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A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
A psychological thriller centered around a black-ops interrogator and an FBI agent who press a suspect terrorist into divulging the location of three nuclear weapons set to detonate in the U.S.
Director:
Gregor Jordan
Stars:
Samuel L. Jackson,
Carrie-Anne Moss,
Michael Sheen
Jean-Baptiste Grenouille, born with a superior olfactory sense, creates the world's finest perfume. His work, however, takes a dark turn as he searches for the ultimate scent.
Director:
Tom Tykwer
Stars:
Ben Whishaw,
Francesc Albiol,
Dustin Hoffman
A ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan.
Director:
Darren Aronofsky
Stars:
Natalie Portman,
Mila Kunis,
Vincent Cassel
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
A horrific car accident connects three stories, each involving characters dealing with loss, regret, and life's harsh realities, all in the name of love.
Director:
Alejandro González Iñárritu
Stars:
Emilio Echevarría,
Gael García Bernal,
Goya Toledo
After Lexi leaves home to visit Central LA, there's a terrorist attack involving chemical bombs. After the attack, her musician husband, Brad, fails to find her and reluctantly seals himself inside his house. He will have to deal with this decision in the days to come. Written by
James Donnelly
"Okay"
Written and Performed by The Glass Plastiks
Produced and Recorded by Robert Shahnazarian, Jr.
Published by Spilling Thought Publishing
Trevor Lissauer (guitar, vocals), Keith Tenenbaum (drums), Barry Whittaker (bass)
Copyright 2003 Happy Frown Records
www.theglassplastiks.com See more »
Right At Your Door taps into the current climate of fear caused by international terrorism, with a tale of a 'dirty' bomb attack on downtown Los Angeles that results in a cloud of toxic dust engulfing nearby residential areas.
Focusing on a married couple caught up in the disaster, the film seeks to wring tension from a rather inspired and decidedly awkward situation which sees husband Brad (Rory Cochrane) safely sealed inside his house (as instructed by the authorities), when his contaminated (and now potentially deadly) wife Lexi (Mary McCormack) turns up outside, demanding to be let in.
Such an intense situation requires class-A dialogue, top notch acting, and flawless plotting from start to finish in order to succeed, and, at first, it seems as though Right At Your Door might have what it takes: the promising opening, in which Brad gradually realises what is happening and then desperately attempts to locate his wife in all of the confusion, is well realised.
Unfortunately, as the film progresses and the action becomes concentrated on the dilemma faced by the terrified Brad and Lexi, too many mundane scenes of chit-chat, the inclusion of a couple of pointless characters, and some very ill-considered moments that really take some swallowing, ultimately mean that the movie fails to maintain its tension.
Towards the end, obviously sensing that his script desperately needs a boot up the rear, writer/director Chris Gorak tacks on a last minute 'shock' twist ending, but it is so far fetched that it is unable to save the film from being yet another example of a good idea let down by a poorly constructed script.
21 of 36 people found this review helpful.
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Right At Your Door taps into the current climate of fear caused by international terrorism, with a tale of a 'dirty' bomb attack on downtown Los Angeles that results in a cloud of toxic dust engulfing nearby residential areas.
Focusing on a married couple caught up in the disaster, the film seeks to wring tension from a rather inspired and decidedly awkward situation which sees husband Brad (Rory Cochrane) safely sealed inside his house (as instructed by the authorities), when his contaminated (and now potentially deadly) wife Lexi (Mary McCormack) turns up outside, demanding to be let in.
Such an intense situation requires class-A dialogue, top notch acting, and flawless plotting from start to finish in order to succeed, and, at first, it seems as though Right At Your Door might have what it takes: the promising opening, in which Brad gradually realises what is happening and then desperately attempts to locate his wife in all of the confusion, is well realised.
Unfortunately, as the film progresses and the action becomes concentrated on the dilemma faced by the terrified Brad and Lexi, too many mundane scenes of chit-chat, the inclusion of a couple of pointless characters, and some very ill-considered moments that really take some swallowing, ultimately mean that the movie fails to maintain its tension.
Towards the end, obviously sensing that his script desperately needs a boot up the rear, writer/director Chris Gorak tacks on a last minute 'shock' twist ending, but it is so far fetched that it is unable to save the film from being yet another example of a good idea let down by a poorly constructed script.