Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
After serving as a bridesmaid 27 times, a young woman wrestles with the idea of standing by her sister's side as her sibling marries the man she's secretly in love with.
Director:
Anne Fletcher
Stars:
Brian Kerwin,
Katherine Heigl,
James Marsden
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Director:
Donald Petrie
Stars:
Kate Hudson,
Matthew McConaughey,
Kathryn Hahn
When attending their son's college graduation, a couple reignite the spark in their relationship...but the complicated fact is they're divorced and he's remarried.
While helping his latest client woo the fine lady of his dreams, a professional "date doctor" finds that his game doesn't quite work on the gossip columnist with whom he's smitten.
Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the very next day.
Director:
Peter Segal
Stars:
Adam Sandler,
Drew Barrymore,
Rob Schneider
In London, Iris Simpkins writes a wedding column in a newspaper and nurtures an unrequited love for her colleague Jasper Bloom. Near Christmas, she is informed that Jasper is engaged to marry another colleague, and her life turns upside down. In Los Angeles, the movie-trailers maker Amanda Woods has just split with her unfaithful boyfriend Ethan and wants to forget him. Through a house exchange website, Amanda impulsively swaps her mansion for Iris' cottage in Surrey for the holidays. While in Surrey, Amanda meets Iris' brother and book editor Graham and they fall in love with each other. Meanwhile, Iris meets her new next door neighbor the ninety year old screenplay writer Arthur, who helps her retrieve her self-esteem, and the film composer Miles, with whom she falls in love. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the Special Features, Cameron Diaz claims this movie is her most physical due to all the running she had to do. See more »
Goofs
When Amanda is sitting in the limousine at the end of the movie (at exactly at 2:00:00 runtime) we see from the backseat of the car that all instruments show zero. See more »
Quotes
Amanda:
Okay, let's say we just make this happen. We each commit to flying back and forth as much as we can.
Graham:
Yes! It's doable, definitely.
Amanda:
And then let's say in 6 months we hit a wall. Like I can't constantly be away from work or the girls can't deal with you leaving so often. Then we start to feel the tension, we know this isn't going to work, so we start fighting because we don't know what else to do. And after a long, tearful- at your end...
Graham:
I like it
[sarcastically]
Graham:
.
Amanda:
-phone call we say goodbye. And...
[...] See more »
Do you like chocolate? Do you know that moment, even before you put it in your mouth? You can imagine that taste. You can feel that rich sweetness on your tongue, the smoothness going around your mouth . . .
The Holiday is a romantic comedy. You know what that means. And if you don't like romantic comedies, don't go and see it. If you do, you will know what to expect. The mushy feelings creeping up on you. All those 'If Only . . .' emotions telling you there is a lovely place somewhere in which people fall in love and everything works out kinda perfect. If only for a while . . . say, for the holiday period over Christmas and New Year . . . or for the 138 minutes which this film lasts.
Two Women on the Verge of Emotional Breakdown do holiday house swap. They escape lovelorn predicaments and find 'unexpected' love on their opposite sides of the Atlantic. Cue picturesque English country house just the way Americans imagine it (with sheep out the back). Cue enormous L.A. mansion with swimming pool (just the way Brits imagine it).
Cameron Diaz is Amanda, owner of a movie-trailers editing firm. Since she's played the same comedy character several times, there are few surprises; but an excellent script, written directly for her and the other three leading stars, projects it rather better than average. Kate Winslet as Iris, a successful writer on The Telegraph, is more nuanced: an actor with considerable range, we cannot but help admire the way she does 'pathetic girl' rather beautifully in a role that she could manage with one hand counting the ways to have fun and get paid simultaneously.
