British actress Naomie Harris has been nominated for an Oscar for her role as a crack-addicted mother in the 2016 indie drama Moonlight. "No Small Parts" takes a look at some other roles she's played in her career.
Kevin, Sam and Rob are founding members of a theoretical group which pulls off heists. Leo, a gangster, blackmails them into pulling off a real multi-million dollar heist. Now it's up to them to get out alive.
At his daughter's wedding, time-management specialist Frank Allen corners the reluctant groom and tells him a long story: about the night his wife chose him, and then, about eight years later, when a missed ferry, a corporate groupie, a panicked expectant mother, and a medical test brought Frank's marriage to a crisis. In the midst of the crisis were Frank, his wife Susan, their daughter Jesse, and Frank's best friend, the feckless Buddy. Things come to a head at a lake when Frank, armed with a shotgun, decides to cross something permanently from one of his time-management lists. Is there ever room for whim and chaos? Written by
Ryan Reynolds plays Elisabeth Harnois's father despite being less than three years older than her (945 days to be specific). Emily Mortimer, who plays Elisabeth Harnois's mother, is less than eight years older than her in real life. See more »
Ryan complains that his wife sets his clocks forward to give him more time but then says it actually gives him less time. Moving a clock forward would make Ryan arrive places ten minutes EARLY, so the wife is right and Ryan (and the writers) are wrong. e.g. His watch would say 9:00 when it was really 8:50. See more »
[to Maid of Honor, while wearing wedding dress]
Give it to me straight: virginal bride or slut in white?
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Dependable "date flick" with occasion flashes of brilliance
The surprising thing about Chaos Theory was the way it was rather staid "date flick" fare, but would occasionally punch through the safety barrier and say something wickedly true and profoundly, deeply passionate and beautiful.
It's a great story about truth and connection, and how sometimes connection needs to be reinstated and preserved even in the face of the failure to fully disclose the truth.
To get a little technical, there were times when I was especially appreciative of the writing. Really great, grabs-you-and-won't-let-go screen writing is rare these days; how weird to find it in a flick like this; but there you have it! Kudos! The writing in the scene leading up to Buddy sitting on the go-'round ride in the playground with Susan had me in tears; right up there with the classics.
You may have noticed a hint of a qualification in the foregoing, and that's because there were those other de rigueur features of the standard date flick I didn't appreciate so much. Didn't care for a lot of the song selections; kind of country-trite. If it weren't for the supremely humanizing bits of writing mentioned above, I feel some of the characters would have come across a bit hollow, and they otherwise sometimes teeter on the edge of falling into that pit.
But... OK: The writing, directing, acting, editing, most of the narrative pacing work just fine and shed real light on love and life.
See this flick! Heck: Take a date!
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