Steve Rogers, a rejected military soldier transforms into Captain America after taking a dose of a "Super-Soldier serum". But being Captain America comes at a price as he attempts to take down a war monger and a terrorist organization.
As Steve Rogers struggles to embrace his role in the modern world, he teams up with another super soldier, the black widow, to battle a new threat from old history: an assassin known as the Winter Soldier.
Samuel L. Jackson,
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
It is 1942, America has entered World War II, and sickly but determined Steve Rogers is frustrated at being rejected yet again for military service. Everything changes when Dr. Erskine recruits him for the secret Project Rebirth. Proving his extraordinary courage, wits and conscience, Rogers undergoes the experiment and his weak body is suddenly enhanced into the maximum human potential. When Dr. Erskine is then immediately assassinated by an agent of Nazi Germany's secret HYDRA research department (headed by Johann Schmidt, a.k.a. the Red Skull), Rogers is left as a unique man who is initially misused as a propaganda mascot; however, when his comrades need him, Rogers goes on a successful adventure that truly makes him Captain America, and his war against Schmidt begins. Written by
Kenneth Chisholm (email@example.com)
In the room where Stark demonstrates his Reversion technology, you can see behind the audience hanging from the ceiling is a model of a red rocket with a black-and-white checked stripe in the middle. This is the rocket from the Belgian graphic novels "Tintin: Objectif Lune" and "Tintin: On a marché sur la Lune" by Georges Prosper Remi (aka Hergé). See more »
The railing on Captain America's side in the 1st Hydra base (after Bucky crosses the gap on the bar) is intact, but when Rogers decides to jump, the railing is broken for no reason, and he bends one end away. See more »
Captain America: The First Avenger is a pretty decent film by its own merits. Showing the good old retro style and production design, since this film is directed by Joe Johnson who is capable of portraying the old times perfectly. Chris Evans did a great job as Captain America. Some of the action scenes are disappointingly unexciting but at least the CGI effects are eye candy. The movie ends with true patriotic heroism and full of heart. Definitely not new but it's still enjoyable.
The trope of Captain America: The First Avenger has been reused by so many superhero movies. A good guy who is a weakling became powerful then eventually saves the day. It's definitely not innovating even for the people who've never read the comics but it's a relic. Well made production design & the old fashion score. Most battle scenes are montages. The action scenes are large. It can be watchable but some of them are pretty bland and poorly directed.
The joys and the thrills mostly goes to the performances. Nothing goes wrong with Chris Evans. He did a decent job as Steve Rogers/Captain America. Hugo Weaving is fun to watch by his campiness and menace for the Red Skull. Tommy Lee Jones is the comic relief here. The special effects are everywhere. Skinny Chris Evans and the background of the 1940s. Well, they are good enough for this film.
Plenty of things worked in the end. Captain America: The First Avenger is a relic in its old fashion style but a little messy when it comes to the editing of the action scenes, but it's still enjoyable. Patriotic heroism, full of heart, Chris Evans, and decent production design. Marvel Studios and Joe Johnston really beats the awful 1990s version. The action could have been better but their flaws can be ignored. It's fun enough as a superhero movie.
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