Famed archaeologist/adventurer Dr. Henry "Indiana" Jones is called back into action when he becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
Having endured his legendary twelve labors, Hercules, the Greek demigod, has his life as a sword-for-hire tested when the King of Thrace and his daughter seek his aid in defeating a tyrannical warlord.
After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees, and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.
Jonathan Ke Quan
It is 1942, America has entered World War II, and sickly but determined Steve Rogers is frustrated at being rejected yet again for military service. Everything changes when Dr. Erskine recruits him for the secret Project Rebirth. Proving his extraordinary courage, wits and conscience, Rogers undergoes the experiment and his weak body is suddenly enhanced into the maximum human potential. When Dr. Erskine is then immediately assassinated by an agent of Nazi Germany's secret HYDRA research department (headed by Johann Schmidt, a.k.a. the Red Skull), Rogers is left as a unique man who is initially misused as a propaganda mascot; however, when his comrades need him, Rogers goes on a successful adventure that truly makes him Captain America, and his war against Schmidt begins. Written by
Kenneth Chisholm (firstname.lastname@example.org)
Stan Lee's cameo appearance in this film is an exception in the tradition of him appearing in films featuring Marvel Comics superheroes. In this case, Lee had nothing to do with the initial creation of Captain America, but his first story he ever wrote was "Captain America Foils the Traitor's Revenge" in Captain America Comics #3 in 1941, which also had the first appearance of Captain America throwing his shield as a weapon. In addition, he, along with Jack Kirby, was responsible for successfully reviving the character in 1964 in The Avengers #4 and reestablishing him as a major figure in the Marvel Universe. See more »
During WW2 if a soldier/sailor/marine did not come back from a mission, he was initially declared "Missing in Action" (MIA). Only later would he be listed as "Killed in Action" (KIA). Sometimes this occurred long after WW2 ended. See more »
Joe Johnston has done it again, managing to take what SHOULD be great action flick material and managed to make it, well, boring.
Don't get me wrong, the film started out quite well. The change from puny wimp to super hero was well done, as was the intro sequence with red skull. The whole nazi-mysticism mystique was done very well. But it seemed that after Joe Johnston filmed these two or three well thought out portions, the rest of the film was just filler.
I caught myself looking at my watch a few times, just sort of wanting the movie to end - and this was at the 1/2 point of the film. The action sequences are fairly average for the most part and I really never got that "edge of my seat" feeling as the characters faced peril.
All in all, an above-average film which could have been great if someone with better directing chops had been chosen.
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