Steve Rogers, a rejected military soldier transforms into Captain America after taking a dose of a "Super-Soldier serum". But being Captain America comes at a price as he attempts to take down a war monger and a terrorist organization.
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As Steve Rogers struggles to embrace his role in the modern world, he teams up with another super soldier, the Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier.
Samuel L. Jackson,
When Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's Mightiest Heroes to stop the villainous Ultron from enacting his terrible plans.
Robert Downey Jr.,
It is 1942, America has entered World War II, and sickly but determined Steve Rogers is frustrated at being rejected yet again for military service. Everything changes when Dr. Erskine recruits him for the secret Project Rebirth. Proving his extraordinary courage, wits and conscience, Rogers undergoes the experiment and his weak body is suddenly enhanced into the maximum human potential. When Dr. Erskine is then immediately assassinated by an agent of Nazi Germany's secret HYDRA research department (headed by Johann Schmidt, a.k.a. the Red Skull), Rogers is left as a unique man who is initially misused as a propaganda mascot; however, when his comrades need him, Rogers goes on a successful adventure that truly makes him Captain America, and his war against Schmidt begins. Written by
Kenneth Chisholm (firstname.lastname@example.org)
When Captain America is doing the bond promotion, there is a scene where a motorcycle drops from above (on cables) with three people on it. The engine in the motorcycle shows it to be a post-1985 "Evolution" engine. See more »
Joe Johnston has done it again, managing to take what SHOULD be great action flick material and managed to make it, well, boring.
Don't get me wrong, the film started out quite well. The change from puny wimp to super hero was well done, as was the intro sequence with red skull. The whole nazi-mysticism mystique was done very well. But it seemed that after Joe Johnston filmed these two or three well thought out portions, the rest of the film was just filler.
I caught myself looking at my watch a few times, just sort of wanting the movie to end - and this was at the 1/2 point of the film. The action sequences are fairly average for the most part and I really never got that "edge of my seat" feeling as the characters faced peril.
All in all, an above-average film which could have been great if someone with better directing chops had been chosen.
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