This epic film traces over three generations an immigrant family's trials, tribulations, tragedies and triumphs. Jose and Maria, the first generation, come to Los Angeles, meet, marry, face... See full summary »
Edward James Olmos
The love life of Charlotte is reduced to an endless string of disastrous blind dates, until she meets the perfect man, Kevin. Unfortunately, his merciless mother will do anything to destroy their relationship.
A young girl agrees to work in a center for girls who can't stay with their parents. She gets wrapped up in the plights of several of the girls, and tries to help them, but only gets herself into trouble with her parents and supervisor.
James Earl Jones,
Mary Stuart Masterson
The rise and fall of salsa singer, Héctor Lavoe (1946-1993), as told from the perspective of his wife Puchi, who looks back from 2002. In the early 1960s, Héctor arrives in New York from Ponce, Puerto Rico. Success comes quickly. "The more he grew as an artist," Puchi says, "the more he sank as a person." It's a tale of talent - creating salsa with Willie Colón, with the Fania All Stars, and as a soloist - and a story of disintegration - fueled by drugs, alcohol, partying, and depression. Puchi's voice - proud and querulous - dominates off-stage as Héctor's does on. Written by
The title translates in English as "The Singer". See more »
In the scene where Hector Perez signs his contract with Jerry Masucci, and is given the name Hector La Voe. Willie Colon is standing behind him. On the wall behind Willie is a framed album cover of "The Hustler", the second album they made together. At this point in the story they have not yet recorded together. See more »
Hector always knew he was gonna make it. It was like he was prepared for it.
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Five Minutes of Funk
Written by John Fletcher, Jalil Hutchins and Lawrence Smith
Performed by Whodini
Published by Zomba Enterprises Inc. (ASCAP)
Courtesy of Jive Records
By Arrangement with Sony BMG Music Entertainment See more »
Quite true to the actual events of Hector Lavoe's life, the acting and direction of El Cantante are top notch. Jennifer Lopez probably gives the finest performance of her career, while Mark Anthony without a doubt deserves an Oscar for his star role. I saw this film on Sept. 12/2006 at the Toronto International Film Festival and Jennifer and Mark's presence overshadowed the film itself. However as a stand alone film, it is excellent and my only criticism would be the editing, the cinematography and some of the subtitles which were quite different from what the actors were actually saying. The cinematography seemed quite Schizophrenic at times, while the editing was occasionally shaky. Leon Ichaso has done an excellent job as usual in the direction of El Cantante and while this may be a somewhat low budget film, it is a high caliber production. The music, locales and wardrobe are outstanding as well. While some may dismiss this as a husband and wife chance to work together, given a chance, El Cantante is an excellent film quite able to fight for its chance at a Golden Globe and an Oscar.
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