Famed archaeologist/adventurer Dr. Henry "Indiana" Jones is called back into action when he becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees, and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.
Jonathan Ke Quan
Set three years after Dragon Inn, innkeeper Jade has disappeared and a new inn has risen from the ashes - one that's staffed by marauders masquerading as law-abiding citizens, who hope to unearth the fabled lost city buried in the desert.
It is 1942, America has entered World War II, and sickly but determined Steve Rogers is frustrated at being rejected yet again for military service. Everything changes when Dr. Erskine recruits him for the secret Project Rebirth. Proving his extraordinary courage, wits and conscience, Rogers undergoes the experiment and his weak body is suddenly enhanced into the maximum human potential. When Dr. Erskine is then immediately assassinated by an agent of Nazi Germany's secret HYDRA research department (headed by Johann Schmidt, a.k.a. the Red Skull), Rogers is left as a unique man who is initially misused as a propaganda mascot; however, when his comrades need him, Rogers goes on a successful adventure that truly makes him Captain America, and his war against Schmidt begins. Written by
Kenneth Chisholm (email@example.com)
The shield Captain America uses in the early stages of the film is similar to the one used in the first issue of the Captain America comic. The shield was changed in the comics after publisher of the comic character "The Shield" had complained that Captain America was too similar to their character. See more »
The placement of the rear license plate on the taxi the Nazi spy steals switches between the left and right-hand sides of the car. See more »
A Super-hero Rightly Interpreted for the Big Screen
Like many comic-book fans I was expecting the worst from this movie. This is not because the character has any less depth than other super-heroes, but I knew that it would be extremely difficult to transition Steve Rogers to film in a serviceable way. The guy is called "Captain America" for heaven's sake.
Any comic-book reader would probably appreciate the ironies and idiosyncrasies behind such ostentatiously patriotic code-name, mostly because in print Cap has challenged the assumptions behind his symbolism, becoming a more conflicted and universal figure.
But its hard to translate any of this idiosyncrasy successfully in 2 hours. Fortunately the film, instead of getting to political, is more old-fashioned pulp like Indy or "Sky Captain," which thankfully never takes itself too seriously (which was one of the flaws of "Thor").
I had my doubts that Chris Evans could pull off the modesty and heart needed for the role, but I was wrong. As the Red Skull, Hugo Weaving was wonderfully evil in a nostalgic, serial-villain kind of way. Haley Atwell is a sidekick/love-interest with the rare quality of not being incredibly annoying, and Tommy Lee Jones is perfectly cast as Tommy Lee Jones.
The reason I found this to be a good movie was because I enjoyed it, plain and simple. It's well-photographed and well-acted. Like its titular hero, it modestly embraced its silliness, creating a charming B-movie experience.
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