A young journalist, a seasoned cameraman and a discredited war correspondent embark on an unauthorized mission to find the No.1 war criminal in Bosnia. However, their extremely dangerous target decides to come after them.
This film is about a hyper-vigilant employee of the department of public safety who, while training his young female replacement, has to track down a missing girl who he is convinced is connected to a paroled sex offender he is investigating.
Early in 1971, the publishing company McGraw-Hill passes on Clifford Irving's new novel. He's desperate for money, so, against the backdrop of Nixon's reelection calculations, Irving claims he has Howard Hughes's cooperation to write Hughes's autobiography. With the help of friend Richard Suskind, Irving does research, lucks into a manuscript written by a long-time Hughes associate, and plays on corporate greed. He's quick-thinking and outrageously bold. Plus, he banks on Hughes's reluctance to enter the public eye. At the same time, he's trying to rebuild his marriage and deflect the allure of his one-time mistress, Nina van Pallandt. Can he write a good book, take the money, and pull off the hoax? Written by
The helicopter that almost lands on the roof of the McGraw-Hill building in 1971 is clearly an AS350. The original, single engine version of this did not make its first flight until 27 June 1974. The twin engined model used in the movie did not fly until even later. See more »
A super matinée flick. Richard Gere plays Clifford Irving, a mediocre author who tries to turn his fortune with an outrageous literary coup - that he is engaged to write the autobiography of reclusive magnate Howard Hughes. Gere captures the chutzpah and nervous opportunism of Irving; he is helped by director Lasse Hallström with unfussy sequences of intoxication, dream and surrealism as the project takes on a terrible life of its own.
Hallström is well-attuned to the natural drama in the story, using period footage and bleaching his shots beige with filters. Yet he really wrings the drama from the situation and has made a nail-biting and often funny film. Gere has classy support from the versatile Alfred Molina, a grandstanding Hope Davis as his agent and, latterly, the ever-watchable Stanley Tucci (Julie Delpy simply fleshes out a cameo). A more coherent and satisfying hoaxer movie than Catch Me If You Can. 7/10
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