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Directed by | |||
| Gillian Armstrong | |||
Writing credits(in alphabetical order) | ||
| Katherine Thomson | written by | |
Produced by | |||
| Sue Clothier | .... | producer | |
| Charles Hannah | .... | producer | |
Original Music by | |||
| Paul Grabowsky | |||
Cinematography by | |||
| John Radel | (director of photography) | ||
Film Editing by | |||
| Nicholas Beauman | |||
Production Design by | |||
| Melinda Doring | |||
Set Decoration by | |||
| Glen W. Johnson | |||
Costume Design by | |||
| Tess Schofield | |||
Makeup Department | |||
| Wendy De Waal | .... | hair designer | |
| Wendy De Waal | .... | makeup designer | |
| Sabrina Domenis | .... | makeup artist | |
| Jolin Shead | .... | makeup artist | |
| Paul Williams | .... | hair stylist | |
Production Management | |||
| Jane Griffin | .... | production manager | |
| Isabel Perez | .... | post-production manager | |
| Gina Twyble | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Kate North Ash | .... | second assistant director | |
| John Martin | .... | first assistant director | |
Art Department | |||
| Sharyn Fulton | .... | props buyer | |
| Darren Hardie | .... | construction manager | |
| Denie Pentecost | .... | stand-by props | |
Sound Department | |||
| Anne Breslin | .... | dialogue editor (as Annie Breslin) | |
| Natalie Choo | .... | foley artist (as Natalie Velik) | |
| Gethin Creagh | .... | sound mixer | |
| Paul Finlay | .... | sound recordist | |
| Damon Mouris | .... | foley recordist | |
| Andrew Plain | .... | supervising sound editor | |
| Blair Slater | .... | foley recordist | |
| Alicia Slusarski | .... | sound effects editor | |
| Mario Vaccaro | .... | foley artist | |
Visual Effects by | |||
| Pauline Piper | .... | animation producer | |
Camera and Electrical Department | |||
| Colin Bishop | .... | grip | |
| Terry Cook | .... | grip | |
| Andre Deubel | .... | camera assistant | |
| Scott Dolan | .... | assistant camera | |
| Andrew Johnson | .... | Steadicam operator | |
| Richard Mason | .... | best boy | |
| Steve Price | .... | gaffer | |
| Anna Zahalka | .... | still photographer | |
Costume and Wardrobe Department | |||
| Ivana Daniele | .... | stand-by costume | |
| Elizabeth Rice | .... | wardrobe assistant | |
Editorial Department | |||
| Adam Archer | .... | on-line editor | |
| Dwaine Hyde | .... | colorist | |
| Steve Marolho | .... | post-production liaison | |
| Anna Truman | .... | post-production assistant | |
| Noelleen Westcombe | .... | associate editor | |
Music Department | |||
| Robin Gray | .... | music mixer | |
| Robin Gray | .... | music recorder | |
| Estelle Pizer | .... | music preparation | |
| Estelle Pizer | .... | orchestra manager | |
| Yuri Worontschak | .... | score supervisor | |
Other crew | |||
| Leonard Coster | .... | digital film transfer | |
| Sally Muul | .... | production coordinator | |
Thanks | |||
| Andrew Mackie | .... | thanks | |
| Company credits | Main details |