| Photos (see all 23 | slideshow) | Videos |
| Cillian Murphy | ... | Damien | |
| Padraic Delaney | ... | Teddy (as Pádraic Delaney) | |
| Liam Cunningham | ... | Dan | |
| Orla Fitzgerald | ... | Sinead | |
| Mary O'Riordan | ... | Peggy (as Mary Riordan) | |
| Mary Murphy | ... | Bernadette | |
| Laurence Barry | ... | Micheail | |
| Damien Kearney | ... | Finbar | |
| Frank Bourke | ... | Leo | |
| Myles Horgan | ... | Rory | |
| Martin Lucey | ... | Congo | |
| Aidan O'Hare | ... | Steady Boy | |
| Shane Casey | ... | Kevin | |
| John Crean | ... | Chris | |
| Máirtín de Cógáin | ... | Sean (as Mairtin de Cogain) | |
| Keith Dunphy | ... | Terence | |
| Kieran Hegarty | ... | Francis | |
| Gerard Kearney | ... | Donacha | |
| Shane Nott | ... | Ned | |
| Kevin O'Brien | ... | Tim | |
| Gary McCarthy | ... | Volunteer | |
| Tim O'Mahon | ... | Volunteer | |
| Graham Browne | ... | Volunteer | |
| Owen Buckley | ... | Volunteer | |
| Aidan Fitzpatrick | ... | Volunteer | |
| Vince Hannington | ... | Volunteer | |
| Denis Kelleher | ... | Volunteer | |
| Colin McClery | ... | Volunteer | |
| Finbar O'Mahon | ... | Volunteer | |
| John Quinlan | ... | Volunteer | |
| Peggy Lynch | ... | Singer at Wake | |
| Noel O'Donovan | ... | Station Guard | |
| Peter O'Mahoney | ... | Stoker | |
| Barry Bourke | ... | Policeman | |
| Frank O'Sullivan | ... | Man in Pub | |
| Diarmuid Ó'Dálaigh | ... | Man in Pub | |
| Corina Gough | ... | Woman in Search | |
| Roger Allam | ... | Sir John Hamilton | |
| Sabrina Barry | ... | Julia | |
| William Ruane | ... | Johnny Gogan | |
| Danny Riordan | ... | Elderly Couple | |
| Peg Crowley | ... | Elderly Couple | |
| Fiona Lawton | ... | Lily | |
| Kieran Aherne | ... | Sweeney | |
| Clare Dineen | ... | Mrs. Rafferty | |
| Sean McGinley | ... | Father Denis | |
| Tomas OhEalaithe | ... | Boy on Bike | |
| Nora Lynch | ... | Mother of Sick Child | |
| Diarmuid Ní Mheachair | ... | Sick Child | |
| Denis Conway | ... | Priest | |
| Barry Looney | ... | Ceilidh Band | |
| Connie O'Connail | ... | Ceilidh Band | |
| Aine O'Connor | ... | Ceilidh Band | |
| Francis O'Connor | ... | Ceilidh Band | |
| Peadr O'Riada | ... | Ceilidh Band | |
| Neil Brand | ... | Newsreel Piano Accompanist | |
| Tom Charnock | ... | Sergeant at Cottage | |
| Alan Ready | ... | Sergeant at Station | |
| Mark Wakeling | ... | Lieutenant | |
| Antony Byrne | ... | The Interrogator | |
| Tony Streeter | ... | British Soldier (as Marcus Anthony) | |
| William Armstrong | ... | British Soldier (as Bill Armstrong) | |
| Christopher Bown | ... | British Soldier | |
| Mark Bryce | ... | British Soldier | |
| Alex Dee | ... | British Soldier | |
| Jonny Holmes | ... | British Soldier | |
| Allan Huntley | ... | British Soldier | |
| Bill Hurst | ... | British Soldier | |
| Daniel Kington | ... | British Soldier | |
| Jamie Lomas | ... | British Soldier | |
| Anthony Martin | ... | British Soldier | |
| Owen McQuade | ... | British Soldier | |
| Richard Oldham | ... | British Soldier | |
| Colin Parry | ... | British Soldier | |
| Scott Peden | ... | British Soldier | |
| Bernie Sweeney | ... | British Soldier | |
| Derek Taylor | ... | British Soldier | |
| Neil Alan Taylor | ... | British Soldier | |
| Gregor Wood | ... | British Soldier | |
| rest of cast listed alphabetically: | |||
| Fergus Burke | ... | Theatre attendant | |
| Niall McCarthy | ... | Extra (uncredited) | |
Directed by | |||
| Ken Loach | |||
Writing credits(in alphabetical order) | ||
| Paul Laverty | writer | |
Produced by | |||
| Camilla Bray | .... | assistant producer | |
| Ulrich Felsberg | .... | executive producer | |
| Andrew Lowe | .... | executive producer | |
| Redmond Morris | .... | co-producer | |
| Rebecca O'Brien | .... | producer | |
| Nigel Thomas | .... | executive producer | |
| Paul Trijbits | .... | executive producer | |
Original Music by | |||
| George Fenton | |||
Cinematography by | |||
| Barry Ackroyd | |||
Film Editing by | |||
| Jonathan Morris | |||
Casting by | |||
| Oonagh Kearney | |||
Production Design by | |||
| Fergus Clegg | |||
Art Direction by | |||
| Michael Higgins | |||
| Mark Lowry | |||
Costume Design by | |||
| Eimer Ni Mhaoldomhnaigh | |||
Makeup Department | |||
| Orla Carrol | .... | hair designer (as Orla Carroll) | |
| Lynn Johnson | .... | makeup designer (as Lynn Johnston) | |
| Patricia Kirkman | .... | hair assistant | |
| Aisling Nairn | .... | makeup assistant | |
Production Management | |||
| Carol Moorhead | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Dennis Fitzpatrick | .... | trainee assistant director | |
