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What Is It Worth? (2005)
"Quanto Vale Ou É Por Quilo?" (original title)

 -  Drama  -  20 May 2005 (Brazil)
7.2
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Ratings: 7.2/10 from 373 users  
Reviews: 4 user | 1 critic

Free adaptation of Machado de Assis's short story "Pai Contra Mãe", having some of Nireu Cavalcanti's 18th Century chronicles as inspiration, the film tries to trace a parallel between life... See full summary »

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(screenplay), (screenplay), 6 more credits »
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Cast

Credited cast:
Antonio Abujamra
Herson Capri
Ana Carbatti
Marcelia Cartaxo
Clara Carvalho
...
Clara
José Rubens Chachá
Caco Ciocler
Joana Fomm
Ênio Gonçalves
Silvio Guindane
Umberto Magnani
Noemi Marinho
...
Conspirator
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Storyline

Free adaptation of Machado de Assis's short story "Pai Contra Mãe", having some of Nireu Cavalcanti's 18th Century chronicles as inspiration, the film tries to trace a parallel between life in Brazil during the slavery period and life in modern Brazil. Written by lukejoplin@infolink.com.br

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Genres:

Drama

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Release Date:

20 May 2005 (Brazil)  »

Also Known As:

What Is It Worth?  »

Box Office

Budget:

BRL 4,000,000 (estimated)
 »

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Technical Specs

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(Westrex Recording System)

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Aspect Ratio:

1.85 : 1
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User Reviews

 
Bianchi's peculiar vision of Brazil
26 March 2006 | by (Brazil) – See all my reviews

"Quanto vale ou é por quilo" shows us parallel and fragmentary stories about life in Brazil during slavery period (that ended at 1888) and also during recent times, when non-governmental organizations explore poverty in order to make money.

Unilateral, exaggerated, perhaps intentionally artificial, "Quanto vale..." do not have the well-dosed mix of comedy, irreverence and political denunciation that made "Cronicamente Inviável/Chronically Unfeasible" a cult movie in his country. It lacks rhythm, it lacks more and clearer links between the various stories throughout the movie -- that is too much fragmentary.

But is worthy seeing it. And if you are a Latin-American one MUST see it. Bianchi's unique capability of characterizing Brazilian society's bad habits makes his movies disturbing, electrical and very, very instructive. No one else in Brazil has his guts. His vision of Brazil may not be "the" truth, nor the only way to see that country and its society. His movies dares to show his opinion. But indeed they are yet the best portrait of the moral crisis that corrupts his nation from the "favelas" to the politicians in Brasilia.


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