Steve Rogers, a rejected military soldier transforms into Captain America after taking a dose of a "Super-Soldier serum". But being Captain America comes at a price as he attempts to take down a war monger and a terrorist organization.
As Steve Rogers struggles to embrace his role in the modern world, he teams up with a fellow Avenger and S.H.I.E.L.D agent, Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier.
Samuel L. Jackson,
When Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's mightiest heroes to stop the villainous Ultron from enacting his terrible plan.
Robert Downey Jr.,
Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.
It is 1942, America has entered World War II, and sickly but determined Steve Rogers is frustrated at being rejected yet again for military service. Everything changes when Dr. Erskine recruits him for the secret Project Rebirth. Proving his extraordinary courage, wits and conscience, Rogers undergoes the experiment and his weak body is suddenly enhanced into the maximum human potential. When Dr. Erskine is then immediately assassinated by an agent of Nazi Germany's secret HYDRA research department (headed by Johann Schmidt, a.k.a. the Red Skull), Rogers is left as a unique man who is initially misused as a propaganda mascot; however, when his comrades need him, Rogers goes on a successful adventure that truly makes him Captain America, and his war against Schmidt begins. Written by
Kenneth Chisholm (email@example.com)
Stan Lee: (at around 1h 12 mins) military dignitary at a medal ceremony for Captain America. He is also the older gentleman saying: "I thought he'd be taller", when Captain America fails to show up at Senator Brandt's ceremony. This is Lee's only cameo in a feature film adaptation of a Marvel Comics superhero character where he was not an original creator. However, he did create the element of Captain America using his shield as a returning throwing weapon in an early text story in Captain America Comics #3, "Captain America Foils the Traitor's Revenge." Furthermore, he was responsible for reviving the character in the 1960s, first as a member of the Avengers and then in a solo series which focused on the hero being a troubled man out of his time after years of being in suspended animation. See more »
When COL Phillips is talking to CPT America after the POW rescue, the eagle of his rank on his collar is facing to the left, while the eagle on his helmet is facing to the right. See more »
Sabre and Spurs
Written by John Philip Sousa
Performed by United States Marine Band (as "The President's Own" U.S. Marine Band)
Recording courtesy of "The President's Own" U.S. Marine Band
Use of this recording does not constitute or imply endorsement by
the Department of Defense, U.S. Marine Corps, or U.S. Marine Band.
The terms U.S. Marine Band and "The President's Own"
are trademarks of the U.S. Marine Corps, used with permission. See more »
A Super-hero Rightly Interpreted for the Big Screen
Like many comic-book fans I was expecting the worst from this movie. This is not because the character has any less depth than other super-heroes, but I knew that it would be extremely difficult to transition Steve Rogers to film in a serviceable way. The guy is called "Captain America" for heaven's sake.
Any comic-book reader would probably appreciate the ironies and idiosyncrasies behind such ostentatiously patriotic code-name, mostly because in print Cap has challenged the assumptions behind his symbolism, becoming a more conflicted and universal figure.
But its hard to translate any of this idiosyncrasy successfully in 2 hours. Fortunately the film, instead of getting to political, is more old-fashioned pulp like Indy or "Sky Captain," which thankfully never takes itself too seriously (which was one of the flaws of "Thor").
I had my doubts that Chris Evans could pull off the modesty and heart needed for the role, but I was wrong. As the Red Skull, Hugo Weaving was wonderfully evil in a nostalgic, serial-villain kind of way. Haley Atwell is a sidekick/love-interest with the rare quality of not being incredibly annoying, and Tommy Lee Jones is perfectly cast as Tommy Lee Jones.
The reason I found this to be a good movie was because I enjoyed it, plain and simple. It's well-photographed and well-acted. Like its titular hero, it modestly embraced its silliness, creating a charming B-movie experience.
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