5.7/10
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High-Rise (2015)

R | | Drama | 28 April 2016 (USA)
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Life for the residents of a tower block begins to run out of control.

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, (novel)
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1,481 ( 60)
2 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Ann
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Dan Renton Skinner ...
Simmons (as Dan Skinner)
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Fay
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Storyline

Class struggle becomes all too real as a young doctor moves into a modern apartment block in suburban 1975 London. Drugs, drink & debauchery dissolve into murder, mayhem and misogyny in this pseudo-post-apocalyptic breakdown of societal norms. Written by David R Turner

Plot Summary | Plot Synopsis

Taglines:

Welcome to the high life... See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for violence, disturbing images, strong sexual content/graphic nudity, language and some drug use | See all certifications »

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Details

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Release Date:

28 April 2016 (USA)  »

Also Known As:

High Rise  »

Box Office

Opening Weekend:

$79,887 (USA) (13 May 2016)

Gross:

$343,139 (USA) (29 July 2016)
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Technical Specs

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Color:

| (super8 footage)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Elizabeth Moss said that the most difficult thing for her when preparing for High-Rise (2015) was to speak in a convincing British accent since she was American. See more »

Goofs

When Laing first meets Royal, trees from the garden location which should have been digitally removed can be seen behind the wall in one shot. There should only be a sheer drop as it's meant to be a roof garden at he top of a tower block. See more »

Quotes

Laing: [on Wilder] He's probably the sanest man in the building.
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Connections

Featured in Renegade Cut: High-Rise (2016) See more »

Soundtracks

Fly United
Written by John Weinzierl, Renate Knaup and Peter Leopold
performed by Amon Düül II (as Amon Düül)
Published and licensed courtesy of Amon Düül
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User Reviews

 
High-Rise
10 April 2016 | by (France) – See all my reviews

Life for the residents of a tower begins to run out of control.

High-Rise is the adaptation of J.G. Ballard's 1975 novel, directed by Ben Wheatley and starring Tom Hiddleston as Dr. Robert Laing. I didn't really know what to expect from this movie, as I did not read the book, so I came at it from a fresh perspective. This film is a quasi-period piece, which is not completely irrelevant to a Britain in which buy-to-let apartment block exist. It is a blank, affectless world with a certain type of sci-fi and satirical Englishness. This tale is quite a bizarre, sleek, seedy and mad spectacle.

If Jeremy Iron's roles in Dead Ringer and M.Butterfly provide a roundabout link to Cronenberg, so does a med-school scene where the skin of a cadaver's head is peeled away in a kind of metaphor for society's thin surface. That and his wife parading around like some postmodern Marie Antoinette, on a horse. In fact, the core cast is brilliant. Tom Hiddleston is terrifically nonchalant, giving a great performance as the lead character: dry and self-possessed. A charming and charismatic performance with a hint of internal sadness. Plus, Miller makes bright work of Charlotte.

Mark Tildesley's lavish production design ranges from mouldering fruit bowls to posh parties decadent enough to cause a French Revolution. Decadence, despair and violence are all around, in a kind of ongoing erotic catastrophe. The screenwriters played out this scenario as a retro-futuristic sci-fi allegory - Ballard was writing the near-future in the mid-70s: Wheatley and Jump smartly stick with a period they know well. I loved the film's refusal of "normal" storytelling, bold visual style with these gorgeous shots and vibrant colours. Combined with the editing, shots have a dream- like surreal quality, a colourful beginning contrasted by the end with a dark shadow feeling.

The soundtrack was great, there is two scenes especially where there's this string quartet playing an ABBA song and later on it gets remix, it was probably one of my favourite scenes - as well as this very interesting naked scene on the balcony that might also be of some interest to some of you. Finally, for some High-Rise could be frustrating and the specific references to Margaret Thatcher era doesn't quite work as a whole.

Overall, High-Rise has a vibe of "you want to look away but you really can't". This film is an excellent allegory for society, it lingers in the mind with some strong visuals, good soundtrack and more than decent acting.


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