| Photos (see all 16 | slideshow) |
| Marina Hands | ... | Constance | |
| Jean-Louis Coullo'ch | ... | Parkin (as Jean-Louis Coulloc'h) | |
| Hippolyte Girardot | ... | Clifford | |
| Hélène Alexandridis | ... | Mrs. Bolton | |
| Hélène Fillières | ... | Hilda | |
| Bernard Verley | ... | Le père de Constance | |
| Sava Lolov | ... | Tommy Dukes | |
| Jean-Baptiste Montagut | ... | Harry Winterslow | |
| Fanny Deleuze | ... | Tante Eva | |
| Michel Vincent | ... | Marshall | |
| Colette Philippe | ... | Mrs. Marshall | |
| Christelle Hes | ... | Kate | |
| Jade Bouchard | ... | La jeune bonne | |
| Joël Vandael | ... | Field, le chauffeur | |
| Jacques De Bock | ... | Le médecin (as Jacques de Bock) | |
| Jean-Claude Leclère | ... | Winter | |
| Ninon Brétécher | ... | Emma Flint | |
| Léopold Cannon | ... | Bébé Flint | |
| Jade Greil | ... | Bébé Flint | |
| Anne Benoît | ... | La mercière | |
| Nathalie Eno | ... | La cliente à la mercière | |
| William Atkinson | ... | Un mineur | |
| Jean-Baptiste de Laubier | ... | Duncan Forbes | |
| Jean-Michel Vovk | ... | Albert Adam | |
| Marina-Aymée Philippe | ... | Bertha Parkin | |
| rest of cast listed alphabetically: | |||
| Russel Amos | ... | Mineur | |
| Tony Boots | ... | Mineur | |
| David Bourges | ... | Mineur | |
| Gilles Faurie | ... | Mineur | |
| Matt Gibson | ... | Mineur | |
| Tom Gibson | ... | Mineur | |
| Koby Golisman | ... | Mineur | |
| Chris Green | ... | Mineur | |
| Craig Lewis | ... | Mineur | |
| Keith Merson | ... | Mineur | |
| Jackie Mounetas | ... | Mineur | |
| Terry Mountford | ... | Mineur | |
| Richard Smith | ... | Mineur | |
| Tommy Templey | ... | Mineur | |
| Trevor Tyas | ... | Mineur | |
| David Wilks | ... | Mineur | |
Directed by | |||
| Pascale Ferran | |||
Writing credits(in alphabetical order) | ||
| Roger Bohbot | writer | |
| Pascale Ferran | writer | |
| D.H. Lawrence | novel | |
| Pierre Trividic | dialogue | |
Produced by | |||
| Kristina Larsen | .... | co-producer | |
| Gilles Sandoz | .... | producer | |
Original Music by | |||
| Béatrice Thiriet | |||
Cinematography by | |||
| Julien Hirsch | |||
Film Editing by | |||
| Yann Dedet | |||
| Mathilde Muyard | |||
Casting by | |||
| Richard Rousseau | |||
| Sarah Teper | |||
Production Design by | |||
| François-Renaud Labarthe | |||
Costume Design by | |||
| Marie-Claude Altot | |||
Makeup Department | |||
| Luk Van Cleemput | .... | hair designer | |
| Danièle Vuarin | .... | key makeup artist | |
Production Management | |||
| Olivier Guerbois | .... | production manager | |
| Yann Jouannic | .... | unit manager trainee | |
| Luc Tissot | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Barbara Canale | .... | second second assistant director | |
| Renaud Fely | .... | second assistant director | |
| Gabriele Roux | .... | first assistant director | |
Art Department | |||
| Vincent Amiel | .... | construction coordinator | |
| Valérie Faynot | .... | first assistant art director | |
| Craig Price | .... | property master | |
| Fanny Stauff | .... | second assistant production designer | |
Sound Department | |||
| Sandie Bompar | .... | dialogue editor | |
| Pascal Chauvin | .... | foley artist | |
| Jean-Jacques Ferran | .... | sound | |
| Jean-Pierre Laforce | .... | sound mixer | |
| Sylvain Malbrant | .... | assistant sound editor | |
| Fred Mays | .... | post-synchronization | |
| Nicolas Moreau | .... | sound editor | |
| Emmanuelle Villard | .... | assistant sound | |
Costume and Wardrobe Department | |||
| Sylvie Régnier | .... | wardrobe: England | |
| Claire Tong | .... | assistant costumer | |
Editorial Department | |||
| Sandie Bompar | .... | assistant editor | |
| Aurélie Laumont | .... | color timer | |
| Pascal Massonneau | .... | color timer | |
Music Department | |||
| Adam Klemens | .... | conductor | |
| Petr Pycha | .... | orchestra contractor | |
| Béatrice Thiriet | .... | music producer | |
| Béatrice Thiriet | .... | orchestrator | |
| John Timperley | .... | music mixer | |
Other crew | |||
| Christophe Besnard | .... | assistant to producer | |
| Lydia Bigard | .... | script supervisor | |
| Tatiana Bouchain | .... | production secretary | |
| Nathalie Depose | .... | location assistant manager | |
| Renaud Fely | .... | location scout | |
| Renaud Fely | .... | second team director | |
| Yann Jouannic | .... | rush runner | |
| Sandrine Vitali | .... | production administrator | |
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| Gone with the Wind | Big Fish | The Unbearable Lightness of Being | The Notebook | Le scaphandre et le papillon |
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Six times this film has been made. This is the first with a woman as director (Pascale Ferran). It won five Césars (French Oscars), but surprisingly none for Ferran. The Best Director award went to Guillaume Canet for Tell No One, which also featured Marina Hands. She returns the following year in the Oscar nominated The Diving Bell and the Butterfly.
She starred in this film as Lady Chatterley, a woman whose husband (Hippolyte Girardot) was confined to a wheelchair.
The film was originally short of three hours, but this is the Director's Cut, and it runs 3 hours and 21 minutes.
It features outstanding cinematography of the French countryside, and beautiful music. In fact, as Lady Chatterley likes to take long walks in the woods, we get to see a lot of scenery.
She decides she wants to stop and rest in the gamekeeper's (Jean-Louis Coullo'ch) hut. He is not too thrilled with this, as he is a loner.
A loner and a lonely woman. Will events transcend social status? Soon, the hut becomes more than a resting place, as she starts to plant flowers. She is visiting almost every day. It is the gamekeeper that makes a bold move that results in sex. One would not think that a Lady would be interested in sex on a hard wooden floor with nothing but a blanket, but she does. It is hard to believe she was happy as the foreplay was nonexistent and he finished in less than a minute, but she said she'll be back.
The second meeting was the mirror of the first, and it was on the third time in the woods that she finally got satisfaction.
The running naked in the rain and doing it in the mud was special. Afterwards, back in the hut, he decorated her with flowers. She looked like a wood nymph. She crosses the line here declaring her love for him.
She takes a vacation with her father and sister and her whole world changes. But, the love they had for each other doesn't change and the expression at the end was magnificent.