Steve Rogers, a rejected military soldier transforms into Captain America after taking a dose of a "Super-Soldier serum". But being Captain America comes at a price as he attempts to take down a war monger and a terrorist organization.
As Steve Rogers struggles to embrace his role in the modern world, he teams up with another super soldier, the black widow, to battle a new threat from old history: an assassin known as the Winter Soldier.
Samuel L. Jackson,
Bruce Banner, a scientist on the run from the U.S. Government must find a cure for the monster he emerges whenever he loses his temper. However, Banner then must fight a soldier whom unleashes himself as a threat stronger than he.
It is 1942, America has entered World War II, and sickly but determined Steve Rogers is frustrated at being rejected yet again for military service. Everything changes when Dr. Erskine recruits him for the secret Project Rebirth. Proving his extraordinary courage, wits and conscience, Rogers undergoes the experiment and his weak body is suddenly enhanced into the maximum human potential. When Dr. Erskine is then immediately assassinated by an agent of Nazi Germany's secret HYDRA research department (headed by Johann Schmidt, a.k.a. the Red Skull), Rogers is left as a unique man who is initially misused as a propaganda mascot; however, when his comrades need him, Rogers goes on a successful adventure that truly makes him Captain America, and his war against Schmidt begins. Written by
Kenneth Chisholm (email@example.com)
In the first scene with Zola and Schmidt, Schmidt is looking at images of the Tesseract, including one which is a doctored photograph of a section of a famous carved wood doorway from a church in Hylestad, Norway. The actual carving depicts the hero Sigurd helping the smith Regin forge a sword, which Sigurd will use to slay the dragon Fafnir. The Tesseract has been photoshopped in between the two men. A later image appearing behind Schmidt's head when Dr. Erskine is telling Steve about Schmidt seems to represent Sigurd listening to the birds, who tell him to kill Regin and seek the Valkyrie, Brunhild. The Sigurd story is the Norse version of the Siegfried tale, whose operatic realization by Richard Wagner Schmidt listens to; in Wagner's version, Siegfried is the product of incest between Wotan (Odin's) twin children. See more »
Red Skull is heard listening to a recording of Richard Wagner's opera "Die Walkure" ("The Valkyrie") in an early scene with Dr Zola, but the recording he is listening to, conducted by Herbert von Karajan and featuring the distinctive voice of Canadian tenor Jon Vickers, wasn't recorded until 1968. 25 years after the scene takes place. What's more, the same record contains both Siegmund's aria "Ein Schwert verhieß mir der Vater" from "Die Walküre" and Siegfried's funeral march from "Götterdämmerung," heard without a break. Both pieces could not have fitted on one side of the short-playing 78 records used during World War II. See more »
Sabre and Spurs
Written by John Philip Sousa
Performed by The United States Marine Corps Band (as "The President's Own" U.S. Marine Band)
Recording courtesy of "The President's Own" U.S. Marine Band
Use of this recording does not constitute or imply endorsement by
the Department of Defense, U.S. Marine Corps, or U.S. Marine Band.
The terms U.S. Marine Band and "The President's Own"
are trademarks of the U.S. Marine Corps, used with permission. See more »
A Super-hero Rightly Interpreted for the Big Screen
Like many comic-book fans I was expecting the worst from this movie. This is not because the character has any less depth than other super-heroes, but I knew that it would be extremely difficult to transition Steve Rogers to film in a serviceable way. The guy is called "Captain America" for heaven's sake.
Any comic-book reader would probably appreciate the ironies and idiosyncrasies behind such ostentatiously patriotic code-name, mostly because in print Cap has challenged the assumptions behind his symbolism, becoming a more conflicted and universal figure.
But its hard to translate any of this idiosyncrasy successfully in 2 hours. Fortunately the film, instead of getting to political, is more old-fashioned pulp like Indy or "Sky Captain," which thankfully never takes itself too seriously (which was one of the flaws of "Thor").
I had my doubts that Chris Evans could pull off the modesty and heart needed for the role, but I was wrong. As the Red Skull, Hugo Weaving was wonderfully evil in a nostalgic, serial-villain kind of way. Haley Atwell is a sidekick/love-interest with the rare quality of not being incredibly annoying, and Tommy Lee Jones is perfectly cast as Tommy Lee Jones.
The reason I found this to be a good movie was because I enjoyed it, plain and simple. It's well-photographed and well-acted. Like its titular hero, it modestly embraced its silliness, creating a charming B-movie experience.
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