In Manhattan, Sofia's an attorney and Tom's a cook who has a hard time holding a job. When their first child is born, they agree that she'll be a full-time mom and he'll get a promotion. When he gets fired, he takes a job in Ohio working at the ad agency where her father is assistant director. Tom's assigned to report to Chip, a competitive, hard-driving guy who's in a wheelchair and who's Sofia's ex-boyfriend - from high school. Chip still carries a torch for her, so he connives to make Tom's work life miserable. As Tom's frustrations mount, it may be that Sofia will take Chip's side. Is Tom doomed to fail yet again? Written by
Throughout the movie, Oliver changes in size inconsistently to the time line of the movie. For example, upon the arrival of the family to their home in Ohio, while on the porch, Oliver appears to be 1-2 months old. When the action shifts to inside the house, Oliver has aged by several months. In his next scene, the child has returned to his newborn size. See more »
[Abby March makes comment about how Sofia isn't a happy person and Abby thinks it's bad for baby Oliver]
You know what I think? You're an idiot. And your son Petey... is a dipshit.
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A series of outtakes and bloopers are played over the end credits. See more »
Just like most people who've written reviews for this film, I too was excited to hear about a film staring two great comedians like Braff and Bateman. How could you go wrong with these two? However, with two inexperienced writers and one inexperienced director; it's not hard to see where this film goes wrong.
The script is at times, very poor and extremely lacking in intelligent or deep humor, the characters are one dimensional and there are a lot of pointless and derivative scenes. There is no real chemistry between Braff and Peet and the soundtrack is somewhat lacking.
It's really awful to see such amazing talents go to waste in such a simple and shallow comedy such as this.
There are however, some great ideas in this film; the only shame is that they are not explored in their comedic entirety. Braff and Bateman are as usual, wonderful and do the best they can with the characters and the script they were given.
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