| Photos (see all 1 | slideshow) |
| Tadanobu Asano | ... | Kyoji | |
| Hye-jeong Kang | ... | Noi | |
| Eric Tsang | ... | Monk | |
| Maria Cordero | ... | Maria | |
| Toon Hiranyasap | ... | Wiwat | |
| Ken Mitsuishi | ... | Lizard | |
| Hideki Jitsuyama | ... | Kyoji's Father | |
| Tomono Kuga | ... | Seiko | |
| Hiro Sano | ... | Hideki | |
| rest of cast listed alphabetically: | |||
| Vant Banditnopparat | ... | Colleague 2 | |
| Chatchaj Bunditwetchakorn | ... | Taxi Driver | |
| Lei Ju Fong | ... | Maria's compund staff | |
| Woon Ling Hau | ... | Old Lady | |
| Nukun Hongthong | ... | Thai Thug 1 | |
| Vararuk Kumprom | ... | Man | |
| Prompop Lee | ... | Universal Cruise staff | |
| Wong Chen Man | ... | Maria's compund staff | |
| Thiti Michelli | ... | Kanchil | |
| Yasuhiko Miyachi | ... | Colleague 1 | |
| Auttharco Patthanodom | ... | Bartender | |
| Thanee Poonsuwan | ... | Technician | |
| Dhiranan Sukwibul | ... | Wilai | |
| Sorayis Tungomesakul | ... | Nid | |
| Fung Tse Wa | ... | Young Monk | |
| Cheung Jat Wai | ... | Maria's compound staff | |
| Pakawat Wisesmanee | ... | Thai Thug 2 | |
| Suree Ch. Wiwat | ... | Old Woman | |
Directed by | |||
| Pen-Ek Ratanaruang | |||
Writing credits(in alphabetical order) | ||
| Prabda Yoon | writer | |
Original Music by | |||
| Hualampong Riddim | |||
Cinematography by | |||
| Christopher Doyle | |||
Film Editing by | |||
| Patamanadda Yukol | |||
Production Design by | |||
| Saksiri Chantarangsri | |||
Production Management | |||
| Lee Chatametikool | .... | post-production supervisor | |
Sound Department | |||
| Annop Jaikaew | .... | boom operator | |
| Akritchalerm Kalayanamitr | .... | sound editor (as Akrit Chaya-ngam) | |
| Koichi Shimizu | .... | sound | |
Camera and Electrical Department | |||
| James McGrady | .... | gaffer | |
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| The Osterman Weekend | Lo strano vizio della Signora Wardh | Basic Instinct | Ken Park | Ruang rak noi nid mahasan |
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After doing a terrible thing for his boss, Kyoji left Macau for a so-called vacation in Phuket, one of the most beautiful holiday destinations in Thailand. During this whole period of time, many inexplicable incidents happened to him.
Invisible waves took you to the world of Kyoji, the disoriented world which he, himself, hardly comprehended; nor did the audience. For him, everything seemed to go wrong from the day when he did an unforgivable, unpleasant thing to Seiko, a woman whom he had been having an affair with. Here, we saw him locking himself in a room, being robbed or even being betrayed.
The film was not meant to be entertaining, but for some bizarre reason, I had no difficulty enjoying this film. I felt like being swept away by the wave into Kyoji's locale. While watching this film, I had an atmospheric feeling of uncertainty. I was not sure what was happening, nor did the lead character, I guess. Since the whole movie was a bit gloomy, I could not even tell the time of day when the action took place, early evening or at the beginning of the day. It occurred to me that the director might have intended to create a dismal ambiance in the movie. The story, hence, did not need to add up. Everybody could still enjoy the atmosphere.
According to Asian belief, if you do a bad deed, you will suffer for the rest of your life. In this case, we saw Kyoji being a victim of his action. He even decided to punish himself. He accomplished what Kenji, in "Last Life in the Universe" failed to achieve; that is perfect happiness. As a matter of fact, the protagonists in both movies were played by Tadanobu Asano and the movies were also both directed by the same Thai director, Pen-Ek Ratanaruang.
As some viewers mentioned, this movie appeared to have no plot, and many places in the movie looked dull and awful. It also took quite a long time to develop from one place to another. Even so, this movie is about a guy who is being punished because of what he has wrongly done in the past. A lot of things in this movie, therefore, need to be black, like the old saying "do good deserve good, do bad deserve bad". It is a wave of guilt that keeps attacking his conscience. No one ever sees it, even Kyoji himself, but everybody can feel its existence.