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Post-WWII Germany: Nearly a decade after his affair with an older woman came to a mysterious end, law student Michael Berg re-encounters his former lover as she defends herself in a war-crime trial.
Two girlfriends on a summer holiday in Spain become enamored with the same painter, unaware that his ex-wife, with whom he has a tempestuous relationship, is about to re-enter the picture.
Director:
Woody Allen
Stars:
Rebecca Hall,
Scarlett Johansson,
Christopher Evan Welch
Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
Director:
Joe Wright
Stars:
Keira Knightley,
Donald Sutherland,
Brenda Blethyn
A Brooklyn-set romantic drama about a bachelor torn between the family friend his parents wish he would marry and his beautiful but volatile new neighbor.
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations.
Director:
Todd Field
Stars:
Kate Winslet,
Jennifer Connelly,
Patrick Wilson
A young couple living in a Connecticut suburb during the mid-1950s struggle to come to terms with their personal problems while trying to raise their two children. Based on a novel by Richard Yates.
Director:
Sam Mendes
Stars:
Kate Winslet,
Leonardo DiCaprio,
Christopher Fitzgerald
A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
Sir Clifford has returned from the Great War to his estate near Sheffield, paralyzed from the waist down. Lady Constance, his young wife, cares for him, but she's lifeless, enervated. Her physician prescribes the open air, and she finds a quiet retreat at the hut - the workplace - of Parkin, the estate's gamekeeper. The rhythms of nature awaken Connie - daffodils, pheasant chicks - and soon she and Parkin become lovers. She's now radiant. Parkin, too, opens up. Class distinctions and gender roles may be barriers to the affair becoming more. Connie's trip to France, with her father and sister, bring the lovers to a nuanced resolution. Written by
<jhailey@hotmail.com>
Director Pascale Ferran scheduled six weeks of intensive rehearsal to help put the actors at ease with each other in preparation for the explicit scenes. See more »
Goofs
On the cabin porch, while drinking water, the two different glasses are switched from one character to the other between takes. See more »
First we may talk about the general atmosphere of this remarkable movie. All sceneries are very beautiful, accurate and full of meaning: the landscapes, the interiors and the characters' clothes like we would expect in a reproduction of events which take place in mid-twenties of last century. In what concerns the plot and story we must keep always in mind that at the time most Victorian moral values still prevail and we must see the movie against this background so what wouldn't be revolutionary nowadays was revolutionary indeed at the time. This is the well told, well acted and well directed story of a woman awakening for the physical side of love life. She is the aristocratic rich wife of a no less aristocratic and rich man who is nevertheless an invalid ridden to a wheelchair for life and sexually impotent of course. This awakening begins when she sees for the first time her husband's gamekeeper naked above his waist and washing himself. She is then overwhelmed by a great psychological trouble and the ensuing uncontrollable need of meeting him again leads her to go to see him once more and finishing by surrender herself to make love with him. The first two love scenes were so quick that she doesn't get to any climax and only during the third scene where she takes a more active part does she reach a full orgasm. It's curious however (but quite in accordance with social patterns of that time) that during the first love scenes between the two the relation master-servant maintains itself before and after sex and only later does it gain a more personal and intimate nature. After the third love scene she even thanks him for it like if it had been a service rendered by him which offends him a lot. This adaptation of the second version of the literary masterpiece novel by the British writer D. H. Lawrence is a great success indeed. This novel was banned as pornographic when it was published first time and only in the sixties of last century a court declared it not pornographic according to he real difference between pornography and eroticism which exists though many people still don't know it but it's out of the scope of this review to explain. Sex is a force of nature and indeed a part of human relations and the literary or artistic works based on it can be object of aesthetic (in the broad sense) evaluation notwithstanding any possible moral evaluations which are not within the scope of a literary or a film essay.
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First we may talk about the general atmosphere of this remarkable movie. All sceneries are very beautiful, accurate and full of meaning: the landscapes, the interiors and the characters' clothes like we would expect in a reproduction of events which take place in mid-twenties of last century. In what concerns the plot and story we must keep always in mind that at the time most Victorian moral values still prevail and we must see the movie against this background so what wouldn't be revolutionary nowadays was revolutionary indeed at the time. This is the well told, well acted and well directed story of a woman awakening for the physical side of love life. She is the aristocratic rich wife of a no less aristocratic and rich man who is nevertheless an invalid ridden to a wheelchair for life and sexually impotent of course. This awakening begins when she sees for the first time her husband's gamekeeper naked above his waist and washing himself. She is then overwhelmed by a great psychological trouble and the ensuing uncontrollable need of meeting him again leads her to go to see him once more and finishing by surrender herself to make love with him. The first two love scenes were so quick that she doesn't get to any climax and only during the third scene where she takes a more active part does she reach a full orgasm. It's curious however (but quite in accordance with social patterns of that time) that during the first love scenes between the two the relation master-servant maintains itself before and after sex and only later does it gain a more personal and intimate nature. After the third love scene she even thanks him for it like if it had been a service rendered by him which offends him a lot. This adaptation of the second version of the literary masterpiece novel by the British writer D. H. Lawrence is a great success indeed. This novel was banned as pornographic when it was published first time and only in the sixties of last century a court declared it not pornographic according to he real difference between pornography and eroticism which exists though many people still don't know it but it's out of the scope of this review to explain. Sex is a force of nature and indeed a part of human relations and the literary or artistic works based on it can be object of aesthetic (in the broad sense) evaluation notwithstanding any possible moral evaluations which are not within the scope of a literary or a film essay.