Sophie is the survivor of Nazi concentration camps, who has found a reason to live in Nathan, a sparkling if unsteady American Jew obsessed with the Holocaust. They befriend Stingo, the ... See full summary »
Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
A Mumbai teen who grew up in the slums, becomes a contestant on the Indian version of "Who Wants To Be A Millionaire?" He is arrested under suspicion of cheating, and while being interrogated, events from his life history are shown which explain why he knows the answers.
In New York, the simple and naive just-graduated in journalism Andrea Sachs is hired to work as the second assistant of the powerful and sophisticated Miranda Priestly, the ruthless and merciless executive of the Runway fashion magazine. Andrea dreams to become a journalist and faces the opportunity as a temporary professional challenge. The first assistant Emily advises Andrea about the behavior and preferences of their cruel boss, and the stylist Nigel helps Andrea to dress more adequately for the environment. Andrea changes her attitude and behavior, affecting her private life and the relationship with her boyfriend Nate, her family and friends. In the end, Andrea learns that life is made of choices. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Unmissable for Meryl Streep fans. She plays second fiddle to Anne Hathaway here - screen time wise, otherwise she's the whole bloody orchestra. She's the one reason to see the film and that in itself is one hell of a reason. Meryl Streep is fearless and part of the joy of going to see her films is that we know for a fact that she's going to dare and dare and dare. From Sophie's Choice and A Cry in The Dark to Death Becomes Her and Plenty. Here the story is as unbearable as most TV commercials but she, Meryl/Miranda transforms it into something else. We connect with her evil queen because her evil queen is much more real, much more human than anybody else on the screen. Emily Blunt and Stanley Tucci are fun but they're in the periphery of a story that's so wafer thing they can't really move to the center. Anne Hathaway is kind of invisible and her character only changes costumes and make up. There is no real tangible growth. Now that I got that out of my system. Go see Meryl be Miranda. You'll have a lot of fun.
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