| Photos (see all 8 | slideshow) |
| Marina Hands | ... | Constance | |
| Jean-Louis Coullo'ch | ... | Parkin (as Jean-Louis Coulloc'h) | |
| Hippolyte Girardot | ... | Clifford | |
| Hélène Alexandridis | ... | Mrs. Bolton | |
| Hélène Fillières | ... | Hilda | |
| Bernard Verley | ... | Le père de Constance | |
| Sava Lolov | ... | Tommy Dukes | |
| Jean-Baptiste Montagut | ... | Harry Winterslow | |
| Fanny Deleuze | ... | Tante Eva | |
| Michel Vincent | ... | Marshall | |
| Colette Philippe | ... | Mrs. Marshall | |
| Christelle Hes | ... | Kate | |
| Jade Bouchard | ... | La jeune bonne | |
| Joël Vandael | ... | Field, le chauffeur | |
| Jacques De Bock | ... | Le médecin (as Jacques de Bock) | |
| Jean-Claude Leclère | ... | Winter | |
| Ninon Brétécher | ... | Emma Flint | |
| Léopold Cannon | ... | Bébé Flint | |
| Jade Greil | ... | Bébé Flint | |
| Anne Benoît | ... | La mercière | |
| Nathalie Eno | ... | La cliente à la mercière | |
| William Atkinson | ... | Un mineur | |
| Jean-Baptiste de Laubier | ... | Duncan Forbes | |
| Jean-Michel Vovk | ... | Albert Adam | |
| Marina-Aymée Philippe | ... | Bertha Parkin | |
| rest of cast listed alphabetically: | |||
| Russel Amos | ... | Mineur | |
| Tony Boots | ... | Mineur | |
| David Bourges | ... | Mineur | |
| Gilles Faurie | ... | Mineur | |
| Matt Gibson | ... | Mineur | |
| Tom Gibson | ... | Mineur | |
| Koby Golisman | ... | Mineur | |
| Chris Green | ... | Mineur | |
| Craig Lewis | ... | Mineur | |
| Keith Merson | ... | Mineur | |
| Jackie Mounetas | ... | Mineur | |
| Terry Mountford | ... | Mineur | |
| Richard Smith | ... | Mineur | |
| Tommy Templey | ... | Mineur | |
| Trevor Tyas | ... | Mineur | |
| David Wilks | ... | Mineur | |
Directed by | |||
| Pascale Ferran | |||
Writing credits(in alphabetical order) | ||
| Roger Bohbot | writer | |
| Pascale Ferran | writer | |
| D.H. Lawrence | novel | |
| Pierre Trividic | dialogue | |
Produced by | |||
| Kristina Larsen | .... | co-producer | |
| Gilles Sandoz | .... | producer | |
Original Music by | |||
| Béatrice Thiriet | |||
Cinematography by | |||
| Julien Hirsch | |||
Film Editing by | |||
| Yann Dedet | |||
| Mathilde Muyard | |||
Casting by | |||
| Richard Rousseau | |||
| Sarah Teper | |||
Production Design by | |||
| François-Renaud Labarthe | |||
Costume Design by | |||
| Marie-Claude Altot | |||
Makeup Department | |||
| Luk Van Cleemput | .... | hair designer | |
| Danièle Vuarin | .... | key makeup artist | |
Production Management | |||
| Olivier Guerbois | .... | production manager | |
| Yann Jouannic | .... | unit manager trainee | |
| Luc Tissot | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Barbara Canale | .... | second second assistant director | |
| Renaud Fely | .... | second assistant director | |
| Gabriele Roux | .... | first assistant director | |
Art Department | |||
| Vincent Amiel | .... | construction coordinator | |
| Valérie Faynot | .... | first assistant art director | |
| Craig Price | .... | property master | |
Sound Department | |||
| Pascal Chauvin | .... | foley artist | |
| Jean-Jacques Ferran | .... | sound | |
| Jean-Pierre Laforce | .... | sound mixer | |
| Sylvain Malbrant | .... | assistant sound editor | |
| Fred Mays | .... | post-synchronization | |
| Nicolas Moreau | .... | sound editor | |
| Emmanuelle Villard | .... | assistant sound | |
Costume and Wardrobe Department | |||
| Sylvie Régnier | .... | wardrobe: England | |
| Claire Tong | .... | assistant costumer | |
Editorial Department | |||
| Sandie Bompar | .... | assistant editor | |
| Aurélie Laumont | .... | color timer | |
Other crew | |||
| Christophe Besnard | .... | assistant to producer | |
| Lydia Bigard | .... | script supervisor | |
| Tatiana Bouchain | .... | production secretary | |
| Nathalie Depose | .... | location assistant manager | |
| Renaud Fely | .... | location scout | |
| Renaud Fely | .... | second team director | |
| Yann Jouannic | .... | rush runner | |
| Sandrine Vitali | .... | production administrator | |
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| The Notebook | The Heart of Me | Temps qui reste, Le | Malèna | The Last Days of Chez Nous |
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| News articles | IMDb Drama section | IMDb Belgium section |
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As you enter the cinema, I think there are several instructions certain viewers must first take heed of, as regards this film.
Firstly, face facts, it's French, so don't be surprised if there are hardly four lines of dialogue in the first thirty minutes. This works marvellously as an introduction into the repressed yet sensual world of the characters, but if you know you're likely to get bored without having everything immediately explained, then please save yourself the bother.
Secondly, it ain't all about the sex. If you're seeking XXXX thrills, again, don't bother.
Finally, Lady Chatterley is based upon the second (earlier) version of the book, NOT the famously explicit and more widely published rewrite Lawrence ultimately settled on. Don't be expecting the clunky politics that isn't very relevant in the 2000's, instead enjoy a tale of love and freedom, of hope that two very different people can become a reason for one another's happiness within this overbearing world we're all inevitably a part of.
As for the film itself, acting honours go to Marina Hands for an exquisite portrayal of Constance, truly from her performance every emotion can be felt without a hint of exaggeration. It's delightful stuff. Jean-Louis Coullo'ch's Parkin/gamekeeper is a good fit, for what really is the less starry role, and he handles everything, including a touching confessional scene, with an admirable strength and gentleness.
Underpinning everything is the lavish production, sound and photography to make an audience feel as part of the forest setting, a tranquillity that intimates so much of what the story is trying to say.
This is superb stuff.