1905, the cinematograph has reached Southern Italy, and casts fear among the people to whom it seems a devilish trick. They call it "o 'imbroglie din t'o lenzuolo" - "The Trick in the Sheet", as white sheets were used for screening.
Miguel Ángel Silvestre,
Maria Grazia Cucinotta,
Screen adapatation of Mozart's greatest opera. Don Giovanni, the infamous womanizer, makes one conquest after another until the ghost of Donna Anna's father, the Commendatore, (whom ... See full summary »
A fictional account of the real life, eleven day, never explained 1926 disappearance of famed murder mystery writer Agatha Christie is presented. On a cold winter day, her damaged car with ... See full summary »
The story of Salomé told as one of extreme love and vengeance. A director prepares a troupe of flamenco dancers for a performance. He summarizes the story and describes his spring for the ... See full summary »
Ana is alive and married with Antonio; they arrive in the manor in the countryside of Spain where she worked as a nanny many years ago, for the centennial birthday of the matriarch. In ... See full summary »
Fernando Fernán Gómez
A young girl, after failing an exam, is forced by her father, a taxi-driver, to learn his profession. Soon she discovers that her father is not only a driver but also a member of a racist ... See full summary »
Francisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He's living with his ... See full summary »
May is waiting for her boyfriend in a run-down American motel, when an old flame turns up and threatens to undermine her efforts and drag her back into the life that she was running away from. The situation soon turns complicated.
Harry Dean Stanton
The film concerns the making of Mozart's opera Don Giovanni, from the point of view of the librettist, Lorenzo da Ponte. It portrays the main events and characters in the opera as a reflection of da Ponte's own life. I don't know if this is true historically, but it doesn't matter. As an artistic proposition, the idea is legitimate.
As a lover of the actual opera, I expected little of this film but was favorably surprised. The film captures the exceptional mixture of drama and frivolity in the opera itself. In an understated manner, it also does justice to the tormented figure of Mozart and his extraordinary mixture of joie de vivre and tragedy.
The photography, dealing with eighteenth-century material from a modern perspective, is simply breathtaking. So is the pace of events, which again is a reflection of the innovations in this respect in the opera itself.
Highly recommended, especially if you love the opera.
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