Spring 1936, a young unemployed communist, David, leaves his hometown Liverpool to join the fight against fascism in Spain. He joins an international group of Militia-men and women, the ... See full summary »
Near the end of World War II, 14-year-old Michiel becomes involved with the Resistance after coming to the aid of a wounded British soldier. With the conflict coming to an end, Michiel ... See full summary »
Yorick van Wageningen,
Jamie Campbell Bower
The poet Missak Manouchian leads a mixed bag of youngsters and immigrants in a clandestine battle against the Nazi occupation. Twenty-two men and one woman fighting for an ideal and for ... See full summary »
In 1920, rural Ireland is the permanent battlefield of republican rebels against the British troops and their well-paid, local collaborator militia, a recipe for mutual cruelty. Medical graduate Damien O'Donovan always gave priority to his socialist ideals and simply helping people in need. Just when he's leaving Ireland to work in a highly reputed London hospital, witnessing gross abuse of commoners changes his mind. he returns and joins the local IRA brigade, commanded by his brother Teddy, and adopts the merciless logic of civil war, while Teddy mellows by experiencing first-hand endless suffering. When IRA leaders negotiate an autonomous Free State under the British crown, Teddy defends the pragmatic best possible deal at this stage. Damien however joins the large seceding faction which holds nothing less then a socialist republic will do. The result is another civil war, bloodily opposing former Irish comrades in arms, even the brothers. Written by
In the cinema scene, the man at the piano is Neil Brand, one of Britain's leading silent cinema accompanists, who in 2006 featured significantly as a composer and accompanist in the BBC television series "Paul Merton's Silent Clowns". See more »
When the players are arguing with the referee during the hurling game, a modern car is parked in the distance, to the left of the referee's head. See more »
It's easy to know what you are against, but quite another to know what you are for.
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"The Wind that Shakes the Barley" is a fantastic film, and extremely apt given the current socio-economic climate in Ireland. We seem to be losing part of our heritage everyday, once again slave to foreign influences (both sides of the water) and willing to lose sight of our past to embrace the future. I left the cinema in Navan, Co Meath, wondering to myself "are we really as free as we think we are?". We have the highest debt ratio per capita of any country in the EU, a cost of living that is spiraling ridiculously out of control and criminals that make the Manson family look like the Partridge family. So what did we fight for in the rising of 1916, the War of Independence and the Civil War? To be more like the British? The day of real patriotism is gone, it has been replaced by cash hungry capitalists willing to sell out in the name of progress. Back to the film! This was probably the first "war film" that I have seen that did not over step the mark in terms of taking sides. It was extremely objective and a credit to Ken Loach for the accuracy of his research and the depiction of the times. I would liken it, in some ways, to Mel Gibson's "Passion of the Christ" as it was really devoid of any sustained periods of levity and stayed constantly true to its theme, unconcerned by commercial considerations. A masterpiece of film making and a credit to the superb cast, particularly Murphy and Cunningham. Film of the Decade so far
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