Bruce Banner, a scientist on the run from the U.S. Government must find a cure for the monster he emerges whenever he loses his temper. However, Banner then must fight a soldier whom unleashes himself as a threat stronger than he.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
It is 1942, America has entered World War II, and sickly but determined Steve Rogers is frustrated at being rejected yet again for military service. Everything changes when Dr. Erskine recruits him for the secret Project Rebirth. Proving his extraordinary courage, wits and conscience, Rogers undergoes the experiment and his weak body is suddenly enhanced into the maximum human potential. When Dr. Erskine is then immediately assassinated by an agent of Nazi Germany's secret HYDRA research department (headed by Johann Schmidt, a.k.a. the Red Skull), Rogers is left as a unique man who is initially misused as a propaganda mascot; however, when his comrades need him, Rogers goes on a successful adventure that truly makes him Captain America, and his war against Schmidt begins. Written by
Kenneth Chisholm (firstname.lastname@example.org)
The red dress that Peggy wears at the second act of the film is actually costume designer Anna B. Sheppard's reused but modified design that was originally used for Shosanna's (Melanie Laurent) red dress at the climax of Inglourious Basterds. See more »
When Steve Rogers and Dr. Erskine are sitting in the barracks having a discussion, Steve's footlocker has his social security number on the lid. During World War II, military personnel had a service number which had a different format than the social security number used by today's military. See more »
Joe Johnston has done it again, managing to take what SHOULD be great action flick material and managed to make it, well, boring.
Don't get me wrong, the film started out quite well. The change from puny wimp to super hero was well done, as was the intro sequence with red skull. The whole nazi-mysticism mystique was done very well. But it seemed that after Joe Johnston filmed these two or three well thought out portions, the rest of the film was just filler.
I caught myself looking at my watch a few times, just sort of wanting the movie to end - and this was at the 1/2 point of the film. The action sequences are fairly average for the most part and I really never got that "edge of my seat" feeling as the characters faced peril.
All in all, an above-average film which could have been great if someone with better directing chops had been chosen.
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