| Paget Brewster | ... | Amy Pierson | |
| Jeff Branson | ... | Noah Owens | |
| Jess Weixler | ... | Jordan Gallagher | |
| Raviv Ullman | ... | Hunter McCarthy (as Ricky Ullman) | |
| Avi Setton | ... | David Gallagher | |
| Todd Susman | ... | Martin Webber | |
| Kevin Porter Young | ... | Carl | |
| Darla Hill | ... | Joanna Webber | |
| Terria Joseph | ... | Norah | |
| Liza Lapira | ... | Paula | |
| Crystal Bock | ... | Mary Beth | |
| Emma Adele Galvin | ... | Jaime (as Emma Galvin) | |
| Judy Cole | ... | Rosy | |
| Ostaro | ... | Efram | |
| Michael Mosley | ... | Shawn | |
| Matt Servitto | ... | Principal Miwaski | |
| Grant Aleksander | ... | Paul Pierson | |
| Joanna Adler | ... | Dr. Gaskill (as Joanna P. Adler) | |
| Elizabeth N. Hart | ... | Elyse | |
| Richard Sheridan Willis | ... | Jim Douglas | |
| Tori Davis | ... | Diane | |
| Tim Hayes | ... | Scott | |
| Tamar Kummel | ... | Donna Boyd | |
| Franca Vercelloni | ... | Waitress | |
| Kip Hashagen | ... | Kenny | |
| Scott Winters | ... | Gambler #1 | |
| Christopher Larkin | ... | Cashier | |
| Danielle Simone | ... | Camp Counselor | |
| rest of cast listed alphabetically: | |||
| Joe Dolan | ... | Bar patron | |
| Alexander Fagan | ... | Teenager | |
| Kasie Fagan | ... | Bounce House Girl | |
| Charles Karel | ... | Israeli Gambler | |
| Christine Perkins | ... | Julia | |
| Allegra De Vita | ... | Student (uncredited) | |
| Paul T. Gosselin | ... | Waiter (uncredited) | |
| Zoe Hartman | ... | Swim Student (uncredited) | |
| Amy LaBossiere | ... | Blackjack dealer, bar patron (uncredited) | |
| Kathleen O'Neil | ... | Blackjack Dealer (uncredited) | |
Directed by | |||
| Ishai Setton | |||
Writing credits(in alphabetical order) | ||
| Daniel Schechter | ||
Produced by | |||
| Adam Gaines | .... | associate producer | |
| Lani Ireland | .... | associate producer | |
| Ryan Kampe | .... | co-producer | |
| Christina Mathena | .... | line producer | |
| Heather Merriken | .... | associate producer | |
| Elana Pianko | .... | co-producer | |
| David Raymond | .... | executive producer | |
| Daniel Schechter | .... | executive producer | |
| Ishai Setton | .... | producer | |
| Chandra Simon | .... | producer | |
| Emily Ting | .... | associate producer | |
| Sylvain Tron | .... | co-producer | |
Original Music by | |||
| Chad Kelly | |||
Cinematography by | |||
| Josh Silfen | |||
Film Editing by | |||
| Ian B. Wile | |||
Casting by | |||
| Kelli Lerner | |||
Production Design by | |||
| Valerie Green | |||
Costume Design by | |||
| Cara Liedlich | |||
Makeup Department | |||
| Audie Metcalf | .... | makeup artist | |
Production Management | |||
| Robert J. Lyons | .... | post-production manager | |
| Nicholas Watson | .... | production manager | |
| Andy Williams | .... | post-production manager | |
Second Unit Director or Assistant Director | |||
| Kella Kokkinos | .... | second assistant director | |
| Tony Phillippe | .... | first assistant director | |
Art Department | |||
| Jen Cone | .... | assistant art director | |
Sound Department | |||
| Shaun Brennan | .... | foley artist | |
| Dustin Cook | .... | sound editor | |
| Tammy Douglas | .... | sound mixer | |
| Guillermo Pena-Tapia | .... | boom operator | |
| Brian Scibinico | .... | sound re-recording mixer | |
| Brian Scibinico | .... | supervising sound editor | |
Camera and Electrical Department | |||
| Joe Belschner | .... | best boy grip | |
| Tim Duff | .... | grip | |
| Rebecca Heller | .... | camera intern | |
| T.J. Hellmuth | .... | key grip | |
| Wesley Hodges | .... | second assistant camera | |
| Adam Lukens | .... | electric swing | |
| Richard P. Ulivella | .... | chief lighting technician | |
| Casey Wooden | .... | additional best boy electric | |
| Casey Wooden | .... | additional best boy grip | |
| Michael Yetter | .... | best boy electric | |
Costume and Wardrobe Department | |||
| Lisa Hennessy | .... | co-wardrobe supervisor | |
Editorial Department | |||
| Robert Lovejoy | .... | digital film colorist | |
| Robert Pyle | .... | post-production engineer | |
| John-Michael Trojan | .... | post-production coordinator | |
| Mark Wawrzenski | .... | editorial assistant | |
| Andy Williams | .... | digital intermediate | |
Other crew | |||
| Olenka Denysenko | .... | script supervisor | |
| Tim Duff | .... | assistant office manager | |
| Janet Falcon | .... | senior datacine operator | |
| Jonathan Gray | .... | production counsel | |
| Thomas Evan Jones | .... | conforming fire editor | |
| Steven Slater | .... | key production assistant | |
| Angela Trevino | .... | production coordinator | |
| Matt Wolford | .... | datacine operator | |
| Patrick M. Wood | .... | production assistant | |
Thanks | |||
| Jeffrey Abramson | .... | special thanks | |
| Adam Der Aris | .... | special thanks | |
| Tamar Kummel | .... | thanks | |
| Ryan Piotrowicz | .... | special thanks | |
| Elizabeth Turk | .... | special thanks | |
| Adrian Wattenmaker | .... | special thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| i wanted to like this movie | brydels |
| Rated? | RickysBabe90 |
| Weak scene | machicolator |
| SOUNDTRACK from the film? | KGByall |
| Holy Shmokes I KNOW THAT GIRL!!!! | C-Pac |
| Am I the only one... | YourDream84 |
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| Easy A | Crazy, Stupid, Love. | The Ice Storm | Bad Timing: A Sensual Obsession | The Squid and the Whale |
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IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
The big bad swim has a low budget, indie feel about it. So many times I start to watch independent films that have had really good reviews only to find out they are pretentious crud, voted for by people who are so blinded by the idea of the film and its potential to be provocative that they forget that film is a form of entertainment first and foremost.
I do not know if The big bad swim has any message or higher meaning or metaphor, if it does then I missed it.
From the get go BBS felt right, it was easy and warm and human, there were no major dramas or meaningful insights, I just connected with the characters straight off. And when, as with all good films the end came around I felt sadness at the loss of that connection.
If you are looking for something big, or fast or insightful look elsewhere, look for a film trying to deliver more than it can. BBS delivers a solid, enjoyable, real experience and I felt rewarded and satiated having watched it.