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A corrupt, junkie cop with Borderline Personality Disorder attempts to manipulate his way through a promotion in order to win back his wife and daughter while also fighting his own borderline-fueled inner demons.
On New Year's Eve in London, four strangers find themselves on the roof of a building known for suicides. Martin is a famous talk show host just out of jail, Maureen is a lonely single mother, Jess is young, reckless and heartbroken, and JJ is an American realizing the failures in his life. Through mutual pain and humour, this unlikely group take the long way down and figure out what will keep them alive until Valentine's Day, one step at a time. Written by
When the four are standing on a rooftop in February their breaths can't be seen in the air. This reveals it's in fact a set, shot in room-temperature. See more »
Anyway, to cut a long story short, I decided to kill myself. That's the trouble with suicides, I've learned you can't cut the long story short, because it's the long story that people are interested in. Especially if you're me, which regrettably I was, and still am to this day. So, forgive me if you already knew this, but I'm Martin Sharp, the man who had everything. One wife, two children, three dogs, at least four People's Choice Awards, and five mornings a week on the most ...
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Had no idea what this film was when I decided to watch it on Netflix and was pleasantly surprised by how attached I became to the subject matter, the characters and the story.
Brosnan is a disgraced TV personalty and decides to commit suicide by jumping off the top of a building on New Year's Eve. While up there, he meets 3 other people, played by Toni Collette, Aaron Paul and Imogen Poots, all there to do the same thing. None of them commit the act and instead form a weird bond between each other. A pact is made not to commit suicide until the next "popular" suicide date, which is Valentine's Day. Dark subject matter, I know.
Despite the content of the film involving topics such as cancer, suicide, underage sex and other questionable character choices, the film balances this topics interestingly enough to keep it rather light. It never became too dark, nor too comedic. It walked a fine line of genuine trust in the characters. I found myself attached to each one, their faults, their quirks and liked them all. Imogen Poots has the hardest task of playing the "wild card" character. This character can sometimes become irritatingly annoying and I can see some people thinking her performance here is just that, but I found it oddly charming and real. She's a young girl who yearns to be loved and can't find it. She's lost, she feels alone and she turns to uncomfortable humour as a shield to hide her true feelings. I felt that her character had the most demons and she came off as the most interesting.
The film is broken up into four segments and each segment is from one of the characters POV. At first I was afraid that it was going to be one of those films that played the same event multiple times from different character perspectives, but was relieved when that was not the case.
The film fails to use the supporting cast effectively. Sam Neil is only in a few select scenes and Rosamund Pike is in one very uncomfortable one. Couldn't help but feel that their talents were slightly wasted here. I had no idea this film was based on a book, thus had nothing to hold it against. There seems to be a lot of hate towards it, but I was genuinely interested from start to finish.
7 of 8 people found this review helpful.
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