| Photos (see all 9 | slideshow) | Videos (see all 8 NEW) |
| Mary McCormack | ... | Lexi | |
| Rory Cochrane | ... | Brad | |
| Tony Perez | ... | Alvaro | |
| Scotty Noyd Jr. | ... | Timmy | |
| Max Kasch | ... | Corporal Marshall | |
| Jon Huertas | ... | Rick | |
| Will McCormack | ... | Jason | |
| Emeka Nnadi | ... | Synthetic Soldier #2 | |
| Marisol Ramirez | ... | Synthetic Soldier #3 | |
| Hector Luis Bustamante | ... | Store Owner | |
| Alejandra Flores | ... | Terrified Woman on Street | |
| Christopher Rocha | ... | Hurried Man | |
| Soledad St. Hilaire | ... | Hardware Woman | |
| Nigel Gibbs | ... | Another Officer | |
| Jenny O'Hara | ... | Lexi's Mother | |
| Jessica Freitas | ... | Gail | |
| rest of cast listed alphabetically: | |||
| Nina Barry | ... | Kathy Reynolds | |
| Ed Francis Martin | ... | Juan Martinez | |
| Ed Martin | ... | Juan Martinez | |
| David Richards | ... | Neil Simmons | |
| Kimberly Scott | ... | City Official (voice) | |
| Phillip Gramm | ... | Synthetic Soldier #4 (uncredited) | |
Directed by | |||
| Chris Gorak | |||
Writing credits(in alphabetical order) | ||
| Chris Gorak | writer | |
Produced by | |||
| Julie M. Anderson | .... | line producer | |
| Jesse Johnston | .... | co-producer | |
| Stephanie Lewis | .... | co-producer | |
| Jonah Smith | .... | producer | |
| Palmer West | .... | producer | |
Original Music by | |||
| tomandandy | |||
Cinematography by | |||
| Tom Richmond | |||
Film Editing by | |||
| Jeffrey M. Werner | |||
Casting by | |||
| Jennifer Levy | |||
| Emily Schweber | |||
Production Design by | |||
| Ramsey Avery | |||
Art Direction by | |||
| Patricio M. Farrell | |||
Set Decoration by | |||
| Stephanie DeSantis | |||
Costume Design by | |||
| Rebecca Bentjen | |||
Makeup Department | |||
| Ayla Dew | .... | assistant makeup artist | |
| Galaxy San Juan | .... | key makeup artist (as Galaxy) | |
Production Management | |||
| John S. Dorsey | .... | production manager | |
Art Department | |||
| Jason E. Baldwin | .... | property master | |
| James Cocks | .... | on-set dresser | |
| Brad Elliott | .... | prop builder | |
| Michael Fuchs | .... | art swing | |
| Mark Gaiero | .... | swing | |
| Patrick Liotta | .... | swing | |
| Shaun Mcilheron | .... | swing art | |
| Nicole Zaks | .... | assistant set decorator | |
Sound Department | |||
| Gregg Barbanell | .... | foley artist | |
| Gary Day | .... | sound mixer | |
| Lucien Eagle-Jack | .... | boom operator | |
| Alan Freedman | .... | adr mixer | |
| Gary Gegan | .... | sound re-recording mixer | |
| Robert Getty | .... | supervising dialogue & adr editor | |
| Danielle Ghent | .... | dialogue editor | |
| Frederick Howard | .... | sound effects editor | |
| Jared Marshack | .... | foley editor | |
| Eric Raber | .... | sound effects editor | |
| Anne Slack | .... | sound effects editor | |
| Brian Slack | .... | sound re-recording mixer | |
| Alec St. John | .... | supervising sound editor | |
Special Effects by | |||
| Pete Novitch | .... | special effects coordinator | |
Visual Effects by | |||
| Joe Bauer | .... | visual effects supervisor | |
| Landon Medeiros | .... | title sequence production assistant: Digital Dimension | |
| Jerome Morin | .... | title producer: Digital Dimension | |
| Andy Roberts | .... | title sequence designer: Digital Dimension | |
Stunts | |||
| Joe Bucaro III | .... | stunts | |
| Tom Harper | .... | stunt coordinator | |
| Nick Hermz | .... | stunt double | |
Camera and Electrical Department | |||
| Robert Baird | .... | camera operator (as Rob Baird) | |
| Sharla Cipicchio | .... | second assistant camera | |
| Brian D'Haem | .... | electrician | |
| Ben Gamble | .... | gaffer | |