| David Gilchrist | .... | first assistant director | |
| Kevin O'Leary | .... | trainee assistant director | |
| Marie-Celine O'Reilly | .... | trainee assistant director (as Marie Celine O'Reilly) | |
| Michael Queen | .... | second assistant director | |
| Sonya Supple-Gildea | .... | third assistant director | |
| Laura Treacy | .... | trainee assistant director | |
| Adrienne Greenhalgh | .... | second second assistant director (uncredited) | |
Art Department | |||
| Alex Bassett | .... | carpenter | |
| Phil Bowen | .... | carpenter | |
| Mark Brady | .... | carpenter | |
| Jenni Cooney | .... | assistant art director | |
| Keith Cullen | .... | props | |
| Paul Curren | .... | painter | |
| Sam Curren | .... | painter | |
| Neville Gaynor | .... | painter | |
| Bobby Gee | .... | painter | |
| Jimmy Irwin | .... | plasterer | |
| Stanley Irwin | .... | plasterer (as Stan Irwin) | |
| Dave Kinsella | .... | props (as David Kinsella) | |
| Richard Lynch | .... | props | |
| James McGetrick | .... | props | |
| James McGetrick | .... | stand-by props | |
| Eoin O'Brien | .... | props | |
| Eleanor O'Leary | .... | art department trainee | |
| Kevin Queripyle | .... | props | |
| Gerard Richardson | .... | carpenter | |
| Alex Robertson | .... | carpenter | |
| Danny Sumsion | .... | construction manager | |
| Graham Waters | .... | carpenter | |
Sound Department | |||
| Julie Ankerson | .... | foley artist | |
| Ray Beckett | .... | sound | |
| Ben Brazier | .... | foley mixer | |
| Kevin Brazier | .... | sound | |
| Robert Brazier | .... | sound effects editor | |
| John Hayward | .... | sound re-recording mixer | |
| Peter Murphy | .... | boom operator (as Pete Murphy) | |
| Chris O'Dwyer | .... | assistant sound | |
| Ian Tapp | .... | additional sound re-recording mixer (uncredited) | |
Visual Effects by | |||
| Matthew Bristowe | .... | digital lab producer: MPC | |
| Gary J. Brown | .... | digital effects artist | |
| Begoña Lopez | .... | digital lab producer: MPC | |
| David Scott | .... | digital compositor | |
Stunts | |||
| Marc Cass | .... | stunt coordinator | |
| Marc Cass | .... | stunt performer | |
| Dave Fisher | .... | stunt performer | |
| Paul Heasman | .... | stunt coordinator | |
| Paul Herbert | .... | stunt performer | |
| Crispin Layfield | .... | stunt performer | |
| Gordon Seed | .... | stunt performer | |
Camera and Electrical Department | |||
| Roger Altmann | .... | best boy | |
| Joss Barratt | .... | still photographer | |
| Noel Cullen | .... | electrician | |
| Tony Devlin | .... | electrician | |
| Jeremy Gee | .... | second camera operator | |
| Jörg Gönner | .... | second focus puller (as Jorg Donner) | |
| Eric Greenberg | .... | second focus puller | |
| Martin Holland | .... | electrician | |
| Carl Hudson | .... | focus puller | |
| Romy Kaa | .... | clapper loader | |
| Georg Nonnenmacher | .... | gaffer | |
| Andrew O'Reilly | .... | clapper loader | |
| Rory O'Riordan | .... | camera trainee | |
Casting Department | |||
| Kahleen Crawford | .... | additional casting | |
Costume and Wardrobe Department | |||
| Maire Begley | .... | costume trainee | |
| Patch Corcoran | .... | costume assistant (as Patricia Corcoran) | |
| Catherine Dalton | .... | costume assistant | |
| Valerie Kelly | .... | costume assistant | |
| Debbie Millington | .... | assistant costume designer | |
| Ger Scully | .... | costume supervisor | |
| Morgan Semmens | .... | costume assistant (as Morgan Jay Semmens) | |
| Cathy Young | .... | costume trainee | |
Editorial Department | |||
| Mark Wright | .... | negative cutter | |
Transportation Department | |||
| Ricky Donovan | .... | driver | |
| Mervyn Ewing | .... | driver | |
| David Houlihan | .... | driver | |
| Malte Mann | .... | driver | |
| Gavin McGlashan | .... | action vehicle coordinator | |
| Deann Mulligan | .... | driver | |
| Eamonn Murphy | .... | transport coordinator | |
| Shulagh O'Day | .... | driver | |
| Michael Phelan | .... | transportation coordinator | |
| Michael Phelan | .... | driver (uncredited) | |
Other crew | |||
| Patrick Cahill | .... | assistant location manager (as Paddy Cahill) | |
| Michelle Carew | .... | production team | |
| Miriam Coleman | .... | second location manager | |
| Louise Cornally | .... | business affairs executive: Element Films | |
| Terry Flemming | .... | military advisor | |
| George Foley | .... | military advisor | |
| Adrienne Greenhalgh | .... | crowd coordinator | |
| Alistair Griggs | .... | production team | |
| Dan Harvey | .... | military advisor | |
| Mike Hayes | .... | production team | |
| Susanna Lenton | .... | script supervisor | |
