at SnagFilms

| Videos |
| Skip Lipman | ... | Himself / Bannor | |
| Kenyon Wells | ... | Himself / Keldar | |
| Daniel McArthur | ... | Himself / Trivius | |
| Rebecca Thurmond | ... | Herself / Nemesis | |
| James Iddings | ... | Himself / Saruk | |
| Gary Black | ... | Himself / Malkin | |
| Domenic Prince | ... | Himself / Arfex | |
| Andrew Mattingly | ... | Himself / Shapwin | |
| Frank Kanach | ... | Himself / Otto | |
| Leah Kanach | ... | Herself / Ilya | |
| rest of cast listed alphabetically: | |||
| Michael Wells | ... | Himself - Kenyon's father | |
| Nancy Lee Wells | ... | Herself - Kenyon's mother | |
Directed by | |||
| Luke Meyer | |||
| Andrew Neel | |||
Writing credits(in alphabetical order) | ||
| Luke Meyer | writer | |
| Andrew Neel | writer | |
Original Music by | |||
| Jonah Rapino | |||
Cinematography by | |||
| Karl F. Schroder | |||
| Hillary Spera | |||
Film Editing by | |||
| Brad Turner | |||
Art Department | |||
| John DeLuca | .... | storyboard artist | |
Sound Department | |||
| John Bosch | .... | sound mixer | |
| Keith Cecere | .... | sound mixer | |
| Raphael Laski | .... | sound editor | |
| Raphael Laski | .... | sound mixer | |
| Mike Mayo | .... | recordist | |
| Rafael Sienkiewicz | .... | sound mixer | |
Visual Effects by | |||
| Gavin Rosenberg | .... | online editor | |
Camera and Electrical Department | |||
| Paul Barth | .... | camera copter pilot | |
| Maceo Bishop | .... | Steadicam operator | |
| Scott Buckler | .... | crane operator | |
| Steve Bussman | .... | camera copter pilot | |
| Rick Carmona | .... | crane grip | |
| Steve Cassidy | .... | aerial director of photography | |
| Jean Chen | .... | grip | |
| Shawn Crawford | .... | assistant camera | |
| John Dianda | .... | crane grip | |
| Mike Horn | .... | additional camera operator | |
| Chris Koch | .... | grip | |
| Luke Meyer | .... | additional camera operator | |
| Sarah Morton | .... | assistant camera | |
| Andrew Neel | .... | additional camera operator | |
| Ethan Palmer | .... | additional camera operator | |
| Brent Poleski | .... | additional camera operator | |
| Brent Poleski | .... | grip | |
| Rossana Rizzo | .... | additional camera operator | |
| Rossana Rizzo | .... | assistant camera | |
| Gavin Rosenberg | .... | additional camera operator | |
| Gavin Rosenberg | .... | assistant camera | |
| Richard 'Rico' Sands | .... | crane operator | |
| Alex Valentine | .... | additional camera operator | |
| Charlie Wing | .... | grip | |
| Ben Zimmerick | .... | assistant camera | |
Animation Department | |||
| Erin D'Avella | .... | animator | |
| John Garland | .... | animator | |
| Ian Lamont-Havers | .... | animator | |
| Scott Pallo | .... | animator | |
| Rich Paul | .... | animator | |
| Drew Vogelman | .... | animator | |
Editorial Department | |||
| Ted Pishko | .... | smoke editor | |
| Gavin Rosenberg | .... | digital intermediate conformer | |
| Scot Starbuck | .... | colorist | |
Music Department | |||
| Todd Brunel | .... | musician: clarinet | |
| Eric Dahlman | .... | musician: trumpet | |
| Joshua Evans | .... | musician: cello | |
| Daniel L. Heath Jr. | .... | musician: trombone | |
| Kaethe Hostetter | .... | musician: viola | |
| Rick Landwehr | .... | musician: percussion | |
| Jonah Rapino | .... | composer: additional music | |
| Jonah Rapino | .... | musician: violin | |
| Laura Smolowitz | .... | musician: flute | |
| Vessela Stoyanova | .... | musician: marimba | |
Other crew | |||
| Lee Adhemar G. Feldshon | .... | legal counsel | |
| Kenneth G. Alberstadt | .... | counsel: OVIE | |
| Marcello Benedetto | .... | legal counsel | |
| Nick DeWind | .... | intern | |
| Ish Goldstein | .... | production assistant (as Jesse Goldstein) | |
| Diane Grayson | .... | intern | |
| Guy Greenberg | .... | production assistant | |
| Vicky Hely-Hitchinson | .... | intern | |
| Masato Ota | .... | intern | |
| Domenic Romano | .... | legal counsel | |
| Chris Schmidt | .... | key intern | |
| David Schwartz | .... | legal counsel | |
| Daniel Timmins | .... | production assistant | |
| Jeremy Walker | .... | publicist | |
|
|
|
|
|
| Uber Goober | The Gamers | GamerZ | Ewoks: The Battle for Endor | Monster Camp |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
| Add this title to MyMovies |
Saw this at the Santa Fe Film Festival. I knew little more than what I had read in the program and seen on the trailer. Not being a "Larper" (which is never fully explained) I never had a clear sense of the complexity of the activity. Overall, I thought that the film did a cursory job of presenting the characters and their motivations. Because the film takes itself so seriously, I felt we were laughing at the characters, not with them. All we really get from the characters is a reinforced theme of "at home I'm nobody, I'm not in control... at Darkon, I'm somebody, I'm in control" (not a direct quote).
Rather than documenting, this film seems to promote the activity, never taking the time to question whether or not participating in Darkon is always a good thing. It's more narrative than documentary, and the story simply isn't that compelling. I think this film thrives largely on the foreignness of the subject matter.
The editing is a little sloppy (the film could be about 15 minutes shorter), characters are a bit bland (give the subject, I expected more dynamic personalities), visuals range from professional to poorly shot/poorly exposed, the music is quite excellent... though it gives the film a pseudo "Lord of the Rings" vibe when it's really just Medieval Reenactment with padded weapons. Again, I felt this undermined the objectivity and made it Pro-Darkon.
The preview has all the best shots from the film, as previews often do. Most of those images have no context in the film itself, and are just visual asides.
Of course, independent film-making is no small task, so for that reason I'm giving this a 5/10. It was a good effort, but overall, I would not recommend the film. Boredom sinks in at about minute 15.