Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
In London, Iris Simpkins writes a wedding column in a newspaper and nurtures an unrequited love for her colleague Jasper Bloom. Near Christmas, she is informed that Jasper is engaged to marry another colleague, and her life turns upside down. In Los Angeles, the movie-trailers maker Amanda Woods has just split with her unfaithful boyfriend Ethan and wants to forget him. Through a house exchange website, Amanda impulsively swaps her mansion for Iris' cottage in Surrey for the holidays. While in Surrey, Amanda meets Iris' brother and book editor Graham and they fall in love with each other. Meanwhile, Iris meets her new next door neighbor the ninety year old screenplay writer Arthur, who helps her retrieve her self-esteem, and the film composer Miles, with whom she falls in love. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Within Hollywood, director Nancy Meyers is known for doing a rather large number of re-takes for any given scene segment. And during the shooting for The Holiday, at the end of a large number of re-takes for one particular segment of the newspaper Christmas party scene, lead actress Kate Winslet aroused a good-natured laugh from everyone on set when, after the end of what she felt was a particularly good take following another long series of takes, she dropped to her knees in front of a table, clasped her hands together on the tabletop, and began to pantomime a prayer for that to be the last take of the segment. See more »
Iris steps off to the side and you clearly see her walk over to the other side of the aisle. (When Iris walks Arthur down the aisle at the ceremony, she steps off to the right. In the next shot, she is on the other side of the aisle.) See more »
[Iris answers telephone]
So are you ever coming home?
Oh, my God, hi.
How's it going?
Great. I met a really nice guy.
See? And you said you'd never. What's he like?
He's really cute. I feel great when I'm with him, which is an entirely new experience. And he's about ninety years old.
He's my next-door neighbor. Or Amanda's next-door neighbor. By the way you should pop over and meet her.
Yeah, I have, actually.
[...] See more »
Iris (Kate Winslett), attractive, if somewhat dowdy, young English journalist (she works for that citadel of fogeyism, the "Daily Telegraph"), on the rebound from an affair with the shiftless Jasper (Rufus Sewell), one of the paper's columnists, decides she needs a Christmas holiday. She goes on-line and has soon swapped her Christmas-card pretty, but cramped, Surrey cottage with a mansion in Bel Air owned by Amanda (Cameron Dias), the ebullient head of a company that makes movie trailers, who has just thrown out her latest useless partner. The girls swap places and in no time Amanda is romancing Iris's dishy brother Graham (Jude Law). Meanwhile in Hollywood Iris is getting to know Miles (Jack Black), a workmate of Amanda's, and a 90 year old neighbour, Arthur (Eli Wallach) who happens to be one of Hollywood's forgotten great writers.
One can of course dismiss this sort of stuff as glossy fairy floss because basically, despite all the money and talent expended in making it, that is what it is - "Love, Improbable." This film is rather long for its genre, over two hours, and it does drag a bit, as if the scriptwriters couldn't decide how to end it. However it must be admitted that Kate Winslett and Jude Law are always interesting to watch on screen and Cameron Diaz has a nice line in parodying some of her earlier performances. Rufus Sewell shows he can out-act Hugh Grant any day (not hard I guess). Jack Black on the other hand seemed strangely out of place as Ms W's love interest romantic comedy doesn't seem to be his forte, he's more of your gross-out guy. It was nice though to see Eli Wallach, a great Hollywood tough guy of old, who at 90 seems to have the market for nice old buffers sewn up, as the neighbour.
Perhaps I am setting my standard too high, but compared to "Four Weddings and a Funeral", "Notting Hill", "Bedrooms and Hallways" and even "Love, Actually", this was a pile of mush, far too sweet and sticky and nice. Good comedy needs a certain bite, a reality bite, a bit of astringency, whereas what we are given here is pure fairyland escapism. Writer/Director Nancy Myers has a record of light entertaining stuff ("The Parent Trap", "Father of the Bride") and she certainly is not trying to extend her range here.
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