Steve Rogers, a rejected military soldier transforms into Captain America after taking a dose of a "Super-Soldier serum". But being Captain America comes at a price as he attempts to take down a war monger and a terrorist organization.
As Steve Rogers struggles to embrace his role in the modern world, he teams up with a fellow Avenger and S.H.I.E.L.D agent, Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier.
Samuel L. Jackson,
When Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's mightiest heroes to stop the villainous Ultron from enacting his terrible plan.
Robert Downey Jr.,
Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.
It is 1942, America has entered World War II, and sickly but determined Steve Rogers is frustrated at being rejected yet again for military service. Everything changes when Dr. Erskine recruits him for the secret Project Rebirth. Proving his extraordinary courage, wits and conscience, Rogers undergoes the experiment and his weak body is suddenly enhanced into the maximum human potential. When Dr. Erskine is then immediately assassinated by an agent of Nazi Germany's secret HYDRA research department (headed by Johann Schmidt, a.k.a. the Red Skull), Rogers is left as a unique man who is initially misused as a propaganda mascot; however, when his comrades need him, Rogers goes on a successful adventure that truly makes him Captain America, and his war against Schmidt begins. Written by
Kenneth Chisholm (firstname.lastname@example.org)
After Joss Whedon was hired to direct The Avengers (2012), he was given a copy of the film's script, and made a few rewrites to tie it more closely to the Marvel Cinematic Universe: "I just got to make some character connections. The structure of the thing was really tight and I loved it, but there were a couple of opportunities to find his voice a little bit - and some of the other characters - and make the connections so that you understood exactly why he wanted to be who he wanted to be. And progressing through the script to flesh it out a little bit." See more »
Red Skull is heard listening to a recording of Richard Wagner's opera "Die Walkure" ("The Valkyrie") in an early scene with Dr Zola, but the recording he is listening to, conducted by Herbert von Karajan and featuring the distinctive voice of Canadian tenor Jon Vickers, wasn't recorded until 1968. 25 years after the scene takes place. What's more, the same record contains both Siegmund's aria "Ein Schwert verhieß mir der Vater" from "Die Walküre" and Siegfried's funeral march from "Götterdämmerung," heard without a break. Both pieces could not have fitted on one side of the short-playing 78 records used during World War II. See more »
Joe Johnston has done it again, managing to take what SHOULD be great action flick material and managed to make it, well, boring.
Don't get me wrong, the film started out quite well. The change from puny wimp to super hero was well done, as was the intro sequence with red skull. The whole nazi-mysticism mystique was done very well. But it seemed that after Joe Johnston filmed these two or three well thought out portions, the rest of the film was just filler.
I caught myself looking at my watch a few times, just sort of wanting the movie to end - and this was at the 1/2 point of the film. The action sequences are fairly average for the most part and I really never got that "edge of my seat" feeling as the characters faced peril.
All in all, an above-average film which could have been great if someone with better directing chops had been chosen.
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