In a hospital on the outskirts of 1920s Los Angeles, an injured stuntman begins to tell a fellow patient, a little girl with a broken arm, a fantastic story of five mythical heroes. Thanks to his fractured state of mind and her vivid imagination, the line between fiction and reality blurs as the tale advances.
Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
Balinese Tari Legong Dancers,
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A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
At a Los Angeles hospital in the 1920s, Alexandria is a child recovering from a broken arm. She befriends Roy Walker, a movie stunt man with legs paralyzed after a fall. At her request, Roy tells her an elaborate story about six men of widely varied backgrounds who are on a quest to kill a corrupt provincial governor. Between chapters of the story, Roy inveigles Alexandria to scout the hospital's pharmacy for morphine. As Roy's fantastic tale nears its end, Death seems close at hand. Written by
The name of the production company, Googly, is from a term for a delivery in cricket. This can be seen by the use of red circles in the company logo. See more »
As Otta Benga is carrying Alexandria away from where Governor Odious' men are killing the Mystic, there is an overhead shot in which the viewer can clearly see Odious' men purposefully missing the Mystic with their kicks and stomps, so as not to injure the actor. See more »
It won't take long, just go outside and touch one of my toes.
[gets off of Roy's bed and goes outside the curtain surrounding it]
I am touching your little toe.
No, please, please don't tell which toe your touching, I gotta guess. That's the whole point of the game.
[touches on of his little toes]
I'm touching one... I'm touching one.
You're touching my big toe.
[she switches to his big toe]
Are you telling the truth?
Mmhmm. Look! Really!
[...] See more »
If you have not seen, or in fact, heard, of this movie, let me be the first to tell you about it.
This was and is the sort of experience that first enraptured and astounded me as regards to the movies. A story told in such a way as to become a part of your awareness, a gentle reminder of the fantastic, mythical and magical components of what is best in humanity whilst not forgetting what it means to be human.
Breathtaking does not even begin to describe the cinematography. The colors, the framing, costumes, lighting, and the backdrops are gorgeous; like something out of a dream. If this was just a visually moving film, that would be enough but there is so much more.
Tarsem Singh's direction is possessed. He manages to capture a kaleidoscope of emotion as diverse and generous as the tones and colors that deliver this movable feast for the eyes. His motley casting of relatively unknown actors is inspiring and refreshing.
The acting is extraordinary. Both poignant and comical, this journey of heartbreak and revenge, of discovery and friendship is conveyed with joy, witticism, curiosity and a vulnerability that is so rare in life, never mind in movies, it left me humbled. Especially the young Romanian girl, Catinca Untaru, who, not only made her big screen debut in this movie but is the heart and soul of the film in a breakthrough performance that I am sure will garner rave reviews.
It is my sincerest hope that you find this movie as emotive, tender and touching as I.
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