The Great Buck Howard (2008)

A young man, much to the chagrin of his father, becomes the new assistant to an illusionist in decline.

Director:

Sean McGinly

Writer:

Sean McGinly

Stars:

John Malkovich, Colin Hanks, Emily Blunt

1 nomination.

Cast

Cast overview, first billed only:
John Malkovich	...	Buck Howard
Colin Hanks	...	Troy Gable
Emily Blunt	...	Valerie Brennan
Ricky Jay	...	Gil Bellamy
Steve Zahn	...	Kenny
Tom Hanks	...	Mr. Gable
Griffin Dunne	...	Jonathan Finerman
Debra Monk	...	Doreen
Adam Scott	...	Alan Berkman
Patrick Fischler	...	Michael Perry
Wallace Langham	...	Dan Green
Jonathan Ames	...	Edward Kelly
Jacquie Barnbrook	...	Sheila Heller
Paul Darricarrere	...	Restaurant Manager
Terry Scannell	...	Kip

Storyline

When a law school dropout answers an advertisement to be a personal assistant he unknowingly signs on to work for a belligerent has-been magician struggling to resurrect his career. This leads to a journey across the country staging the comeback of a lifetime.

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Plot Keywords:

comeback | career | law school dropout | personal assistant | magician | 

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Taglines:

Get ready for the comeback of a lifetime.

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Genres:

Comedy | Drama

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Motion Picture Rating (MPAA)

Rated PG for some language including suggestive remarks, and a drug reference

Details

Official Sites:

Official site [France] Official site [United States]

Country:

USA

Language:

English

Release Date:

5 June 2009 (Latvia)

Also Known As:

A Mente que Mente

Filming Locations:

Las Vegas, Nevada, USA

Box Office

Opening Weekend:

$115,004 (USA) (20 March 2009)

Gross:

$748,363 (USA) (3 July 2009)

Company Credits

Production Co:

Bristol Bay Productions, Playtone, Great Buck Productions

Technical Specs

Runtime:

90 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The way Buck Howard finds his check at the end of his show is not the way The Amazing Kreskin (on whose career the movie is loosely based) used and still uses. The method was depicted differently probably for dramatic purposes.

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Goofs

While Buck and Troy are being driven around Cincinnati, you can see palm trees out the back and side windows of the limo.

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Quotes

[repeated line]
Buck Howard: I love this town!

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Connections

References The Tonight Show Starring Johnny Carson (1962)

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Soundtracks

"Going Away"
Written, Produced and Performed by Clap Your Hands Say Yeah

User Reviews

Not Great . . .

The Great Buck Howard is not a great movie, but it is sometimes a sweet movie. Deliberately pushing the nostalgia button, the film bathes in the lost star power of a once famous "mentalist" Buck Howard (John Malkovich), who best represents the simple days of magicians like the Amazing Kreskin (the inspiration for Buck's character). As with Kreskin, Buck once delighted the late night shows, Vegas venues, and small towns such as Akron, Ohio.

Troy Gable (Colin Hanks) drops out of law school to become a writer (his uninspired voice over narration notwithstanding), but first he becomes Howard's assistant, much to the chagrin of his father (Tom Hanks—yes, that Hanks and that real-life father). Troy gets plenty of material from his boss, a dime-store vaudeville diva who yet displays a self confidence and pride to help the most cynical of us see the need to push on in the face of adversity, not the least of which is becoming passé.

Along the way we might learn a thing or two about professional integrity, true grit, and the possibility of love in all the odd places. Troy seems to learn those lessons although Hanks so underplays it's hard to tell. Director Sean McGinly apparently can't coax anything more than dimpled smiles from Hanks, whose similarity to his dad is both physical and temperamental. "Bland" is another word that comes to mind although I found the younger Hanks more animated on the London stage.

More passionate is publicist Valerie Brennan (Emily Blunt, reminding us of egos in Devil Wears Prada), with whom Troy must work and love. But, hey, even Malkovich underplays for this one, although his aging egotist is still impressive with the actor's patented impatience and theatrical outbursts. It's just that the underwhelming script doesn't allow the principals to rise above clichés, and the framing device of the relationship between narrator and mentalist goes nowhere (As it didn't for Gatsby's Nick either, I suppose).

It's a small world of small town vaudeville, fading but eloquent about talent and the need to be who you really are. Not easy, that.