Steve Rogers, a rejected military soldier transforms into Captain America after taking a dose of a "Super-Soldier serum". But being Captain America comes at a price as he attempts to take down a war monger and a terrorist organization.
As Steve Rogers struggles to embrace his role in the modern world, he teams up with another super soldier, the Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier.
Samuel L. Jackson,
It is 1942, America has entered World War II, and sickly but determined Steve Rogers is frustrated at being rejected yet again for military service. Everything changes when Dr. Erskine recruits him for the secret Project Rebirth. Proving his extraordinary courage, wits and conscience, Rogers undergoes the experiment and his weak body is suddenly enhanced into the maximum human potential. When Dr. Erskine is then immediately assassinated by an agent of Nazi Germany's secret HYDRA research department (headed by Johann Schmidt, a.k.a. the Red Skull), Rogers is left as a unique man who is initially misused as a propaganda mascot; however, when his comrades need him, Rogers goes on a successful adventure that truly makes him Captain America, and his war against Schmidt begins. Written by
Kenneth Chisholm (email@example.com)
Stan Lee's cameo appearance in this film is an exception in the tradition of him appearing in films featuring Marvel Comics superheroes. In this case, Lee had nothing to do with the initial creation of Captain America, but his first story he ever wrote was "Captain America Foils the Traitor's Revenge" in Captain America Comics #3 in 1941, which also had the first appearance of Captain America throwing his shield as a weapon. In addition, he, along with Jack Kirby, was responsible for successfully reviving the character in 1964 in The Avengers #4 and reestablishing him as a major figure in the Marvel Universe. See more »
Peggy takes a sample of Steve's blood, explaining that she wants to see how his "genetic code" has been altered. This is perfectly valid both historically and in the context of the plot. The term "genetics" was coined in the early 1900s, and by 1942 scientists in a field they called "molecular genetics" already understood that there was some chemical substrate in the cell responsible for determining an organism's characteristics. Although DNA wouldn't publicly be identified as the relevant molecule until 1944, a secret research organization like SHIELD would presumably be years or decades further ahead. (See, for example, all the other fancy gadgets they use.) See more »
2011 is certainly the year for Marvel Studio, seeing that Thor came out earlier in the year to good reviews and a healthy box-office considering he is a lesser known hero and Captain America has done even better with critics and a stronger opening. Added to that Fox's reboot of X-Men was able to get that series right after the mess Brett Ratner left it in.
Steve Rogers (Chris Evans) is a small, skinny man with a number of health problems who wants to fight in the American Army in 1942. After numerous times of trying to enlist a German scientist, Abraham Erskine (Stanley Tucci) sees his determination and good heart is able to pull some strings and gets him into the army. Rogers joins a special unit and is seen as the perfect candidate to become America's first super soldier, giving him enhanced strength, speed and healing abilities. In Germany the Nazi's secret science division, HYDRA and its leader Johann Schmidt (Hugo Weaving) discovers a blue cube of energy and believes it could give him the power of the Gods and likes all mad scientists plans to take over the world. In America Rogers is made into a performing act, encouraging the public to buy war bonds and given the name Captain America. But Rogers wants to fight in the war and is given his chance to take on HYDRA in 1943.
I personally preferred Thor over Captain America, but it still a fun summer flick and a solid 7.5/10. Captain America has plenty of references to Thor and the Iron Man films and shows how these franchise should be interlinked. Captain America is able to mix a light touch but making sure it treats the source material with respect and keeps it serious. Joe Johnston wouldn't have been my first choice to direct this film but certainly made it fun and he was more assured as an action director compared to Kenneth Brangh, director of Thor. It was a fast paced actioneer, but Johnston made sure they was enough time to let us know the characters and the set up for the plot. When Captain America first gains his powers the scene of him catching an assassin on top of a taxi reminded me a lot of the first Spider-man film, a film that got mix of serious and light-hearted right. This was certainly a good introduction to character and the start for what should be another successful adaptation for Marvel.
The humour throughout the film is deadpan and there are very good performance from the supporting cast, especially Weaving, Tommy Lee Jones and Tucci. Weaving certainly knows how to portray evil characters. Evans was able to instill Captain America's values of determination, freedom, strength and being a force for good. But the thing about Captain America is that he is a classic hero, living in a world of absolutes of good and evil, they is no ambiguity. And well, Hayley Atwell is a token Brit so she gets a free pass.
The score by Alan Silverstri it self has an old fashion, grand feel to it and there were reminds to films such as the first Hellboy film, starting during World War Two with the Nazis using mythology to gain an advantage to win the war and classic 60s and 70s war films like Where Eagles Dare.
Captain America is an enjoyable blockbuster and necessary viewing if you plan to view The Avengers in 2012.
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