| John McKenna | .... | armorer | |
| Cathy Mooney | .... | production coordinator | |
| Stephen Morrisey | .... | production team | |
| Audie Murphy | .... | military advisor | |
| Maria O'Connor | .... | location manager | |
| Donal O'Driscoll | .... | historical advisor | |
| Seamus Porter | .... | assistant location manager | |
| Jane Roche | .... | production team | |
| Roger Smith | .... | script consultant | |
| Stephen Talbot | .... | assistant armorer | |
| Charlotte Walls | .... | production team | |
| Alan Walsh | .... | military advisor | |
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| News articles | IMDb Drama section | IMDb Ireland section |
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The remarkably low rating that this film has so far received (4.1 as of Thursday 8th of June) is indicative of its ability to raise the hackles of people who haven't even seen it. How can it be otherwise when the film has not yet been released? 135 people have voted; have all of these 135 people actually watched the film? Of course not. They're just voting on the basis of their perceptions or assumptions concerning its political agenda. IMDb voters are not alone in this; already Simon Heffer in The Daily Telegraph, Dominic Lawson in The Independent, Ruth Dudley-Edwards in The Daily Mail and Michael Gove in The Times are attacking a film they haven't seen (by their own admission). These attacks are the predictable reaction of empire apologists unable to abide the depiction of the dark and brutal underside of that imperial machine, or the suggestion that anyone on the receiving end of that brutality might be justified in rebelling against it. The title of Dudley-Edward's lazy hack-job says it all, really: 'Why does Ken Loach loathe his country?' Loach is a traitor, and must be punished, the rotter.
It's a pity that this political controversy seems poised to overwhelm discussion of the film, because it's an extremely able piece of cinema and deserves to be seen as such. Barry Ackroyd's cinematography is superb, ably capturing the beauty of the Irish countryside without indulging in it. We are rooted in a locale without being lavished with pretty pictures. The acting is also excellent. The charismatic Cillian Murphy carries the movie, but the support from Liam Cunningham, Orla Fitzgerald, Aidan O'Hare and Padraic Delaney is also commendable.
But it's the collaboration between Loach and his scriptwriter Paul Laverty that makes the film something like a masterpiece. The grim progress from the murder of an Irish youth to the growth of an armed I.R.A. campaign, with its attendant violence (shown in stark and horrifying detail) is expertly managed; the only let-up comes not far from the end, after the signing of the 1921 peace treaty. Loach tries to show the brief jubilation and relief that ensues, but in terms of momentum almost drops the ball. The pace is re-established in time for the inexorable tragic denouement, and the film's final emotional impact is considerable. The load is occasionally lightened by the odd touch of Loach's characteristic wry comedy, such as the belligerence of the opening hurling game, the teenage message-boy who loses his message, the melodramatic pianist accompanying the newsreel announcing the momentous news of the creation of the Free State.
One of the most disturbing scenes occurs when a group of I.R.A. men return from a successful battle and discover a farmhouse being attacked and destroyed by a group of British soldiers. The rebels, who have no ammunition left, are forced to look on, concealed in the bushes; they watch powerless as the farmhouse's inhabitants are abused. We watch along with the characters, just as helpless as they are. Why do we watch? Do we want to intervene, to play the hero and save the day? Do we perhaps enjoy it? The trouble with many so-called anti-war films, as Loach has said, is that they outwardly condemn the violence while at the same time encouraging (intentionally or not) a vicarious pleasure in the thrill of it all. We want to take part, we imagine how we would behave in such circumstances (of course, we usually imagine ourselves behaving with impeccable bravery and surviving to fight another day). This scene, rather than placing us in the thick of the action, forces us to occupy the position of impotent bystander. Perhaps this is what being a film-goer is all about: powerless voyeurism. As we watch the country tear itself apart in civil war, manipulated by a devious and callous colonial master, this point becomes all the more pertinent. A quietly devastating film.