Formulaic it is (wonderful women with scoundrelly fellas eventually get The Real Men They Deserve - meeting puppy dogs, children, and falling snowflakes on the way of course). But, well-done within a narrow genre, it still stands out. No-brainers like this tend to have dumb scripts and dumber acting, but The Holiday contains warm, natural dialogue and heartfelt chemistry. If this was the 40's, you'd want Jude Law and Cameron Diaz to get married off-screen afterwards. Charismatic and entertaining, unless you find Diaz, Law or Winslet personally irritating (some people do), they are a joy to watch, filling their parts with love and light. Excellent production values keep the rather trite story flowing. Everything is picture-perfect, long lenses flattering the features of the already handsome stars, filters and soft-focuses carefully delineating the mood.
There is an overall honesty to the performances. "You look like my Barbie!" delights a four-year-old excitedly to Diaz. Ironic? But said with so much affection it is self-deprecating rather than cutting. Jack Black struggles to get out of his music-and-silly-faces typecasting but just manages to look the part for an intellectual Iris who is not attracted to skin-deep. Jude Law, on the other hand, could be an advert for men's skin cream, and too rounded a character to be mere pin-up material.
With more Christmas songs than you can shake a piece of tinsel at, The Holiday is a warm, snuggly romance to lose yourself in before coming firmly back down to planet earth. It might be shallow, but it's seasonal entertainment - and a Swiss chocolate of romantic comedies.
266 of 342 people found this review helpful.
Was this review helpful to you?
Do you like chocolate? Do you know that moment, even before you put it in your mouth? You can imagine that taste. You can feel that rich sweetness on your tongue, the smoothness going around your mouth . . .
The Holiday is a romantic comedy. You know what that means. And if you don't like romantic comedies, don't go and see it. If you do, you will know what to expect. The mushy feelings creeping up on you. All those 'If Only . . .' emotions telling you there is a lovely place somewhere in which people fall in love and everything works out kinda perfect. If only for a while . . . say, for the holiday period over Christmas and New Year . . . or for the 138 minutes which this film lasts.
Two Women on the Verge of Emotional Breakdown do holiday house swap. They escape lovelorn predicaments and find 'unexpected' love on their opposite sides of the Atlantic. Cue picturesque English country house just the way Americans imagine it (with sheep out the back). Cue enormous L.A. mansion with swimming pool (just the way Brits imagine it).
Cameron Diaz is Amanda, owner of a movie-trailers editing firm. Since she's played the same comedy character several times, there are few surprises; but an excellent script, written directly for her and the other three leading stars, projects it rather better than average. Kate Winslet as Iris, a successful writer on The Telegraph, is more nuanced: an actor with considerable range, we cannot but help admire the way she does 'pathetic girl' rather beautifully in a role that she could manage with one hand counting the ways to have fun and get paid simultaneously.
Formulaic it is (wonderful women with scoundrelly fellas eventually get The Real Men They Deserve - meeting puppy dogs, children, and falling snowflakes on the way of course). But, well-done within a narrow genre, it still stands out. No-brainers like this tend to have dumb scripts and dumber acting, but The Holiday contains warm, natural dialogue and heartfelt chemistry. If this was the 40's, you'd want Jude Law and Cameron Diaz to get married off-screen afterwards. Charismatic and entertaining, unless you find Diaz, Law or Winslet personally irritating (some people do), they are a joy to watch, filling their parts with love and light. Excellent production values keep the rather trite story flowing. Everything is picture-perfect, long lenses flattering the features of the already handsome stars, filters and soft-focuses carefully delineating the mood.
There is an overall honesty to the performances. "You look like my Barbie!" delights a four-year-old excitedly to Diaz. Ironic? But said with so much affection it is self-deprecating rather than cutting. Jack Black struggles to get out of his music-and-silly-faces typecasting but just manages to look the part for an intellectual Iris who is not attracted to skin-deep. Jude Law, on the other hand, could be an advert for men's skin cream, and too rounded a character to be mere pin-up material.
With more Christmas songs than you can shake a piece of tinsel at, The Holiday is a warm, snuggly romance to lose yourself in before coming firmly back down to planet earth. It might be shallow, but it's seasonal entertainment - and a Swiss chocolate of romantic comedies.