Take a walk on the scary side with guerrilla horror filmmakers and the bizarre culture that drives them to pursue their dreams. In 2003, filmmaker Christopher P. Garetano began what would ... See full summary »
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Ray Adell ...
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...
Himself
Ron Atkins ...
Himself
Ken Keen ...
Himself
Anthony Timpone ...
Himself (as Tony Timpone)
John Goras ...
Himself
Dave Parker ...
Himself
David Stagnari ...
Himself
...
Himself (as Tate Steinziek)
John Brodie ...
Himself
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Himself (as Rod Gudino)
...
Himself
John Bloom ...
Himself (as Joe Bob Briggs)
...
Himself (as Dave Gebroe)
Christina Reilly ...
Herself
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Take a walk on the scary side with guerrilla horror filmmakers and the bizarre culture that drives them to pursue their dreams. In 2003, filmmaker Christopher P. Garetano began what would become a two-year journey to discover what possesses people to become horror filmmakers. Armed with nothing but a camera and a microphone, Chris traveled all over the United States to visit independent filmmakers on and off their sets. In Horror Business, you will witness that quest unfold and meet some truly independent filmmakers including Mark Borchardt (American Movie) and Dave Gebroe (Zombie Honeymoon), along with monster movie personalities like Herschell Gordon Lewis (Blood Feast), Joe Bob Briggs (cult film critic and author), and Sid Haig (Foxy Brown, The Devils Rejects). This timeless essay of popcorn-generation nostalgia and behind-the-scenes moments just may prove "movie making really is no way to spend a life!" Written by Anonymous

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Moviemaking is no way to spend a life.

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2005 (USA)  »

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Horror Business review - Written by Ilise S. Carter of NEWYORKCOOL.COM
28 December 2006 | by (United States) – See all my reviews

Written by Ilise S. Carter of NEWYORKCOOL.COM Not for the Faint of Heart! Horror has long been the unwanted mutant under the stairs of the film industry and, despite the occasional break out hit, has remained a largely marginalized genre since Nosferatu flickered across silent screens. As a result, horror films have long had a reputation for being cheap, low class and accessible to everyone with a home movie camera, a twisted dream and some prop blood – and oddly enough this is mostly true. Perhaps more than other type of film-making, horror is truly directed its fan's appetites.

This fan phenomenon is lovingly documented in Christopher P. Garetano's Horror Business with interviews ranging from horror legends to homegrown visionaries and every sort of fan in between. Shot with hand-held cameras in the collectors' conventions, the backyard sets and the living rooms where fans and filmmakers gather, the film gives its subjects ample room to explain their personal connections to the world of violence, the occult and fantasy that make up the oeuvre.

This mix of objectivity and affection are what makes Horror Business so much fun. Whether it's drive-in film critic, Joe Bob Briggs, explaining the three pitfalls of amateur filmmakers (i.e., too many zombies, don't cast your friends, and lesbian vampires); or Long Island filmmaker "Slave" lamenting the current vapid state of pop culture; or designer Andy Gore showing off his line of serial killer pillows, you can't help but share in their enthusiasm – even if you do feel a little cooler.


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