| Judith O'Dea | ... | Mrs. Hamilton (Elliot's Mom) | |
| Brinke Stevens | ... | Nancy | |
| Sean Michael Lambrecht | ... | Corin Buckman | |
| Jeff Dylan Graham | ... | Jake | |
| Jerod Howard | ... | Elliot | |
| Tina Ona Paukstelis | ... | Marti | |
| Darcey Vanderhoef | ... | Maggie | |
| Michael Lecce | ... | Johnny | |
| Chad J. Morrell | ... | Sean / Chantal | |
| Joel Duffrin | ... | Josie Lynn | |
| John Grzegorczyk | ... | Detective / Man in Hat | |
| Ashley J. Anderson | ... | Farmer Red | |
| Ariauna Albright | ... | Operator (voice) | |
| Lorrie Ferguson | ... | (voice) | |
| James Hauser | ... | Redneck #1 | |
| Red Clark II | ... | Redneck #2 | |
| Tania Wilhelmi | ... | Flirtatious Girl #1 (J-Lo) | |
| Amanda Stipek | ... | Flirtatious Girl #2 | |
| Brian Vanderhoef | ... | Fake Gay Guy | |
| J.J. McAuliffe | ... | Straight Bartender | |
| Ruth Webster | ... | Elder Punane | |
| Michael John Isaacson | ... | Bar Patron | |
| Jennifer Lynn Goebel | ... | Laughing Bar Girl / Office Worker | |
| Kip Keckler | ... | Tom | |
| Daniel Roethe | ... | Tom's boyfriend (as Daniel J. Roethe) | |
| Randy Wray | ... | DJ Randy Wray | |
| Brenda Grant | ... | Biting Lesbian | |
| Diana 'Lady Di' Ferrell | ... | Biting Lesbian's Girlfriend | |
| Angelo Guzman | ... | Hot Gay Guy | |
| Rick Quade | ... | Hot Gay Guy's Guy | |
| Darin Hogy | ... | Guy #1 at Jukebox | |
| Del Rhodes | ... | Guy #2 at Jukebox | |
| Morten Sunde | ... | Dancing Queen #1 | |
| Billy Larrin | ... | Dancing Queen #2 | |
| Steven Reeder | ... | Dancing Queen #3 | |
| Brad Tobias | ... | Dancing Queen #4 | |
| Doug Despin | ... | Gay Guy behind group | |
| Jade Webb | ... | Wanda (girl in cafe) | |
| Wesley Webb | ... | Henry (boy in cafe) | |
| Christine Mapel | ... | Woman at Party | |
| Dillon Mapel | ... | Teenager at Party | |
| Jason Paul Collum | ... | Jon - Man in blue suit | |
| Daniel J. Noah | ... | Had To Leave Early Man | |
| Brandi Simmons | ... | Pumpkin Patch Cowgirl | |
| Brittany Simmons | ... | Pumpkin Patch Princess | |
| Karen Dilloo | ... | Beholder Cover Girll / Bride (Magazine Model) | |
| William Krekling | ... | Groom (Magazine Model) | |
| Michele Fredericks | ... | Maid-of-Honor (Magazine Model) | |
| Jeffrey Wayne Stevens | ... | Jim in Maintenance | |
| Julie King | ... | Female Reporter | |
| Sy Stevens | ... | Shady Reporter | |
| DeMarcus Hunter | ... | BET Reporter | |
| rest of cast listed alphabetically: | |||
| Debra De Liso | ... | Actress on TV (as Debra DeLiso) | |
Directed by | |||
| Jason Paul Collum | |||
Writing credits | ||
| Jason Paul Collum | (written by) | |
Original Music by | |||
| Red Clark II | |||
| Sean Michael Lambrecht | |||
| Jamey Sewell | |||
Cinematography by | |||
| Red Clark II | |||
Film Editing by | |||
| Dennis Petersen | |||
| Red Clark II | (uncredited) | ||
Casting by | |||
| P.J. Lown | |||
Production Design by | |||
| Jason Campeau | (as J.P. Campeau) | ||
| Jennifer Lynn Goebel | |||
Makeup Department | |||
| Julie King | .... | wigs | |
Second Unit Director or Assistant Director | |||
| Red Clark II | .... | assistant director | |
| James Hauser | .... | assistant director | |
Sound Department | |||
| Maui Holcomb | .... | sound re-recording mixer | |
| Daniel J. Noah | .... | boom operator (as Daniel Noah) | |
| Lewis Vendredi | .... | foley artist | |
Special Effects by | |||
| Philip Bergan | .... | special effects makeup | |
