Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
When her brother decides to ditch for a couple weeks in London, Viola heads over to his elite boarding school, disguises herself as him, and proceeds to fall for one of her soccer teammates. Little does she realize she's not the only one with romantic troubles, as she, as he, gets in the middle of a series of intermingled love affairs.
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
In New York, the simple and naive just-graduated in journalism Andrea Sachs is hired to work as the second assistant of the powerful and sophisticated Miranda Priestly, the ruthless and merciless executive of the Runway fashion magazine. Andrea dreams to become a journalist and faces the opportunity as a temporary professional challenge. The first assistant Emily advises Andrea about the behavior and preferences of their cruel boss, and the stylist Nigel helps Andrea to dress more adequately for the environment. Andrea changes her attitude and behavior, affecting her private life and the relationship with her boyfriend Nate, her family and friends. In the end, Andrea learns that life is made of choices. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the English audio track Nigel says that Miranda is not supposed to arrive until 9. In the French audio track, she's not due to arrive until 9.15 See more »
When Miranda and Andy are being driven in Paris after the luncheon, they appear to be circling Place de la Concorde based on the view out the window. You can see Pont Alexandre III several times and other landmarks around the Place. See more »
No! Miranda Pristley can say it or merely breath it and the refusal comes as a devastating blow to her eager bunch of minions . Those moments were my favorites in a film that promises a hearty meal but delivers a frustrating bland soufflé. Meryl Streep however, makes it palatable and some times right down delicious. Anne Hathaway , so good in "Brokeback Mountain", is so uninteresting here that she manages to survive only when she's sharing the frame with Meryl Streep and that's because we're not looking at her. How can the fairy tale be so uneven, how can we possibly root for the evil stepmother rather than Cinderella. That seems a miscalculation of enormous proportions. All in all I could actually seat through the whole thing again just to see Meryl/Miranda purse her lips.
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