A group of flamenco dancers are rehearsing a very spanish version of the Prosper Merimee's drama. Antonio (the coreographer) falls in love with Carmen (the main dancer). Their story then ... See full summary »
Laura del Sol,
Paco de Lucía
A young girl, after failing an exam, is forced by her father, a taxi-driver, to learn his profession. Soon she discovers that her father is not only a driver but also a member of a racist ... See full summary »
The story of Salomé told as one of extreme love and vengeance. A director prepares a troupe of flamenco dancers for a performance. He summarizes the story and describes his spring for the ... See full summary »
Francisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He's living with his ... See full summary »
Toledo in the 30s: The godfather of cinematic surrealism, Luis Buñuel, the poet Federico Garcia Loca and the painter Salvador Dalí are on a search for the mythical table of King Salomon, ... See full summary »
El Gran Wyoming,
In a Gypsy village, the fathers of Candela and José promise their children to each other. Years later, the unfaithful José marries Candela but while defending his lover Lucía in a brawl, he... See full summary »
Laura del Sol
The tumultuous and adventurous life of Michelangelo Merisi, controversial artist, called by Fate to become the immortal Caravaggio. A violent genius that will dare to defy the ideal vision ... See full summary »
Elena Sofia Ricci,
The film concerns the making of Mozart's opera Don Giovanni, from the point of view of the librettist, Lorenzo da Ponte. It portrays the main events and characters in the opera as a reflection of da Ponte's own life. I don't know if this is true historically, but it doesn't matter. As an artistic proposition, the idea is legitimate.
As a lover of the actual opera, I expected little of this film but was favorably surprised. The film captures the exceptional mixture of drama and frivolity in the opera itself. In an understated manner, it also does justice to the tormented figure of Mozart and his extraordinary mixture of joie de vivre and tragedy.
The photography, dealing with eighteenth-century material from a modern perspective, is simply breathtaking. So is the pace of events, which again is a reflection of the innovations in this respect in the opera itself.
Highly recommended, especially if you love the opera.
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