| Alexander Griffiths | .... | key grip | |
| Jennifer Ann Henry | .... | first assistant camera | |
| Koji Kojima | .... | first assistant camera: second camera | |
| Dominic Mazzola | .... | grip | |
| Tony Mazzucchi | .... | best boy | |
| Nathaniel Miller | .... | assistant camera | |
| Kameron Mogadam | .... | camera operator: "b" camera | |
| Ryan Norris | .... | electrician | |
| Ryan Polack | .... | camera intern | |
| Jaron Presant | .... | camera operator | |
| Robert A. Saliamonas | .... | assistant camera | |
| Todd SanSone | .... | additional assistant camera | |
| Joseph M. Setele | .... | camera operator: "b" camera | |
| Jim Sheldon | .... | still photographer | |
| Robert F. Smith | .... | camera operator | |
| Amanda Treyz | .... | best boy electric | |
| Alejandro Wilkins | .... | camera loader | |
Casting Department | |||
| Marissa Ingrasci | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Sarah Lee-Taylor | .... | key set costumer | |
| Karina Torrico | .... | assistant costume designer | |
Editorial Department | |||
| John Daro | .... | on-line editor | |
| Chris Petrus | .... | assistant editor | |
Music Department | |||
| Tricia Holloway | .... | music consultant | |
| Sheri Ozeki | .... | music editor | |
Other crew | |||
| Shelley Marie Brown | .... | key set production assistant | |
| Joel Champagne | .... | production assistant | |
| Sharon Cingle | .... | script supervisor | |
| Jon Dorflinger | .... | assistant location manager | |
| Jeremy K. Fiest | .... | location staff | |
| Tracy Gaydos | .... | assistant to director | |
| Debbie Gonzalez | .... | key craft service | |
| Kristina Goodman | .... | production coordinator | |
| Erin Hagerty | .... | assistant: Mr. Smith and Mr. West | |
| Matt Hausmann | .... | production assistant | |
| John Robert Johnson | .... | location staff | |
| Cara LeBlanc | .... | production assistant | |
| David Melito | .... | accountant | |
| Thomas Moore | .... | runner | |
| Jesse Rivard | .... | location manager | |
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Right At Your Door taps into the current climate of fear caused by international terrorism, with a tale of a 'dirty' bomb attack on downtown Los Angeles that results in a cloud of toxic dust engulfing nearby residential areas.
Focusing on a married couple caught up in the disaster, the film seeks to wring tension from a rather inspired and decidedly awkward situation which sees husband Brad (Rory Cochrane) safely sealed inside his house (as instructed by the authorities), when his contaminated (and now potentially deadly) wife Lexi (Mary McCormack) turns up outside, demanding to be let in.
Such an intense situation requires class-A dialogue, top notch acting, and flawless plotting from start to finish in order to succeed, and, at first, it seems as though Right At Your Door might have what it takes: the promising opening, in which Brad gradually realises what is happening and then desperately attempts to locate his wife in all of the confusion, is well realised.
Unfortunately, as the film progresses and the action becomes concentrated on the dilemma faced by the terrified Brad and Lexi, too many mundane scenes of chit-chat, the inclusion of a couple of pointless characters, and some very ill-considered moments that really take some swallowing, ultimately mean that the movie fails to maintain its tension.
Towards the end, obviously sensing that his script desperately needs a boot up the rear, writer/director Chris Gorak tacks on a last minute 'shock' twist ending, but it is so far fetched that it is unable to save the film from being yet another example of a good idea let down by a poorly constructed script.