Screen adapatation of Mozart's greatest opera. Don Giovanni, the infamous womanizer, makes one conquest after another until the ghost of Donna Anna's father, the Commendatore, (whom ... See full summary »
A group of flamenco dancers are rehearsing a very spanish version of the Prosper Merimee's drama. Antonio (the coreographer) falls in love with Carmen (the main dancer). Their story then ... See full summary »
Laura del Sol,
Paco de Lucía
Julian, a middle-aged single doctor, meets his childhood friend Pablo again. The latter is back from Africa and has just married a beautiful young blonde, Elena. Julian falls in love with ... See full summary »
José Luis López Vázquez,
Toledo in the 30s: The godfather of cinematic surrealism, Luis Buñuel, the poet Federico Garcia Loca and the painter Salvador Dalí are on a search for the mythical table of King Salomon, ... See full summary »
El Gran Wyoming,
Elisa has not seen her father Luis for nine years, but she receives a telegram from her sister Isabel in a moment of crisis of her marriage with Antonio telling that her father is ill and ... See full summary »
1905, the cinematograph has reached Southern Italy, and casts fear among the people to whom it seems a devilish trick. They call it "o 'imbroglie din t'o lenzuolo" - "The Trick in the Sheet", as white sheets were used for screening.
Maria Grazia Cucinotta,
Miguel Ángel Silvestre,
The film concerns the making of Mozart's opera Don Giovanni, from the point of view of the librettist, Lorenzo da Ponte. It portrays the main events and characters in the opera as a reflection of da Ponte's own life. I don't know if this is true historically, but it doesn't matter. As an artistic proposition, the idea is legitimate.
As a lover of the actual opera, I expected little of this film but was favorably surprised. The film captures the exceptional mixture of drama and frivolity in the opera itself. In an understated manner, it also does justice to the tormented figure of Mozart and his extraordinary mixture of joie de vivre and tragedy.
The photography, dealing with eighteenth-century material from a modern perspective, is simply breathtaking. So is the pace of events, which again is a reflection of the innovations in this respect in the opera itself.
Highly recommended, especially if you love the opera.
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