A naive young woman comes to New York and scores a job as the assistant to one of the city's biggest magazine editors, the ruthless and cynical Miranda Priestly.
Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Director:
Donald Petrie
Stars:
Kate Hudson,
Matthew McConaughey,
Adam Goldberg
After serving as a bridesmaid 27 times, a young woman wrestles with the idea of standing by her sister's side as her sibling marries the man she's secretly in love with.
Director:
Anne Fletcher
Stars:
Katherine Heigl,
James Marsden,
Malin Akerman
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
While trying to avoid the clichés of Hollywood romantic comedies, Dylan Harper and Jamie Rellis soon discover however that adding the act of sex to their friendship does lead to complications.
Director:
Will Gluck
Stars:
Mila Kunis,
Justin Timberlake,
Patricia Clarkson
Cady Heron is a hit with The Plastics, the A-list girl clique at her new school, until she makes the mistake of falling for Aaron Samuels, the ex-boyfriend of alpha Plastic Regina George.
Director:
Mark Waters
Stars:
Lindsay Lohan,
Jonathan Bennett,
Rachel McAdams
About a guy whose life didn't quite turn out how he wanted it to and wishes he could go back to high school and change it. He wakes up one day and is seventeen again and gets the chance to rewrite his life.
In New York, the simple and naive just-graduated in journalism Andrea Sachs is hired to work as the second assistant of the powerful and sophisticated Miranda Priestly, the ruthless and merciless executive of the Runway fashion magazine. Andrea dreams to become a journalist and faces the opportunity as a temporary professional challenge. The first assistant Emily advises Andrea about the behavior and preferences of their cruel boss, and the stylist Nigel helps Andrea to dress more adequately for the environment. Andrea changes her attitude and behavior, affecting her private life and the relationship with her boyfriend Nate, her family and friends. In the end, Andrea learns that life is made of choices. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Anna Wintour, the powerful Vogue editor on whom Meryl Streep's character was widely believed to be based in the novel (Lauren Weisberger once worked as her assistant), reportedly warned major fashion designers who had been invited to make cameo appearances as themselves in the film that they would be banished from the magazine's pages if they did so. Wintour's spokespeople deny this claim; however, it is notable that Vogue and other major women's and fashion magazines have avoided reviewing or even mentioning the book in their pages. See more »
Goofs
When Nate offers a sandwich to Andy, a towel on his shoulder appears and disappears between angles. See more »
With dialog that absolutely crackles, "The Devil Wears Prada" is bound to please most audiences but will primarily appeal to the MTV generation, I suspect. When all is said and done, it's your typical fish-out-of-water, bright-lights-big-city fable, just dressed up all purdy.
Or, put another way, it's essentially "The Princess Diaries" with much, much, muuuuuuuuuch better dialog and a slightly more sophisticated and dramatic story arc.
So while older audiences may feel the film is a bit formulaic, the hysterical, but occasional cruel, one-liners and zingers hurled at Anne Hathaway's Andy are sure to keep them entertained. Stanley Tucci and Emily Blunt get most of the barbs, and Blunt in particular is fantastic in the film.
Tucci and Meryl Streep, however, get to make the most provocative and stirring speeches in the film, and they deliver. Hathaway capably carried the movie, perhaps overacting, but she makes it work. Streep proves again that she's a gifted comedian. Emily Blunt, as Emily, is pitch perfect, and her performance here gives beautiful irony to her given name.
The film is just too long, however, primarily because the director feels obliged to explain everything -- every plot point is rendered obviously and painfully clear, and nothing left open for interpretation. That said, we're spared the "perfect ending" and left with a heroine who can truly stand on her own two feet, and in any shoes she might desire.
131 of 250 people found this review helpful.
Was this review helpful to you?
With dialog that absolutely crackles, "The Devil Wears Prada" is bound to please most audiences but will primarily appeal to the MTV generation, I suspect. When all is said and done, it's your typical fish-out-of-water, bright-lights-big-city fable, just dressed up all purdy.
Or, put another way, it's essentially "The Princess Diaries" with much, much, muuuuuuuuuch better dialog and a slightly more sophisticated and dramatic story arc.
So while older audiences may feel the film is a bit formulaic, the hysterical, but occasional cruel, one-liners and zingers hurled at Anne Hathaway's Andy are sure to keep them entertained. Stanley Tucci and Emily Blunt get most of the barbs, and Blunt in particular is fantastic in the film.
Tucci and Meryl Streep, however, get to make the most provocative and stirring speeches in the film, and they deliver. Hathaway capably carried the movie, perhaps overacting, but she makes it work. Streep proves again that she's a gifted comedian. Emily Blunt, as Emily, is pitch perfect, and her performance here gives beautiful irony to her given name.
The film is just too long, however, primarily because the director feels obliged to explain everything -- every plot point is rendered obviously and painfully clear, and nothing left open for interpretation. That said, we're spared the "perfect ending" and left with a heroine who can truly stand on her own two feet, and in any shoes she might desire.