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In Manhattan, Sofia's an attorney and Tom's a cook who has a hard time holding a job. When their first child is born, they agree that she'll be a full-time mom and he'll get a promotion. When he gets fired, he takes a job in Ohio working at the ad agency where her father is assistant director. Tom's assigned to report to Chip, a competitive, hard-driving guy who's in a wheelchair and who's Sofia's ex-boyfriend - from high school. Chip still carries a torch for her, so he connives to make Tom's work life miserable. As Tom's frustrations mount, it may be that Sofia will take Chip's side. Is Tom doomed to fail yet again? Written by
In an interview with Creative Screenwriting magazine, the screenwriters, David Guion and Michael Handelman, virtually disowned the film. Guion said "That movie was a bit of a cautionary story for screenwriters in terms of that it was a movie that struggled a little bit and didn't test well initially, and the financiers panicked and said, 'We better show a lot of people getting hit in the balls' It was unfortunate because the director, Jesse Peretz, is great and very talented, but the movie was ultimately taken out of his hands." See more »
During the Family barbeque, Sophia's mom is seen sitting down and holding Oliver, then the shot switches and we see her from a different angle and she is holding the baby differently. This happens several times within the scene See more »
[Abby March makes comment about how Sofia isn't a happy person and Abby thinks it's bad for baby Oliver]
You know what I think? You're an idiot. And your son Petey... is a dipshit.
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"Harold and the Purple Crayon" by Crockett Johnson is published by HarperCollins, but the credits write it as "Harpers Collins." See more »
Just like most people who've written reviews for this film, I too was excited to hear about a film staring two great comedians like Braff and Bateman. How could you go wrong with these two? However, with two inexperienced writers and one inexperienced director; it's not hard to see where this film goes wrong.
The script is at times, very poor and extremely lacking in intelligent or deep humor, the characters are one dimensional and there are a lot of pointless and derivative scenes. There is no real chemistry between Braff and Peet and the soundtrack is somewhat lacking.
It's really awful to see such amazing talents go to waste in such a simple and shallow comedy such as this.
There are however, some great ideas in this film; the only shame is that they are not explored in their comedic entirety. Braff and Bateman are as usual, wonderful and do the best they can with the characters and the script they were given.
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