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Zui hao de shi guang (2005)
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Overview
User Rating:
Release Date:
27 October 2005 (Hong Kong) morePlot:
Three stories set in three times, 1911, 1966 and 2005. Two actors play the two main characters in each story. full summary | add synopsisAwards:
4 wins & 10 nominations moreUser Comments:
Three Times: A Century of Reponses to Love moreCast
(Credited cast)| Qi Shu | ... | May / Ah Mei / Jing | |
| Chen Chang | ... | Chen / Mr. Chang / Zhen | |
| Fang Mei | ... | Old Woman | |
| Su-jen Liao | ... | Madam / Jing's mother | |
| Mei Di | ... | May's mother / Madam | |
| Shi-Zheng Chen | ... | Haruko / Ah Mei | |
| Lee Pei-Hsuan | ... | Hostess / Micky | |
| rest of cast listed alphabetically: | |||
| Yue-Lin Ko | ... | (special appearance) | |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
USA:120 min | France:132 min | UK:135 min | Canada:139 min (Toronto International Film Festival)Color:
ColorAspect Ratio:
1.85 : 1 moreSound Mix:
Dolby DigitalCertification:
Taiwan:PG-12 | Switzerland:7 (canton of Vaud) | Switzerland:7 (canton of Geneva) | Singapore:NC-16 | Netherlands:AL | UK:12A | South Korea:15Filming Locations:
TaiwanFun Stuff
Trivia:
The song Rain and Tears is based on Pachelbel's Canon moreGoofs:
Anachronisms: The 1966 story used the song "Rain and Tears" by Aphrodite's Child which was not released until 1968. moreSoundtrack:
Rain and Tears moreFAQ
This FAQ is empty. Add the first question.more
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Discuss this movie with other users on IMDb message board for Zui hao de shi guang (2005)| Recent Posts (updated daily) | User |
|---|---|
| Vocals in 1911 segment | sammygg22 |
| Ah Mei??? | brontebelle |
| Parallels with Shanghai Baby? | tearsinrain89 |
| Did any one notice... | pink-flame |
| Ou Yang Jing | saggi_kuah |
| question.... great film | Alice_K |
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THREE TIMES (Zui hao de shi guang) is so frank a film that the viewer may get lost looking for the hidden meanings in this century traversal of lovers' interactions in China. Not one for simple linear film-making, director Hsiao-hsien Hou instead opts for mood and suggestion and leaves the paucity of dialog to make room for emotional involvement and response. Three periods - 1966 A Time for Love, 1911 A Time for Freedom, and 2005 A Time for Youth - are depicted with the same main characters, Qi Shu and Chen Chang, who prove to be exceptionally sensitive to the concept from the director: with each new tale these fine actors mold new characters and questions and yet allow us to see a line of similarity in the couples as the director has suggested.
The film wisely opens with the most successful of the three 'Times' - 1966 A Time for Love - - tracing the emergence of timid passion between a lad headed for the military and a young girl who works in a pool hall. They communicate by letters after their first brief introductory encounter and circumstances interfere with the progress of their relationship in 1966 Taiwan. The middle section 1911 A Time for Freedom is gorgeous visually and conceptually the director has elected to use the cinematic form of the period (silent movie) to tell his story about the freeing of a young girl from the grip of a brothel madam and surveys the political tensions between Japan and China as the quietly lighted story of love and yearning unfolds. The film ends with 2005 A Time for Youth and here our lovers are caught up in the pollution of smog, cellphones, emails, nightclubs, and infidelities for same sex affairs that speak loudly about the tenor of the times.
Hsiao-hsien Hou's films are an acquired taste and many will find the choppy editing, the fragmentary scenes that are not always well focused for the story line, and the over-long length (130 minutes) too much to endure. But the ideas are fresh and the characters and vignettes are memorable, and most of the major critics in the media have lavished praise on this film. It is an interesting work but for this viewer there are enough flaws to keep it grounded. Grady Harp