Away (A)wake (2005)

User Rating:

6.2/10   

Director:

Morgan Jon Fox

Writers:

Suzi Crashcourse (writer)
Morgan Jon Fox (writer)

Genre:

Drama

Plot:

Larsen, runs away after the principle reveals a photo of him making out with another boy to the whole school. |

Plot Keywords:

Homosexuality | Insomnia | Infidelity | Nudity | Gay And Lesbian Film

Awards:

1 win

Cast

Bill Baker	...	Larson's Father
Doris Barker	...	Principal
Helen Bowman	...	Edith
David Caffey	...	Corey's Father
Daniel Long	...	Evan
Saki Manousakis	...	Larson
Timothy Morton	...	Corey
Mark Pergolizzi	...	Phil
Pamela Tice Chapman

Runtime:

USA:91 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.33 : 1

Filming Locations:

Memphis, Tennessee, USA

Trivia:

Because the shoot was low-budget, everyone involved stayed up long hours to get things done. The actors turned out to be as sleep-deprived as their characters.

Quotes:

Corey: Where's Grandpa!

Somewhere in this Film there must be a Reason for Making It

AWAY (A)WAKE is a very low budget little film directed by Morgan Jon Fox who also wrote the semblance of a script with Suzi Crashcourse, his cinematographer. As in his previous film BLUE CITRUS HEARTS Fox, a film school drop-out, seems to be developing a style and while that style worked fairly well with BLUE CITRUS HEARTS, here it seems to get in the way by making this seemingly self indulgent movie steer so far from a good idea that it is left floundering for an identity.

Ostensibly the 'story' intersects the lives of four characters: a gay high school lad who is reprimanded by his principal for a photo he shot of a moment of kissing with his boyfriend - an incident made into a homophobic circus against which the boy reacts; a grandmother whose husband of thirty years walks out on her leaving her to wander around looking for reasons yet giving verbiage to the need to maintain 'wonder' in our lives; the grandson of the grandmother who also happens to be the first character's boyfriend but is left wandering the streets in his soccer clothes groping for meaning; a older male street person with some insights into madness - or more meaningful views of the need for relating.

Good thoughts, these, but the problem with the film is finding focus and that starts with devising a script that goes beyond pedestrian philosophizing. The obvious untrained actors do their best to make this all work, but they are disrupted by schmaltzy camera work that just pushes drama aside for the sake of effect. The film gives the feeling of having been shot in a day and a night: more time given to concept and production may have saved this strange little interlude into something worth watching. In all it is an annoying hour and a half of loosely associated ideas that never quite gel. Back to BLUE CITRUS HEARTS....that was a better start for Fox. Grady Harp