A romance between a British pilot hiding in Germany and a German nurse is shown on the background of massive allied bombing of Dresden towards the end of World War 2.


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Cast overview, first billed only:
Felicitas Woll ...
Anna Mauth
Robert Newman
Alexander Wenninger
Carl Mauth
Katharina Meinecke ...
Magda Mauth
Maria Goldberg
Simon Goldberg
Wolfgang Stumph ...
Gauleiter Martin Mutschmann
Eva Mauth
Flight Lt. Leslie, Master Bomber
Anja Taschenberg ...


Like other TV movies of the production company teamWorx, Dresden (2006) focuses on an extraordinary historic event in connection with a tragic love story of a woman between two men. In January 1945, the young nurse Anna Mauth, working at a hospital in Dresden, becomes engaged to senior physician Benjamin Wenninger. At the same time, an English Lancaster bomber is shot down. The pilot Robert Newman, the only survivor, manages to reach the city severely injured and hides in the hospital's cellar. Anna discovers him incidentally thinking he is a German deserter, but finally decides to help Robert... Written by fippi2000

Plot Summary | Add Synopsis


Drama | Romance | War


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Parents Guide:






Release Date:

5 March 2006 (Germany)  »

Also Known As:

Dresden  »

Box Office


€10,000,000 (estimated)

Company Credits

Show detailed on  »

Technical Specs


| (theatrical release)


Aspect Ratio:

1.78 : 1
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Did You Know?


The character of Simon Goldberg was based on diarist and professor Victor Klemperer. See more »


In using stock footage to depict the wartime bombing of Europe, some of the footage, seen just before the scene where two British officers are arguing over the value of bombing German cities, shows a US B-29 Superfortress. Such bombers were never used in the European theatre of World War II - they were only used against Japan. See more »


Referenced in Neues aus der Anstalt: Jahresabschluss-Therapie (2007) See more »

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User Reviews

Tedious Lumbering Bore
28 January 2008 | by See all my reviews

This film took up three hours, including commercials, on the History International Channel last night. But it felt like three weeks. It wasn't the cheap, stagy and unintentionally funny depictions of the bombing of Dresden. It wasn't that the film is stripped of almost all context surrounding World War II. It wasn't even that the bombing itself was often made to appear as nothing more than a major inconvenience for a goofy love story. No, it was the wooden featureless characterizations that sucked the life out of the story. Oh, and the fact that if it is possible for a movie to be obsequious, then Dresden is that movie. Perhaps a better title would have been DRESDEN--AS URIAH HEEP WOULD HAVE EXPERIENCED IT.

It is especially the latter point that so irritates. Was the bombing of Dresden a war crime? The makers of this movie believe so. But in the typically emasculated way that Germans have come to approach World War II, they can't bring themselves to say so without braying about "peace" and "no more wars--anywhere" like they're Mother Teresa. And, also typical of German obsequiousness towards the British in particular, there is an unwieldy effort to grovel before "Britishness", while loading all the "guilt" for Dresden on to one person, Arthur Harris.

Did I say one person? Well, not quite. At the beginning of the movie, there is an exclamation from the leading character, Anna, with whom we are all supposed to sympathize. "Damned Americans!", she screams, while watching as far off bombs fall. And a few minutes later, a radio voice intones warnings about the "American Terror Bombing" being inflicted upon Germans.

Note the word, "terror". Got that? It's really the Americans behind the inhumane targeting of German civilians. No matter that the American strategy for almost all the war in Europe was the "precision" bombing of industrial and war manufacturing sites. No matter that it was the British who enthusiastically adopted "area" bombing of civilian targets in Germany--before the Germans had themselves even targeted English ones. No matter that the Americans bombed during the day, suffering more casualties in the process than the British, in order to hit precision targets, while the British bombed civilians under the cover of night. No matter that the Americans, essentially, were brought into the RAF's true terror bombing campaign kicking and screaming against it. No matter that most American officials, from FDR to Gen. Dolittle, opposed targeting civilians, while Churchill and his generals couldn't wait to do so.

No, in DRESDEN, both the Germans and British, except for "Bomber" Harris, are innocent of a doctrine, it is intimated, created by the evil Americans. And only the might and power of a love story between a German nurse and a downed British bomber pilot can adequately explain the "truth" of the atrocity. Right.

Oh, by the way, for the younger and likely less well read readers of IMDb, the first and still so far only major literary effort to give a thoughtful voice to Dresden's bombing was the pacifist novel penned by Kurt Vonnegut--an American POW in Dresden at the time of the bombing. I guess Germany's ZDF couldn't find a pretty nurse for Billy Pilgrim.

13 of 24 people found this review helpful.  Was this review helpful to you?

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