Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents' divorce in Brooklyn in the 1980s.
Early in 1971, McGraw-Hill passes on Clifford Irving's new novel. He's desperate for money, so, against the backdrop of Nixon's reelection calculations, Irving claims he has Howard Hughes's cooperation to write Hughes's autobiography. With the help of friend Dick Suskind, Irving does research, lucks into a manuscript written by a long-time Hughes associate, and plays on corporate greed. He's quick-thinking and outrageously bold. Plus, he banks on Hughes's reluctance to enter the public eye. At the same time, he's trying to rebuild his marriage and deflect the allure of his one-time mistress, Nina Van Pallandt. Can he write a good book, take the money, and pull off the hoax? Written by
About 12 minutes into the movie before Irving is to meet with McGraw Hill, there is a southerly view of Manhattan with the Empire State Building in the foreground. In the distance looking toward lower Manhattan are the buildings of the World Financial Center. These buildings did not exist in 1971. Also, in 1971 the Twin Towers of the World Trade Center would be visibly under construction albeit not very tall at that time. See more »
You're always so careful when you talk, always so soft like a cushion for what you want. But I am leaving. But before I go, I give you something. You are exhausted from your lies. So tell the truth. Tell me the truth about what you did with her this time. It is your moment to be clean.
I saw her.
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A super matinée flick. Richard Gere plays Clifford Irving, a mediocre author who tries to turn his fortune with an outrageous literary coup - that he is engaged to write the autobiography of reclusive magnate Howard Hughes. Gere captures the chutzpah and nervous opportunism of Irving; he is helped by director Lasse Hallström with unfussy sequences of intoxication, dream and surrealism as the project takes on a terrible life of its own.
Hallström is well-attuned to the natural drama in the story, using period footage and bleaching his shots beige with filters. Yet he really wrings the drama from the situation and has made a nail-biting and often funny film. Gere has classy support from the versatile Alfred Molina, a grandstanding Hope Davis as his agent and, latterly, the ever-watchable Stanley Tucci (Julie Delpy simply fleshes out a cameo). A more coherent and satisfying hoaxer movie than Catch Me If You Can. 7/10
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