| Tom Burazin | .... | special photographic effects (uncredited) | |
Visual Effects by | |||
| Red Clark II | .... | digital effects artist | |
| Sean Michael Lambrecht | .... | graphic designer | |
Camera and Electrical Department | |||
| Tom Burazin | .... | publicity photographer | |
| Jason Campeau | .... | set photographer (as J.P. Campeau) | |
| Jill Ensley | .... | grip | |
| W. Guy Finley | .... | publicity photographer | |
| Jeff Giguere | .... | set photographer | |
| Sean Michael Lambrecht | .... | set photographer | |
Editorial Department | |||
| J.R. Bookwalter | .... | on-line editor (as Lance Randas) | |
| Red Clark II | .... | additional editor | |
| Michael J. Miller | .... | additional editor | |
Music Department | |||
| Jason Paul Collum | .... | music supervisor | |
| Jamey Sewell | .... | music supervisor | |
Other crew | |||
| Lawrence Campeau | .... | animal trainer: pigeons (as Lawrence D. Campeau Jr.) | |
| Dennis Smart | .... | production assistant | |
| Daina Tomsons | .... | designer: website | |
Thanks | |||
| Ariauna Albright | .... | special thanks | |
| Chris Baran | .... | special thanks | |
| Julia Baran | .... | special thanks | |
| Ryleigh Bareither | .... | special thanks | |
| Scott Bareither | .... | special thanks | |
| Lawrence D. Campeau Sr. | .... | dedicatee | |
| Kathleen Campeau | .... | special thanks (as Kathy Campeau) | |
| Larry Campeau | .... | special thanks | |
| Vinnie Campeau | .... | special thanks | |
| Debra De Liso | .... | special thanks (as Debra DeLiso) | |
| James Dlugi | .... | dedicatee | |
| Lois Elfman | .... | special thanks: Scene magazine | |
| Jill Ensley | .... | special thanks | |
| Michael Gingold | .... | special thanks: Fangoria magazine | |
| Jon Girsch | .... | special thanks | |
| Christopher D. Harder | .... | special thanks | |
| Kedric Hubbert | .... | special thanks | |
| Richard Ivey | .... | special thanks | |
| Pam Knudsten | .... | special thanks | |
| Mark A. Lind | .... | special thanks: Scene magazine | |
| Drake Ludvigsen | .... | special thanks | |
| James Ludvigsen | .... | special thanks | |
| Sidney Ludvigsen | .... | special thanks | |
| Daniel J. Noah | .... | special thanks (as Daniel Noah) | |
| Helen Pugh | .... | special thanks | |
| Mary Jocelyn 'Jodie' Randall | .... | dedicatee | |
| Parker Ray | .... | special thanks: Instinct magazine | |
| Jonathan Riggs | .... | special thanks: Instinct magazine | |
| Felissa Rose | .... | special thanks | |
| Jason Sechrest | .... | special thanks | |
| Donna Lynn Shehorn | .... | dedicatee | |
| Tim Slocum | .... | special thanks | |
| Daren Smalkoski | .... | special thanks | |
| Dennis Smart | .... | special thanks | |
| Johnny Smith | .... | special thanks | |
| Anthony Timpone | .... | special thanks: Fangoria magazine | |
| Ruth Vanderhoef | .... | special thanks | |
| Will Vanderhoef | .... | special thanks | |
| Holly Webster | .... | special thanks | |
|
|
|
|
|
| November Son | I Love You Phillip Morris | In the Blood | Rock Haven | Somersault |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Contrary to my initial assumption, "October Moon" really isn't a horror movie. Not that there aren't some rather disturbing moments, but the film plays itself out more like a psychological drama in the vain of "Fatal Attraction" (yes, the comparison is inevitable) or "Unfaithful." The climax of the film verges on "slasher" territory, but ends up being more depressing that actual scary.
