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In Manhattan, Sofia's an attorney and Tom's a cook who has a hard time holding a job. When their first child is born, they agree that she'll be a full-time mom and he'll get a promotion. When he gets fired, he takes a job in Ohio working at the ad agency where her father is assistant director. Tom's assigned to report to Chip, a competitive, hard-driving guy who's in a wheelchair and who's Sofia's ex-boyfriend - from high school. Chip still carries a torch for her, so he connives to make Tom's work life miserable. As Tom's frustrations mount, it may be that Sofia will take Chip's side. Is Tom doomed to fail yet again? Written by
In an interview with Creative Screenwriting magazine, the screenwriters, David Guion and Michael Handelman, virtually disowned the film. Guion said "That movie was a bit of a cautionary story for screenwriters in terms of that it was a movie that struggled a little bit and didn't test well initially, and the financiers panicked and said, 'We better show a lot of people getting hit in the balls' It was unfortunate because the director, Jesse Peretz, is great and very talented, but the movie was ultimately taken out of his hands." See more »
Throughout the movie, Oliver changes in size inconsistently to the time line of the movie. For example, upon the arrival of the family to their home in Ohio, while on the porch, Oliver appears to be 1-2 months old. When the action shifts to inside the house, Oliver has aged by several months. In his next scene, the child has returned to his newborn size. See more »
Market penetration strategy. Something that's very important to today's youth market: penetration.
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"Harold and the Purple Crayon" by Crockett Johnson is published by HarperCollins, but the credits write it as "Harpers Collins." See more »
I think the main actors in this flick (Zach Braff, Amanda Peet, and the totally wasted Jason Bateman) were the only thing that was even somewhat decent about this terrible attempt of comedy. I have seen better episodes of "Arrested Development" than this. If you are looking for a couple chuckles and plan on forgetting it immediately, this is right up your alley. If want to see an actual funny comedy, there are many others that are worth while. Bateman is pretty good, but you can be the best in the biz, but with a crummy script, no one can save it. A lot of the little bit parts are somewhat amusing, but hardly worth watching.
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