A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
In New York, the simple and naive just-graduated in journalism Andrea Sachs is hired to work as the second assistant of the powerful and sophisticated Miranda Priestly, the ruthless and merciless executive of the Runway fashion magazine. Andrea dreams to become a journalist and faces the opportunity as a temporary professional challenge. The first assistant Emily advises Andrea about the behavior and preferences of their cruel boss, and the stylist Nigel helps Andrea to dress more adequately for the environment. Andrea changes her attitude and behavior, affecting her private life and the relationship with her boyfriend Nate, her family and friends. In the end, Andrea learns that life is made of choices. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
At the end of the movie when Andy sees Miranda coming out of the building and getting into her car, Andy is walking on 49th street, traveling east from 7th avenue toward 6th avenue. In the next shot she is walking south on 6th avenue, crossing 50th street (Radio City Music Hall on the corner). She would have had to walk east on 49th street to 6th avenue, walk north on 6th avenue beyond 50th street and then turn around and walk back south. See more »
Unmissable for Meryl Streep fans. She plays second fiddle to Anne Hathaway here - screen time wise, otherwise she's the whole bloody orchestra. She's the one reason to see the film and that in itself is one hell of a reason. Meryl Streep is fearless and part of the joy of going to see her films is that we know for a fact that she's going to dare and dare and dare. From Sophie's Choice and A Cry in The Dark to Death Becomes Her and Plenty. Here the story is as unbearable as most TV commercials but she, Meryl/Miranda transforms it into something else. We connect with her evil queen because her evil queen is much more real, much more human than anybody else on the screen. Emily Blunt and Stanley Tucci are fun but they're in the periphery of a story that's so wafer thing they can't really move to the center. Anne Hathaway is kind of invisible and her character only changes costumes and make up. There is no real tangible growth. Now that I got that out of my system. Go see Meryl be Miranda. You'll have a lot of fun.
109 of 154 people found this review helpful.
Was this review helpful to you?