The film centers around Corin, a thirty year old professional, and his younger, party-loving boyfriend Jake. The two have been together for awhile. but it is obvious that all is not rosy in their relationship. While Corin has settled down and likes to spend quiet evenings at home, Jake still loves the "bar" scene, and often views his relationship with Corin as holding him back from enjoying his youth. At work, Corin is able to confide in his boss and good friend Nancy (Brinke Stevens) about his relationship troubles. She listens with a caring ear and seems to be the only person to really understand him. Due to an increased work load and his unstable home life with Jake, Nancy decides to hire an assistant of sorts name Elliot to help Corin with some of his duties. At first, Elliot is awkward and somewhat nerdy, but likable nonetheless. Corin learns that Elliot lives with his over-protective mother (Judith O'Dea) and is engaged to be married to long-time girlfriend, Marti. Corin begins spending some time outside of work with Elliot, inviting him home and to various outings. Before long, Elliot begins to develop feelings for Corin and realizes that he is a homosexual. This causes severe mixed emotions in him; his mother is deeply against this lifestyle because he husband left her years earlier for another man. With no real support for his new feelings, Elliot's feelings for Corin begin to become a dangerous and disturbing obsession, resulting in a dark, depressing climax.
"October Moon" is truly a character driven story and because of this, may cause some viewers to lose interest. No real action occurs until the films final moments, but the build-up is almost more intense. Elliot's behavior does become more and more disturbing and where the film excels is in its believability. The characters actions and reactions are realistic and because the characters are developed extremely well, it is easy to sympathize with their individual situations. Even at the end of the film, it is hard to really blame Elliot for his actions; he desperately just wanted to be loved and accepted, and like many gay men, the emotions that came with falling for another man, when his entire life he had been told how wrong that was, were almost too much to handle. The writers takes careful steps to ensure that Elliot never becomes a despicable character and it works to the film's benefit. While there is some clichéd and dialogue steeped with stereotypes, overall, it does an adequate job of moving the plot along and creating interesting characters.
The biggest flaw present in "October Moon" is certainly its low-budget, resulting in extremely amateur looking production values. For example, the picture looks dated and often times is no better quality than you'd get with an old hand-held camera. The sound fades in and out in many spots, making conversations hard to comprehend. These issues don't necessarily make this a bad film, but do, at times, make it hard to take seriously. The acting really is a mixed bag; the actors portraying Corin and Jake are adequate, but often times some cheesy dialogue interrupts their performances. Jerod Howard is effective as Elliot, but some particular scenes seem to put noticeable strain on his range. Horror veterans Brinke Stevens and Judith O'Dea are both serviceable, but criminally underused. What is really distracting about the performances is that in some scenes, the actors are brilliant, but in the very next scene, verge on being terrible. The climax is rushed and, while somewhat effective, doesn't pack the punch that it really could have.
Overall, "October Moon" is an interesting, engaging little independent film. Like so many other low-budget films out there, it is very apparent that the filmmakers actually cared about the final product and did the best of their ability and resources to make a decent film. While those expecting gore and non-stop action will likely become extremely bored with "October Moon," it is an effective that not only cares about its characters and presents a believable portrait of obsession and desperation, it subtly makes a statement about expectations, relationships, and the consequences of intolerance. It's a slow burn, but "October Moon" is an effective, creepy film that puts substance before style; the end result and a memorable portrait of love gone wrong on many levels.