| Juan José Ballesta | ... | Tomás (young) | |
| Natalia Millán | ... | Moira | |
| Jordi Dauder | ... | Tomás | |
| Victoria Mora | ... | Carmen | |
| David Arnaiz | ... | Carlos (young) | |
| Adrián Marín | ... | Vicente (joven) | |
| José Ángel Egido | ... | Carlos | |
| Miguel Rellán | ... | Vicente | |
| Mayte Cedeño | ... | Fantasma | |
| Joserra Cadiñanos | ... | Don Anselmo | |
| Walter Prieto | ... | Ramón | |
| Elisa Medina | ... | Mujer 1 | |
| Helena Castañeda | ... | Mujer 2 | |
| Elsa Bodem | ... | Greta | |
| Juan Aballe | ... | Voz Marc (voice) | |
| rest of cast listed alphabetically: | |||
| Joe Lewis | ... | Tomas (voice) | |
| Alejandro Amenábar | ... | Man looking at statue (uncredited) | |
Directed by | |||
| Mateo Gil | |||
Writing credits(in alphabetical order) | ||
| Mateo Gil | ||
| Igor Legarreta | ||
Produced by | |||
| Álvaro Augustín | .... | producer | |
| Carlos Fernández | .... | executive producer | |
| Julio Fernández | .... | producer | |
| Santiago Gimeno | .... | executive producer | |
| Félix Rodríguez | .... | supervising producer | |
Original Music by | |||
| Zacarías M. de la Riva | |||
Cinematography by | |||
| Josu Inchaustegui | |||
Film Editing by | |||
| Carlos Agulló | |||
| Mateo Gil | |||
Casting by | |||
| Pep Armengol | |||
Art Direction by | |||
| Félix Murcia | |||
Costume Design by | |||
| Clara Bilbao | |||
Makeup Department | |||
| Belén López Puigcerver | .... | makeup artist | |
Art Department | |||
| Javier López Antía | .... | property master | |
Sound Department | |||
| Juan Ferro | .... | boom operator | |
| María Steinberg | .... | sound editor | |
| Ricardo Steinberg | .... | sound | |
Special Effects by | |||
| Tomás Gómez | .... | special effects makeup: Artefacto Escenografia crew | |
Visual Effects by | |||
| Ivan Busquets | .... | digital compositor | |
| Quico Noizeux | .... | digital compositor | |
| Sandra Picher | .... | visual effects coordinator | |
| Joan Carles Vendrell | .... | CG artist | |
Camera and Electrical Department | |||
| Peque Griffin | .... | steadicam operator | |
| Ramiro Sabell hijo | .... | first assistant camera | |
| Federico Staffa | .... | clapper loader | |
Costume and Wardrobe Department | |||
| Ana Requena | .... | assistant costume designer | |
| Maite Rod | .... | costume design assistant | |
Editorial Department | |||
| Laura Sanchez | .... | film scanner | |
Music Department | |||
| Lucio Godoy | .... | music producer | |
| Juan Pablo González Saccone | .... | assistant music engineer (as PJ Saccone) | |
Other crew | |||
| Vicente Canales | .... | head of sales | |
| Pedro José de la Fuente García | .... | production assistant | |
| Rafael López de la Manzanara Cuadri | .... | location manager | |
| Helena Moreno Núñez | .... | development executive | |
| Anna Oms | .... | documentation | |
| Martin Samper | .... | making-of | |
| Elena Serra | .... | development executive | |
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| The Uninvited Guest | Molina's Test | The Mudboy | The Blind Spot | The Sweet Hand of the White Rose |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Spain section |
This was my first experience of the series of Spanish TV horror films collectively entitled 8 Films To Keep You Awake, and I was really somewhat surprised by how much it struck me, how affecting I found it. It tells of an old man, Tomas who is sent a Tarot card and returns to his childhood town in order to see who sent it, remembering as he does so his teenage romance with a lonely lady who he befriended. Thought the film at first gives the impression that it is due to be more spooky, as it goes on it moves away from horror territory, it is more a slow burning and poignant look at young love, its consequences and the passage of time, it has supernatural accoutrements but the film is mostly drama and it does remarkably well in its small run time. Writer/director Mateo Gil spins a compelling tale rich in hot, languid atmosphere, the flashbacks that take up much of the film hum with a sad, nostalgic longing but the modern day scenes have a contrasting adept chill. The performances all come off nicely, Juan José Ballesta has the appropriate shades of lust, curiosity and naiveté as young Tomas while Jordi Dauder is drawn and tired as his older self. Natalia Millán is very fine as the lonely and beautiful Moira, sensual, mysterious and kindly, mixing attraction and inscrutability very well. Decent performances come too from David Arnaiz and Adrián Marín as friends of young Tomas, and slightly frayed, colder turns from José Ángel Egido and Miguel Rellán as their older counterparts. The film is a little predictable and its scope is slight, but I found myself unusually moved, its quiet chills, and classic story combined with beautiful presentation and ever useful messages (against jealousy, superstition and mob mentality) make for a thoroughly classy and enthralling time. Well recommended for those who enjoy MR James style horror or creepy drama fare, though fans of fast paces and boo scares should avoid.