Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
When her brother decides to ditch for a couple weeks in London, Viola heads over to his elite boarding school, disguises herself as him, and proceeds to fall for one of her soccer teammates. Little does she realize she's not the only one with romantic troubles, as she, as he, gets in the middle of a series of intermingled love affairs.
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
In New York, the simple and naive just-graduated in journalism Andrea Sachs is hired to work as the second assistant of the powerful and sophisticated Miranda Priestly, the ruthless and merciless executive of the Runway fashion magazine. Andrea dreams to become a journalist and faces the opportunity as a temporary professional challenge. The first assistant Emily advises Andrea about the behavior and preferences of their cruel boss, and the stylist Nigel helps Andrea to dress more adequately for the environment. Andrea changes her attitude and behavior, affecting her private life and the relationship with her boyfriend Nate, her family and friends. In the end, Andrea learns that life is made of choices. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
At the end of the movie when Andy sees Miranda coming out of the building and getting into her car, Andy is walking on 49th street, traveling east from 7th avenue toward 6th avenue. In the next shot she is walking south on 6th avenue, crossing 50th street (Radio City Music Hall on the corner). She would have had to walk east on 49th street to 6th avenue, walk north on 6th avenue beyond 50th street and then turn around and walk back south. See more »
I had been told that Merryl Streep is great in this movie but the movie isn't really very good, so I went in with very low expectations. Maybe that was good: I really liked "The Devil Wears Prada" a lot.
Maybe I liked it because of two things I had in common with Andy: first, I have had the experience of starting a new job with only the vaguest idea of what I was supposed to do (and how to do it) and finding that everyone expected me to perform competently, without any training or help, right away. Second, I have had a boss (female) who was so difficult to please and so willing to tell her underlings how stupid they were that several quit without even waiting until they could find other jobs. In other words, I could really relate to Andy's situation. Stuff like that actually does happen in the real world. Perhaps, that is the reason that I was possibly the only person in the theater who was hoping Andy would not make the choice she made.
One thing that Miranda Priestley (Merryl Streep) had going that my Boss From Hell did not was class. It would have been very easy to create Miranda as a monster, but, wisely and skillfully, Merryl Streep allowed her to have a dignity and intelligence that made her seem to be demanding but not sadistic.
Stanley Tucci is superb as Nigel, the ambitious, hard working man who dreams of having a position of power like Miranda's some day.
"The Devil Wears Prada" is a very funny movie that is not as far divorced from the real world as, I believe, the producers of this movie may have thought.
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