Christoffer and Maja's trip to Prague to bring back Chistoffer's deceased father evolves into the story of a break-up. In the wake of the events that follow, secrets gradually emerge which threaten to destroy their marriage.
There is a thin line between money and loyalty. Thomas Skepphult runs an investment company, and is arrested for the murder of his business partner when his fingerprint is found on the ... See full summary »
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
Svend and Bjarne work for a butcher in a small Danish town. Fed up with their boss' arrogance, they decide to start their own butcher shop. After dismal beginnings, an unfortunate accident ... See full summary »
Anders Thomas Jensen
Nikolaj Lie Kaas,
Jacob Pederson lives in shanty surroundings in Bombay, India, and assists in the running of Anand Orphanage and School. He had attempted a number of projects to assist orphans, including child prostitutes - all quite in vain. He has adopted a young male orphan, Pramod, and takes special care of him. With growing pressure on the facilities, which is on the verge bankruptcy, the orphanage receives an offer of funding from wealthy Danish citizen, Jorgen, which may put an end to its problems. In order to obtain the money, Jacob must travel to Copenhagen, meet with Jorgen, get financial assistance, and be back to celebrate Pramod's 8th birthday. He sets forth, is received by Christian Refner, an employee and future son-in-law of Jorgen. Jacob is shown all possible courtesy and even housed in a posh apartment. He subsequently meets with Jorgen, shows him video-tapes and submits that a few Kroner could really save several lives which would otherwise succumb to minor illnesses and infections.... Written by
At a showing at a film festival in Estonia, two of the reels had been switched by a mistake, making a part of the film out of place. Apparantly the majority of the audience didn't notice and was generally very enthusiastic about the movie despite the narrative being mixed up. See more »
When the couple gets married, the rings are placed on the fingers, but no visible in scenes post marriage. The customs in Denmark may be different, but throughout the film, wedding bands, rings, etc. migrate from hand to hand (wedding band on the right hand for women, left for men), and also disappear. See more »
Jørgen Lennart Hannson:
I am sick, damn it! I'm the one that is out of time. Jacob, I am dying. You have to stay and do what we have decided. Anna will need you... And Helene... And the boys... They're so young, Jacob. Look at me, Jacob! Don't you see that there is a point to all of this? You have a responsibility here, Jacob. Do I have to live on the other side of the world to get your help?
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You've probably read the glowing remarks about this film, so I won't be too repetitious. The film moves slowly along and where the story is going to take us isn't revealed for a while. It's like peeling the onion but with rewards in each layer. I was thinking about differentiating here but, as does the onion, this film also brings tears.
I liked the way we find out that our protagonist is from Denmark and has a past that drove him away and into a new life. He is certainly more of a giving human being that when he left the country. The story then follows a course that to a large degree his former life created.
One of the aspects I especially enjoyed in the film is the use of some Dogme 95 rules. It's not a Dogme film but the director makes good use of many parts of that approach. The camera is hand held and it's use here made me feel more involved with the characters. The use of available light made the film much more beautiful and warm. One of the good results of the Dogme use here is that the director has made a film that, even for its' slow pace, dispenses with non-important fluff that would most certainly have been added if it had been made in the USA. There was a reason for every scene.
So be prepared for a slow paced film loaded with beauty and revelation. You'll be rewarded with a wonderful film experience. Prior to seeing it I had thought Pan's Labyrinth would win an Oscar, but not anymore. Then I saw The Lives of Others and moved both of the films down a notch. They were my top three films of 2006, in fact none of my top three were American made. What a year for imports!
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