| Chowee Leow | ... | Ashley Wang | |
| Steven Lim | ... | Melvin Shu | |
| Gareth Rhys Davis | ... | Todd Charrington | |
| Neil Collie | ... | Ross Foreman | |
| John 'Ebon-knee' Campbell | ... | Diane / Dan | |
| Paul Cox | ... | Brad | |
| Mark Hampton | ... | Gavin Chan | |
| David Cary | ... | Ian / Trannie Club Cashier | |
| David Tse | ... | Pastor Joseph Szeto | |
| Michelle Lee | ... | Choi Lin Cheung | |
| Shirley Chantrell | ... | Mrs. Chan | |
| Paul Courtenay Hyu | ... | Kelvin Chan | |
| Mark Wakeling | ... | Antoine | |
| James Bridgeman | ... | Cheeky Workman | |
| Ian Campbell | ... | Gay Cafe Waiter | |
| Kai Ting Chiang | ... | Lucy in Charity Shop | |
| Gerard Canning | ... | Bald Man in Toilet | |
| Rob Prewett | ... | Taxi Driver | |
| Susan Hodgetts | ... | Girlfriend at Hammersmith Bridge | |
| Michael Onder | ... | Man at Hammersmith Bridge | |
| Stephen Carlill | ... | Solicitor | |
| Naveen Mann | ... | Workman 2 | |
| Eric Way | ... | Man in Soho |
Directed by | |||
| Ray Yeung | |||
Writing credits(in alphabetical order) | ||
| Ray Yeung | writer | |
Produced by | |||
| Rosa Fong | .... | associate producer | |
| Chowee Leow | .... | producer | |
| Ray Yeung | .... | producer | |
Original Music by | |||
| Paul Turner | |||
Cinematography by | |||
| Patrick Duval | |||
Film Editing by | |||
| Anuree De Silva | |||
| Catherine Fletcher | |||
Production Design by | |||
| Malin Lindholm | |||
Art Direction by | |||
| Dirk van der Velden | |||
Costume Design by | |||
| Maria Papandreas | |||
Makeup Department | |||
| Jess Brooks | .... | hair stylist | |
| Jess Brooks | .... | makeup artist | |
| Jessica Davis | .... | hair stylist | |
| Jessica Davis | .... | makeup artist | |
| Hannah George | .... | makeup artist | |
| Sharon Holloway | .... | makeup designer | |
| Keira Philo | .... | hair stylist | |
| Keira Philo | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Guy Campbell | .... | third assistant director | |
| Thijs Klaassen | .... | first assistant director (as Matthijs Klaassen) | |
| Adran Sherwen | .... | second assistant director | |
| Claire Thompson | .... | first assistant director | |
Art Department | |||
| Rebecca Vincent | .... | assistant art director | |
Camera and Electrical Department | |||
| Michael Onder | .... | gaffer | |
Editorial Department | |||
| John McMullin | .... | on-line editor | |
Other crew | |||
| Charles Bates | .... | production accountant | |
| Sean James Cameron | .... | location manager | |
| Poppy Corbett | .... | production runner | |
| Sarah Hannam Davies | .... | production coordinator | |
| Susan Hodgetts | .... | script supervisor | |
| Brandon Klayman | .... | web site designer | |
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| Borstal Boy | Around the World in 80 Days | Amazing Grace | Wristcutters: A Love Story | Bent |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb UK section | Add this title to MyMovies |
This film is about the life in London of two gay men of Chinese ancestry. One of them is a posh and stylish guy who is good looking but insecure, another is a camp guy longing for love.
I saw this film in a film festival in Hong Kong, with the director present for the Q&A session. The viewers' reaction in the film festival was very positive.
This film clearly attempts to entertain the audience. The sets are very thoughtfully created and visually attractive. The plot is very entertaining and hilarious. It also portrays Chinese gay men as being attractive, powerful and stylish, instead of the usual stereotype. This positive portrayal empowers the people in this subgroup.
It has ample use of stereotypes, it really makes the viewers laugh in many scenes. The jokes are direct and to the point. It also examines the structure of gay relationships in a more subtle way. In the end scene, a twist of circumstances and personalities (the watch giving scene) leaves me wonder how people can succumb to vanity and disregard valuable friendship in the process.
The cast is very good looking, which makes the film perfect eye candy. It is also thought provoking as well. This film deserves wider recognition, but the portrayal of a hot 3 way kiss between 3 men may limit its crossover appeal.