelphia (as Michael Zubarev) | |
Thanks | |||
| Russo Anastasio | .... | very special thanks | |
| Allison Binder | .... | very special thanks | |
| Lorrie Boula | .... | very special thanks | |
| Ty Briscoe | .... | very special thanks | |
| Jack Dangers | .... | very special thanks | |
| Eddie Donaldson | .... | very special thanks | |
| Casey Eklips | .... | very special thanks | |
| Zevan Frostad | .... | very special thanks | |
| Gus Gill | .... | very special thanks | |
| Tricia Halloran | .... | very special thanks | |
| Mohra Johnson | .... | very special thanks | |
| Ville Järvi | .... | very special thanks | |
| Brian Knappenberger | .... | very special thanks | |
| Rae Leah | .... | very special thanks | |
| Michael K. Lewis | .... | in memory of | |
| Adam Lorick | .... | very special thanks | |
| Rameen Mansour | .... | very special thanks | |
| Caleb Neelson | .... | very special thanks | |
| Diana Rathe Pray | .... | very special thanks (as Diana Pray) | |
| Darin Rowland | .... | very special thanks | |
| Ruben Salazar | .... | very special thanks | |
| Tony Smyrski | .... | very special thanks | |
| Sonja Teri | .... | very special thanks | |
| Cheyenne Tesfay | .... | very special thanks | |
| Mckenna Tesfay | .... | very special thanks | |
| Derek Thorn | .... | very special thanks | |
| Peter Varaday | .... | very special thanks | |
| Sebastion Wecer | .... | very special thanks | |
| Jennifer Westfall | .... | very special thanks | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
I love this film so much, I show everyone I meet who knows anything about the culture, but you can learn a lot if you've never seen a graff film before or ever wondered what the people running the show were really like. This is not to say that this is the end all be all of graff movies, but it's a really good representation of some of the most INFLUENTIAL individuals still in the game.
Huge props to Pray and Gastman and the cameramen on taking the risk for their own film, I'm sure one or more investigations resulted from the making... Hopefully nothing too severe. It is a big deal for a writer to show their face, people must recognize.
This movie helped me understand more of what I love about graff so much, the HONESTY of the art form above all else.
It goes into daily life with each person not holding much back, esp. the openly PROUD/ strong/black/and homosexual earsnot setting an example to speak your mind, (which more people should follow), the personality traits/flaws of writers (Their egos, their gregariousness, impulses, non apologetic behavior, etc), their artistic motivations (whether it be in evolving their graffiti further, to their fine art to fashion to tattooing to sketching), what its like to live in a rough hood and be stereotyped (LOS ANGELES, NY, etc), dealing with other people's expectations including your peers and your parents)...
For a movie shot in a lot of illegal locations, the cinematography/lighting/technicalities was amazing. It takes BIG BALLS, great amounts of trust I'm sure, and a passion for art to make something like this... can't wait for the next project!