A double-bill of thrillers that recall both filmmakers' favorite exploitation films. "Grindhouse" (a downtown movie theater in disrepair since its glory days as a movie palace known for "grinding out" non-stop double-bill programs of B-movies) is presented as one full-length feature comprised of two individual films helmed separately by each director. "Death Proof," is a rip-roaring slasher flick where the killer pursues his victims with a car rather than a knife, while "Planet Terror" shows us a view of the world in the midst of a zombie outbreak. The films are joined together by clever faux trailers that recall the '50s exploitation drive-in classics. Written by
The music playing in the "Thanksgiving" segment is part of John Harrison's original score in Creepshow (1982) for the "Father's Day" and "Something to Tide You Over" segments. See more »
In the final scene of "Death Proof," when the Dodge Challenger forces the Charger to spin out and crash, the Charger's rear wheels are still on the car. As the girls approach the car in the next scene, one rear wheel (driver's side) is no longer in the car. See more »
[about Doc Block]
Never did like that son of a bitch. About as useless as a pecker on a pope.
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Just below the listing for Quentin's personal chef is the following credit: "Personal Chef for Mr. Rodriguez - Robert Rodriguez" See more »
I went to the premier in Austin last night. Wow, what an awesome event. Here are a few brief thoughts: One of the previews, that is being made into a movie, looks absolutely absurd and I am sure that it will be a joy to watch.
Planet Terror kept you laughing, groaning, and cringing the entire time. Enough action to keep you into it, enough campy gore to laugh at, and plenty of build up to have you cheering for the good guys. Rodriguez put together an A-rated, B-movie.
Death Proof was also enjoyable. I may have been antsy due to the cramped seating, but it seemed like there was a little lull in the middle. I didn't want to get up at intermission as I didn't want to miss the trailers. As Tarantino has done before, there is some great dialogue flying around the core group of actors.
I will definitely go see it again in the theater. I missed some of the dialogue due to the roar of the audience. However, I think having an interactive audience really adds to the experience.
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