Earl is engaged to his step-sister Baby. Baby has entrusted him to take care of her misfit cousin Junior. Baby is also intent on leaving Texas for LA on Tuesday. When Junior and his ... See full summary »
Follows tour guide, historian and flâneur Timothy 'Speed' Levitch as he visits the monumentally ignored monuments of America's cities, from the shoe gardens of San Francisco to the luckiest subway grate in New York City.
Timothy 'Speed' Levitch,
John C. McDonnell,
Don Anderson is the Mickey's food restaurant chain's Marketing Director. He is the inventor of the "Big One" the hamburger best seller of Mickey's. An independent research reports the presence of cow's feces in the Big One. So Don is sent to Cody, Colorado, to verify if the slaughterhouse, main supplier of Mickey's, is efficient as it appears and the production process is regular. During his investigations he discovers the horrible truth behind a simple hamburger; the reality is not like we think it is. Don discovers what the mass production system involves, from the temp workers like Amber, to the exploitation of Mexican irregular immigrants. It is not only the meat that is crushed in the mincing machine, but all our society. Written by
I had the chance to see this film at this year's Cannes Film Festival. Of all the films I saw, this one was the most disappointing, and the most shockingly mediocre. The film jumps around between a few different, barely interconnected stories, yet none of these segments are explored enough to draw the audience in. For example, towards the end of the film, I began to realize that Greg Kinnear had completely disappeared from the movie without a trace. He is not again seen until the ending credits. The film seems to pride itself on continually throwing in more and more familiar faces, yet these actors prove to be more of a distraction than anything else. Patricia Arquette, Ethan Hawke, Avril Lavigne, Bruce Willis, and others all pop up for a brief scene or two, yet for the most part, they fail to leave any lasting impression. At the films end, I left the theater feeling no more enlightened, no more informed, and no more interested in the topics discussed throughout the movie. Richard Linklater is a great director, and he has cast some great actors, but still, Fast Food Nation fails to compel or leave any sort of impact. My guess is that a year from now, most people will have forgotten about this movie entirely.
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