| Danielle Parco | ... | Herself (13 episodes, 2005-2006) | |
| Vinny Parco | ... | Himself (8 episodes, 2005-2006) | |
| Vinny Parco Jr. | ... | Himself (8 episodes, 2005-2006) | |
| Carol Parco | ... | Herself (6 episodes, 2005-2006) | |
| Chris Parco | ... | Himself (6 episodes, 2005-2006) | |
| Cheryl Cosenza | ... | Private Investigator / ... (6 episodes, 2005) | |
| Sherry Hwang | ... | Private Investigator (5 episodes, 2005-2006) |
Series Directed by | |||
| Tom Bell | (unknown episodes) | ||
Series Produced by | |||
| Jeffrey Starr | .... | associate producer (25 episodes, 2005-2006) | |
| Rick Van Meter | .... | line producer (25 episodes, 2005-2006) | |
| Lindsay Freed | .... | producer (15 episodes, 2005-2006) | |
| Chris Potocki | .... | consulting producer (12 episodes, 2005) | |
| Jesse Green | .... | associate producer (12 episodes, 2006) | |
| Matthew Ostrom | .... | supervising producer (10 episodes, 2006) | |
| Farrell Roth | .... | supervising producer (3 episodes, 2005) | |
| Tom Bell | .... | supervising producer (unknown episodes) | |
| Madelyn Brudner | .... | associate producer (unknown episodes) | |
| Patricia Feau | .... | line producer (unknown episodes) | |
| Mark Fichandler | .... | co-producer (unknown episodes) | |
| Melissa Givey | .... | story producer (unknown episodes) | |
| Robyn Hutt | .... | executive producer (unknown episodes) | |
| Dan Kornfeld | .... | segment producer (unknown episodes) | |
| Tom Romita | .... | segment producer (unknown episodes) | |
| Lonny Ross | .... | story producer (unknown episodes) | |
Series Original Music by | |||
| Alec Puro | (12 episodes, 2005) | ||
| Ryan Rehm | (unknown episodes) | ||
| Raney Shockne | (unknown episodes) | ||
Series Cinematography by | |||
| Michael Clevenger | (24 episodes, 2005-2006) | ||
| Benjamin Zimbric | (unknown episodes) | ||
Series Film Editing by | |||
| Paul Viskup | (25 episodes, 2005-2006) | ||
| Daniel Shaw | (8 episodes, 2005-2006) | ||
Series Sound Department | |||
| Graham Gardner | .... | sound mixer (11 episodes, 2005-2006) | |
| Nico Ruderman | .... | sound mixer (2 episodes, 2006) | |
Series Camera and Electrical Department | |||
| Nico Ruderman | .... | gaffer / camera operator (25 episodes, 2005-2006) | |
| Brandon W. Ziegenfuss | .... | camera operator (25 episodes, 2005-2006) | |
| Benjamin Zimbric | .... | camera operator (25 episodes, 2005-2006) | |
| Phillip Yu | .... | gaffer (8 episodes, 2005) | |
| Randal Hall | .... | camera operator (unknown episodes) | |
Series Editorial Department | |||
| Jonathan Rinehart | .... | assistant editor (25 episodes, 2005-2006) | |
| Paul Viskup | .... | supervising editor (25 episodes, 2005-2006) | |
| Matt Hollywood | .... | post-production coordinator (unknown episodes) | |
Series Other crew | |||
| Patricia Ortiz | .... | location manager (15 episodes, 2005-2006) | |
| Lorena Leon | .... | production assistant (13 episodes, 2006) | |
| Margaret McCombs | .... | production coordinator (12 episodes, 2006) | |
| Kimberly Ehrlich | .... | production intern (10 episodes, 2005) | |
| Jane Shayne | .... | story editor (unknown episodes, 2006) | |
| Carol Chirmside | .... | key production accountant (unknown episodes) | |
| Randal Hall | .... | production assistant (unknown episodes) | |
| Matthew Ostrom | .... | supervising story editor (unknown episodes) | |
| J.P. Summerskill | .... | production accountant (unknown episodes) | |
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| The Maltese Falcon | "Remington Steele" | Murder by Death | Blackmail | The Spanish Cape Mystery |
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We like this show because the content (the cases) are real. The patchy production is less of a distraction as it is a reminder that this is a real working investigation team and not professional actors and story writers. Sure the side plots (lost mail, nagging wife, etc) are unrelated to the case but this is how day to day life is for everyone, not just investigators. The meat here is that the cases presented really happened and the investigation activity is representative of how this sort of work gets done. That Vinny and family aren't polished actors generally makes them more believable not less. Also the voyuer in me likes to see real cases (thats why COPs is popular) not written stories.